Laurence Sterne in the Twentieth Century: An Essay and a Bibliography of Sternean Studies 1900-1965

1969 ◽  
Vol 64 (3) ◽  
pp. 648
Author(s):  
Arthur H. Cash ◽  
Lodwick Hartley ◽  
John M. Stedmond ◽  
Overton Philip James
Keyword(s):  
Twentieth Century ◽  
Laurence Sterne

Laurence Sterne in the Twentieth Century. Lodwick Hartley

1968 ◽  
Vol 65 (3) ◽  
pp. 255-257
Author(s):  
William Bowman Piper
Keyword(s):  
Twentieth Century ◽  
Laurence Sterne

Laurence Sterne in the Twentieth Century: An Essay and a Bibliography of Sternean Studies, 1900-1965

Books Abroad ◽  
1967 ◽  
Vol 41 (2) ◽  
pp. 216
Author(s):  
David P. French ◽  
Lodwick Hartley ◽  
Arthur Hill Cash
Keyword(s):  
Twentieth Century ◽  
Laurence Sterne

A Sentimental Journey to Mars: Laurence Sterne and his Twentieth-Century Successors

2017 ◽  
Vol 14 (1) ◽  
pp. 49-68
Author(s):  
Michał Czorycki
Keyword(s):  
Twentieth Century ◽  
Travel Narratives ◽  
Laurence Sterne ◽  
Individual Freedom ◽  
Literary Practice ◽  
Psychological Experience ◽  
Narrative Device ◽  
Self Knowledge ◽  
Italo Svevo ◽  
Literary Model

This essay examines the idea of the journey in Laurence Sterne's Sentimental Journey through France and Italy (1768) and the manner in which it has been referred to and elaborated upon by three twentieth-century writers: Italo Svevo in Corto viaggio sentimentale (Short Sentimental Journey, 1925), Gregor von Rezzori in Kurze Reise übern langen Weg: eine Farce (The Orient-Express, 1986) and Claudio Magris in Danubio (Danube, 1986). The authors engage in a dialogue with Sterne and the literary model he proposed in his works. Despite the differences between their texts, in all of them the journey appears not only as a narrative device, but also a symbol of the never-ending quest for individual freedom, self-knowledge and erotic fulfilment. It is both a physical and psychological experience and a literary practice which allows the authors/narrators to distance themselves from cultural clichés and dogmas of their time and venture beyond social routines. This essay attempts to elucidate the unconventional character of ‘sentimental’ travel narratives and bring to the fore thematic continuities between Sterne and his twentieth-century successors.

scholarly journals A Central Consciousness at Work Beneath the Surface Artlessness: Narrative Strategies in “Tristram Shandy”

2018 ◽  
Vol 7 (3) ◽  
pp. 137
Author(s):  
Junfang Xu
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Narrative Structure ◽  
Laurence Sterne ◽  
Twentieth Century Literature ◽  
Narrative Strategies ◽  
Tristram Shandy ◽  
Artistic Value ◽  
Critical Theories ◽  
Century Literature

‘The Life and Opinions of Tristram Shandy, Gentleman’ (hereafter shortened to “Tristram Shandy”) is a unique novel written by British author Laurence Sterne in the eighteenth century. While Sterne’s contemporary readers may have conflicting viewpoints about the artistic value of “Tristram Shandy” because of its surface artlessness and chaos, readers today in the contexts of such twentieth-century critical theories as postmodernism, existentialism, and deconstruction, find it congenial and more intriguing. I argue that despite the apparent chaos of this novel, the author-narrator Tristram is a central consciousness that holds the whole work together. And I believe Sterne narrates his story in such a peculiar way in conformity to his own perception of the outside world. Specifically, this paper aims to explore the inventive narrative strategies employed in Sterne’s “Tristram Shandy” in the three aspects of narrative structure, time-shifting technique and self-conscious narrator. Amazingly, “Tristram Shandy” presents a wholly new notion of creative writing, one that goes beyond its time, and has unbreakable connection with twentieth-century literature.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

Twentieth Century Classics

2009 ◽  
Author(s):  
Rajiva Wijesinha
Keyword(s):  
Twentieth Century
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