The essay “On the Ancient Metrical Romances,” introduced into the third volume of Percy's Reliques of Ancient English Poetry (1765), is an important landmark in the modern revival of interest in the medieval romances. Through the earlier part of the eighteenth century the infrequent comments on the romances had been incidental to something else (chivalry, for a conspicuous example) or had been concerned with theories, chiefly of origin, based on very little evidence. Of the romances themselves, little was known, but they were generally considered barbarous, uncultivated, and infantile. But in Percy's essay the subject is treated with some attempt at completeness, and includes not merely theories about their origin (though these are present) but a discussion of the romances themselves. Upon scrutiny, Percy's knowledge of the subject is found to be large, much larger than has been generally suspected, and toward the material he is seen to display a hesitating and diffident enthusiasm manifestly held in check by the disapproval of the current taste. A summary of his essay follows:The purpose of primitive poetry (according to Percy) was at first to record the valiant deeds and the genealogies of the race heroes; but as letters began to prevail, the bards gave over their historical function and devoted themselves to entertainment. From these songs of the Gothic bards are derived the romances of chivalry, which existed in their elements among the Teutonic peoples long before the days of the Crusades. Though romances first developed in France, the English had a native taste for this type of fiction, and there is reason to believe that they had romances of their own without French originals. These old romances throw light on the manners of the time and often have poetic merit. The publication of a judicious collection of them would thus be desirable. Our classical poets—Chaucer, Shakespeare, Spenser—abound in allusions that are understood only by a knowledge of romances. To illustrate these points Percy quotes a passage from Richard Cure de Lyon that explains an allusion in King John, and gives a detailed abstract of Libius Disconius, one of the romances found in his manuscript. A catalogue of such romances as he knows to be extant closes the essay.
Personification in Eighteenth-Century English Poetry