The Sounds of the Sounds Themselves: Analyzing the Early Music of Morton Feldman

1996 ◽  
Vol 34 (1) ◽  
pp. 6 ◽  
Author(s):  
Catherine Costello Hirata
Keyword(s):  
Early Music ◽  
Morton Feldman

Improvising Early Music

2014 ◽  
Author(s):  
Rob C. Wegman ◽  
Johannes Menke ◽  
Peter Schubert
Keyword(s):  
Early Music

The Jewish Population of Tennessee

2018 ◽  
Author(s):  
Laurence Maslon
Keyword(s):  
Twentieth Century ◽  
Popular Music ◽  
Jewish Population ◽  
Music Industry ◽  
Major Power ◽  
Sheet Music ◽  
Early Music ◽  
Music Publishers ◽  
Popular Music Industry

At the beginning of the twentieth century, the first way that the imprimatur of Broadway reached consumers was through the immense distribution of colorful and tuneful sheet music. Early music publishers learned quickly that associating a song with a Broadway show such as the Ziegfeld Follies, Broadway personalities such as Al Jolson and Fanny Brice, or Broadway composers such as Victor Herbert gave that tune a special identity that increased its popularity. In addition, music publishers, such as Max Dreyfus, were major power brokers in the popular music industry, yielding the ability to make a song into a hit, and continued to be influential through the first half of the twentieth century.

Conversation with Morton Feldman (Bunita Marcus and Francesco Pellizzi)

1983 ◽  
Vol 6 ◽  
pp. 112-135
Author(s):  
Morton Feldman ◽  
Bunita Marcus ◽  
Francesco Pellizzi ◽  
John Cage
Keyword(s):  
Morton Feldman

Brahms's Choral Compositions and His Library of Early Music

Notes ◽  
1984 ◽  
Vol 41 (2) ◽  
pp. 287
Author(s):  
Jane Vial Jaffe ◽  
Virginia Hancock
Keyword(s):  
Early Music

The economics of early music

Early Music ◽  
1976 ◽  
Vol 4 (4) ◽  
pp. 443-448
Author(s):  
NICHOLAS KENYON
Keyword(s):  
Early Music
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