A Corinthian Plastic Vase in the National Museum at Athens

1935 ◽  
Vol 55 (2) ◽  
pp. 124-127
Author(s):  
R. J. H. Jenkins

This vase was formerly in the Lambros collection; it passed thence to the National Museum at Athens, where it now is. The provenience is unknown, but in view of its obviously Corinthian manufacture, it is interesting to record that the fragments of earth which the vase still contains are of a light yellowish-white colour and very crumbly, full of small root-slivers, perhaps from vines. This rather distinctive earth would seem to point to the Corinthia, and it is a probable conjecture that the vase hails from a Corinthian grave.The vase is 88 mm. tall by 55 mm. broad at the base. The form is unique among Corinthian plastic vases; the shape is that of a round-topped cone; a section of the periphery equal to about one-third of the circumference is flattened to form the front of the vase. On this flat side is modelled in high relief the head of an early archaic seilen, whose general characteristics will be easily gathered from the accompanying photographs. Below the neck of the seilen is a horizontal painted strip, evidently indicating some garment which he is wearing.

2020 ◽  
Vol 27 (2) ◽  
pp. 225-231
Author(s):  
Md Abul Hassan ◽  
Md Almujaddade Alfasane ◽  
Mohammad Zashim Uddin

Living specimens of three colour forms (pink, white and yellowish white) of Nelumbo nucifera Gaertn. were observed in different natural habitats of Bangladesh and collected. Fresh specimens were studied in the field as well as in the laboratory. After detailed study it was concluded that the three colour forms available in Bangladesh belong to the same species, Nelumbo nucifera Gaertn. However, the yellowish white colour form, having many stamens petaloid, is considered as a new cultivar Nelumbo nucifera ‘Gomoti’ and reported here as the first lotus cultivar from Bangladesh. Bangladesh J. Plant Taxon. 27(2): 225-231, 2020 (December)


1777 ◽  
Vol 67 ◽  
pp. 504-506

This species of Jesuits bark grown on stony lands near the sea-shore, in the parishes of St. James and Hanover, on the north-side of Jamaica; and I found one small tree, at a little distance form the fort, at Martha Brae in the parish of Trelawny. The tree is called the Sea-side Beech, and rises only to twenty feet. The trunk is not thick in proportion, but hard, tough, and of a yellowish-white colour in the inside. The branches and leaves are opposite; the leaves are of a rusty green, and the young buds of a blueish green hue. It blossoms in November, and continues in flower till February, having on the same tree or sprig, flowers and ripe pods.


2019 ◽  
Vol 11 (2) ◽  
pp. 67
Author(s):  
Fida Husnul Faidah ◽  
Yenny Moviana ◽  
Nitta Isdiany ◽  
Surmita Surmita ◽  
Putri Widi Hartini

Malnutrition is one of the problems faced by hospitals during treatment of patients. Malnourished patients who are unable to meet their nutritional needs from food were given recommendation for enteral nutrition (EN). Tempeh as a source of vegetable protein can be used as an alternative ingredient for making more cost-effective hospital-made high-protein EN than commercial EN. This experimental study using tempeh flour as main ingredient for enteral nutrition. This study aimed to asses the effect of tempeh flour formulation on organoleptic and physical properties of EN. This study was conducted by testing hedonic quality and osmolality of 3 EN formulation. The organoleptic test results showed that tempeh flour based enteral nutrition had yellowish white colour, sweet taste, a distinctive flavor of tempeh, and liquid viscosity. Kruskal- Wallis test showed that there was effect of tempeh flour formulation on colour (p: 0.002), taste (p: 0.001), and aroma (p: 0,000). Osmolality test on three formulations produced above the recommended limit. To develop the product, formulations are needed using ingredients with lower osmolality.


CounterText ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 26-32
Author(s):  
Norbert Bugeja

In this retrospective piece, the Guest Editor of the first number of CounterText (a special issue titled Postcolonial Springs) looks back at the past five years from various scholarly and personal perspectives. He places particular focus on an event that took place mid-way between the 2011 uprisings across a number of Arab countries and the moment of writing: the March 2015 terror attack on the Bardo National Museum in Tunis, which killed twenty-two people and had a profound effect on Tunisian popular consciousness and that of the post-2011 Arab nations. In this context, the author argues for a renewed perspective on memoir as at once a memorial practice and a political gesture in writing, one that exceeds concerns of genre and form to encompass an ongoing project of political re-cognition following events that continue to remap the agenda for the region. The piece makes a brief final pitch for Europe's need to re-cognise, within those modes of ‘articulacy-in-difficulty’ active on its southern borders, specific answers to its own present quandaries.


2015 ◽  
Vol 66 (2) ◽  
pp. 163-190 ◽  
Author(s):  
Richard Sharpe

In his Rhind Lectures of 1879 Joseph Anderson argued for identifying the Monymusk Reliquary, now in the National Museum of Scotland, with the Brecc Bennach, something whose custody was granted to Arbroath abbey by King William in 1211. In 2001 David H. Caldwell called this into question with good reason. Part of the argument relied on different interpretations of the word uexillum, ‘banner’, taken for a portable shrine by William Reeves and for a reliquary used as battle-standard by Anderson. It is argued here that none of this is relevant to the question. The Brecc Bennach is called a banner only as a guess at its long-forgotten nature in two late deeds. The word brecc, however, is used in the name of an extant reliquary, Brecc Máedóc, and Anderson was correct to think this provided a clue to the real nature of the Brecc Bennach. It was almost certainly a small portable reliquary, of unknown provenance but associated with St Columba. The king granted custody to the monks of Arbroath at a time when he was facing a rebellion in Ross, posing intriguing questions about his intentions towards this old Gaelic object of veneration.


Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


Geo&Bio ◽  
2019 ◽  
Vol 2019 (17) ◽  
pp. 136-147
Author(s):  
Galina Anfimova ◽  
◽  
Volodymyr Grytsenko ◽  
Kateryna Derevska ◽  
Kseniia Rudenko ◽  
...  

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