XXIII. The Views of the Great Critics on the Historical Novel

PMLA ◽  
1926 ◽  
Vol 41 (2) ◽  
pp. 424-441 ◽  
Author(s):  
Ernest Bernbaum
Keyword(s):  
Nineteenth Century ◽  
George Eliot ◽  
Historical Novel ◽  
The Public ◽  
Literary Art ◽  
Conrad Ferdinand Meyer ◽  
Similar Kind

The significance of the historical novel may be summarily suggested by calling the roll of its greatest masters: Scott and Manzoni; Hugo and Dumas; Thackeray, Kingsley, and Reade; Tolstoi, Coster, and Sienkiewicz. Add those who are rivals of the leading masters: Gogol and Jokai, Conrad Ferdinand Meyer and Jens Peder Jacobsen, Hawthorne and Pater, Blackmore and Stevenson; Merimée, Flaubert, and Anatole France. Here, without mentioning many who, like Dickens and George Eliot, were at their best in other forms of fiction, we have a genre rich in masterpieces,—certainly the only great genre in which the nineteenth century so excelled its predecessors as to cast their experiments of a similar kind into oblivion. The public loves it; great authors devote themselves to it. What do the critics make of it? What is its nature, its function, its value? Is this method, apparently so successful, of narrating an action imagined as occurring in an historic past, really a literary art or is it a temporary aberration? Such questions rang out in the nineteenth century as challenges to critical genius. How did the critics respond?

The Social Memory of Jane Porter and her Scottish Chiefs

2012 ◽  
Vol 91 (2) ◽  
pp. 311-335 ◽  
Author(s):  
Graeme Morton
Keyword(s):  
Nineteenth Century ◽  
Historical Novel ◽  
Social Memory ◽  
Public Life ◽  
Childhood Experiences ◽  
Historical Romance ◽  
The Public ◽  
Culture And Cognition ◽  
The Social ◽  
Social Memories

Formed within the interplay of history, culture and cognition, the concept of social memory is introduced to evaluate a key element of Scotland's nineteenth-century national tale. Being never more than partially captured by state and monarchy, and only imperfectly carried by institutions and groups, the national tale has comprised a number of narratives. Within the post-Union fluidity of Scotland's place within Britain, and at a time of European conflict, this tale coalesced around social memories of the mediaeval patriot William Wallace. Distinctive to that process was the historical romance The Scottish Chiefs (1810), as it was merged with the public life of its author, Jane Porter (bap. 1776–1850). By situating this fictional account of the life of Wallace within the social memories of its author, and in society more widely, attention is directed towards a set of stories formed in Porter's own cognition. These living memories were forged in her childhood experiences of a new life in Scotland; her claim to have pioneered the historical novel, confirmed by her friend Walter Scott; her personal, familial, and fictional projections of her public self; and in how contemporaries returned to her, and made known to society, their reception of her personality, her deportment, and her fiction. It was in combination that a leading social memory of the nation's tale was formed out of living memory that could not have transcended time and place.

Epilogue

2018 ◽  
Author(s):  
Cassandra L. Yacovazzi
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Civil War ◽  
Popular Media ◽  
The Public ◽  
Monastic Life ◽  
The Common ◽  
Public Imagination ◽  
Maria Monk ◽  
People Today

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.

Literature and Science in the Nineteenth Century

2009 ◽  
Keyword(s):  
Nineteenth Century ◽  
Charles Dickens ◽  
George Eliot ◽  
Charles Darwin ◽  
Science And Literature ◽  
Creative Writers ◽  
Humphry Davy ◽  
The Individual ◽  
John Tyndall ◽  
Michael Faraday

‘It has been said by its opponents that science divorces itself from literature; but the statement, like so many others, arises from lack of knowledge.’ John Tyndall, 1874 Although we are used to thinking of science and the humanities as separate disciplines, in the nineteenth century that division was not recognized. As the scientist John Tyndall pointed out, not only were science and literature both striving to better 'man's estate', they shared a common language and cultural heritage. The same subjects occupied the writing of scientists and novelists: the quest for 'origins', the nature of the relation between society and the individual, and what it meant to be human. This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. Fed by a common imagination, scientists and creative writers alike used stories, imagery, style, and structure to convey their meaning, and to produce work of enduring power. The anthology includes writing by Charles Babbage, Charles Darwin, Sir Humphry Davy, Charles Dickens, George Eliot, Michael Faraday, Thomas Malthus, Louis Pasteur, Edgar Allan Poe, Mary Shelley, Mark Twain and many others, and introductions and notes guide the reader through the topic's many strands. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A ‘LESS THAN ENTHUSIASTIC’ FRIENDSHIP: JOHN MORLEY, GEORGE ELIOT, AND GEORGE HENRY LEWES

2020 ◽  
Author(s):  
Kevin A Morrison
Keyword(s):  
Nineteenth Century ◽  
George Eliot ◽  
Middle Age ◽  
Belief System ◽  
Religious Faith ◽  
John Stuart Mill ◽  
Critical Distance ◽  
Auguste Comte ◽  
Liberal Philosophy ◽  
Aesthetic Preferences

Abstract For roughly a decade, John Morley enjoyed a warm and deferential sociality with George Henry Lewes and George Eliot. The basis for their friendship was the positivist philosophy of Auguste Comte, which initially held great appeal to Morley, who had lost his religious faith while studying as an undergraduate at Balliol, Oxford. While Lewes and Eliot’s views on Comte were largely fixed by middle age, Morley, still in his twenties, was searching for a substitute belief system. As Morley began to embrace the liberal philosophy of (and form a friendship with) John Stuart Mill, who had declared himself to be an antagonist of Comte’s, Morley, Lewes, and Eliot increasingly held less in common. This lack of commonality gave Morley the critical distance to reassess the couple both personally and intellectually. Embracing a new philosophy and divergent aesthetic preferences, Morley developed an equivocal view of his friends, roughly two decades his senior. Utilizing letters, diary entries, published writings, and a previously untranslated document in French, this essay provides a complex portrait of an intergenerational friendship among three nineteenth-century intellectuals.

The Languages of Petitioning in Early Colonial India

2019 ◽  
Vol 43 (3) ◽  
pp. 581-597 ◽  
Author(s):  
James A. Jaffe
Keyword(s):  
Nineteenth Century ◽  
Western India ◽  
Rhetorical Strategies ◽  
Early Nineteenth Century ◽  
Colonial India ◽  
The Public ◽  
The People ◽  
Early Colonial ◽  
The Social ◽  
Different Levels

With relatively few exceptions, personal petitions from individuals have received much less attention from historians than those from groups in the public political sphere. In one sense, personal petitions adopted many of the same rhetorical strategies as those delivered by a group. However, they also offer unique insights into the quotidian relationship between the people and their rulers. This article examines surviving personal petitions to various administrators at different levels of government in western India during the decades surrounding the East India Company’s conquests. The analysis of these petitions helps to refine our understanding of the place of the new judicial system in the social world of early-nineteenth-century India, especially by illuminating the discourse of justice that petitioners brought to the presentation of their cases to their new governors. The conclusion of this article seeks to place the rhetoric of personal petitioning within the larger context of mass political petitioning in India during the early nineteenth century.

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