XXI.—The Earl of Warwick's Virelai

PMLA ◽  
1907 ◽  
Vol 22 (4) ◽  
pp. 597-607
Author(s):  
Henry Noble MacCracken

The career of Richard Beauchamp, Earl of Warwick, from 1401 to 1439 is hardly to be equalled in the annals of chivalry, even by that earlier Richard, Cœur-de-Lion It is no part of this introductory note to his Virelai, to rehearse in detail the extraordinary events of his long life of travel, adventure, warfare, and diplomacy. Mr. James Gairdner's life of the hero tells the story of his chief exploits, and those to whom Dugdale's Warwickshire is accessible may read it in detail. But to come upon a literary personality in the fifteenth century is so rare a thing, and the character of Richard Beauchamp is so happy an example of a true knight of the Middle Ages, that these few notes upon him and his family, most of them not in Gairdner's article, will not come amiss to the student of the period.

X ◽  
2020 ◽  
Author(s):  
Pedro Gurriarán Daza

Building techniques in the medieval walls of AlmeríaAlmería was one of the most important cities in al-Andalus, a circumstance that was possible thanks to the strength of its port. Its foundation as an urban entity during the Caliphate of Córdoba originated a typical scheme of an Islamic city organized by a medina and a citadel, both walled. Subsequent city’s growths, due to the creation of two large suburbs commencing in the eleventh century, also received defensive works, creating a system of fortifications that was destined to defend the place during the rest of the Middle Ages. In this work we will analyse the construction techniques used in these military works, which cover a wide period from the beginning of the tenth century until the end of the fifteenth century. Although ashlar stone was used in the Caliphate fortification, in most of these constructions bricklayer techniques were used, more modest but very useful. In this way, the masonry and rammed earth technique were predominant, giving rise to innumerable constructive phases that in recent times are being studied with archaeological methodology, thus to know better their evolution and main characteristics. 


Author(s):  
Louise D'Arcens

World Medievalism: The Middle Ages in Modern Textual Culture explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present. Building its argument through four case studies—from the Middle East, France, Southeast Asia, and Indigenous Australia–it shows that to understand medievalism as a cultural idiom with global reach, we need to develop a more nuanced grasp of the different ways ‘the Middle Ages’ have come to signify beyond Europe as well as within a Europe that has been transformed by multiculturalism and the global economy. The book’s case studies are explored within a conceptual framework in which medievalism itself is formulated as ‘world-disclosing’—a transhistorical encounter that enables the modern subject to apprehend the past ‘world’ opened up in medieval and medievalist texts and objects. The book analyses the cultural and material conditions under which its texts are produced, disseminated, and received and examines literature alongside films, television programs, newspapers and journals, political tracts, as well as such material and artefactual texts as photographs, paintings, statues, buildings, rock art, and fossils. While the case studies feature distinctive localized forms of medievalism, taken together they reveal how imperial and global legacies have ensured that the medieval period continues to be perceived as a commonly held past that can be retrieved, reclaimed, or revived in response to the accelerated changes and uncertainties of global modernity.


2019 ◽  
Vol 25 (1) ◽  
pp. 53-68 ◽  
Author(s):  
Stefano Adamo ◽  
David Alexander ◽  
Roberta Fasiello

This work is focused on an issue scarcely examined in the literature, concerning the analysis of the relationship existing between time and accounting practice. The aim is to highlight how changes in the interpretation of the concept of time influenced the development of accounting practices and contributed to the rise of periodical accounting reporting from the beginning of the thirteenth century to the end of the fifteenth century. The socio-economic context existing in Italy in the Middle Ages, the development of commercial partnerships among merchants ( compagnie) and the international trade created the conditions for the development of periodical reporting. The relevance assigned to time in economic activity is one of the crucial factors of the rise of accounting information related to recurring accounting periods. Furthermore, the article shows how the concept of time is important and its significance widely underestimated, in a variety of further applications.


1999 ◽  
Vol 17 (1) ◽  
pp. 77-87 ◽  
Author(s):  
James J. Murphy ◽  
Michael Winterbottom

Abstract: Fifteenth-century rhetoricians inherited from the Middle Ages the belief that Cicero was the author of the work generally known as theRhetorica ad Herennium. This assumption was challenged in 1491 in a shortQuaestio by Raffaele Regio (1440?-1520). He refutes the three main arguments advanced for Cicero's authorship, but in the end declares that he will leave the matter undecided. Regio's claims did not settle the matter,which was still being debated two centuries later.


2020 ◽  
pp. 1-16
Author(s):  
Vasco Zara

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantitative paradigm of proportion with its qualitative one. The language of proportion as a compositional tool reveals the shift between the Middle Ages and the Renaissance: while the Medieval tèchne based on modular thinking provides beauty and universal truth using the technique of repetition, the Humanist paradigm of variety produces pleasure and individual truth – a condition typical of the premodern.


1950 ◽  
Vol 7 (25) ◽  
pp. 1-16 ◽  
Author(s):  
Jocelyn Otway-Ruthven

The problems set by the Norman conquest of Ireland which began under Henry II cannot be properly appreciated if they are viewed in isolation. Similar problems had been set by the Norman conquest of England only a hundred years earlier; similar problems existed in Wales. In England, however, the conquest had been both rapid and complete, and problems which were to last throughout the middle ages in Ireland were solved in England by the merging of the two peoples in a relatively short time. Moreover, in England no such clash of laws as was to come about in Ireland had followed the conquest: the Anglo-Saxons had possessed a well-developed system of local administration which was taken over with little or no modification by the Norman kings.


1975 ◽  
Vol 28 (4) ◽  
pp. 434-448
Author(s):  
H. Grosset-Grange

This study of fifteenth-century Arab sailing directions for the Indian Ocean is translated from a paper which was published in the July 1974 issue of Navigation, the Journal of the French Institute of Navigation. The spelling of modern place names has been assimilated to that of the Admiralty Charts and Sailing Directions but other Arabic names and terms have been left in the authors' approximate transliteration. Quotations from the Arabic texts are printed in italics.


PMLA ◽  
1905 ◽  
Vol 20 (3) ◽  
pp. 435-501 ◽  
Author(s):  
William Pierce Shepard

The chief prose works of the fifteenth century in France, by common consent, are the long pseudo-chivalric romance entitled Le Petit Jehan de Saintré, the satire on women called Les Quinze Joyes de Mariage and the collection of tales known as Les Cent Nouvelles Nouvelles. The author of the first work alone names himself: it is Antoine de la Sale, a native of Provence, known also as the author of several didactic works, La Salade, La Salle, Le Réconfort, etc. The author of the Quinze Joyes has hidden his identity in a riddle which has not yet been satisfactorily deciphered. Not even a hint as to the author or editor of the Cent Nouvelles is contained in the manuscript. Led astray by an erroneous interpretation of the riddle, Pottier in 1830 ascribed the Quinze Joyes to La Sale. Le Roux de Lincy did the same for the Cent Nouvelles, in 1841. The first scientific attempt to prove these ascriptions was made by L. Stern in 1870. Stern sought to establish La Sale's authorship of the Cent Nouvelles by a comparison of certain details of style and by the fact, noticed more in detail later, that a “conte” addressed to La Sale appears as one of the hundred tales. This was followed immediately by the paper of E. Gossart, which gave special attention to the Quinze Joyes. Gossart showed that La Sale, in La Salle and in Saintré, had made use of St. Jerome's paraphrase of Theophrastus, also cited in the prologue of the Quinze Joyes. However, as M. Raynaud has pointed out, this epistle of Jerome, with that of Valerius, also cited in the Quinze Joyes, was the chief source of most of the diatribes against marriage in the Middle Ages.


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