scholarly journals A Study of the Court of Star Chamber, Largely Based on Manuscripts in the British Museum and the Public Record Office

1903 ◽  
Vol 51 (2) ◽  
pp. 122
Author(s):  
R. B. W. ◽  
Cora L. Scofield
Author(s):  
G. W. Bernard

Bruce Wernham was born on 11 October 1906 at Ashmansworth, near Newbury, Berkshire, the son of a tenant farmer. He attended St Bartholomew's Grammar School, which he remembered with affection all his life, serving as Governor from 1944. In 1925 he went on to Exeter College, Oxford, and took a first in Modern History in 1928. He returned to study towards a D.Phil. His chosen theme was ‘Anglo-French relations in the age of Queen Elizabeth and Henri IV’, a subject that would remain at the centre of his interests for the rest of his life. After a year, he moved to London in order to work on the State Papers in the Public Record Office and the British Museum.


1906 ◽  
Vol 20 ◽  
pp. 171-203 ◽  
Author(s):  
R. R. Reid

A popular movement like the Rebellion of the Earls can always be treated from two distinct standpoints, the national and the local. Hitherto, the Rebellion has always been treated from the national standpoint, with the result that, so far as I am aware, there is no book dealing with the Rebellion alone. All accounts of it must be sought in general histories such as those named below. I would specially mention the chapter in the ‘Cambridge Modern History’ in which Mr. Law has anticipated all the conclusions which I have been able to draw from my own examination of the sources. The local point of view, on the other hand, has been almost wholly ignored, and affords more opportunity for investigation; to it, therefore, I have confined myself. I cannot pretend that the essay is exhaustive, as circumstances have prevented me from investigating the local sources, such as Corporation and Town Records, Parish Registers and the like. Nevertheless, this contribution may not be wholly without value, since it is based on a careful study of the material preserved at the Public Record Office and in the British Museum.


1969 ◽  
Vol 19 ◽  
pp. 95-118 ◽  
Author(s):  
A. L. Brown

In the late fourteenth century the kin' council in England came to have its own secretariat. The oldad hocarrangements for writing its documents were replaced by a paid ‘clerk of the council’ charged to write records of business done and preserving some sort of council archive; by the early fifteenth century it had become normal practice to record not only many decisions but the date and the names of those present at the time; and these arrangements continued unbroken through the fifteenth century and were considerably expanded in the sixteenth and seventeenth centuries. Sometimes, and this is the exception rather than the rule,somedecisions were entered in books or journals, such as the ‘Book of the Council’ covering the years 1421 to 1435, but the normal method of recording decisions was in the form of endorsements on draft documents or petitions, sometimes in the form of memoranda. In 1500 many thousands of these documents must have existed on the files of chancery and the privy seal, particularly the privy seal, where they had been sent to authorize the issue of letters giving effect to council decisions. Since then, unfortunately, most have been destroyed or dispersed. Some, in general the more striking items, were taken from the files by Sir Robert Cotton, came to the British Museum, and were published by Sir Harris Nicolas in the 1830‘s. The others, the more numerous, are in the Public Record Office in various collections, and are almost entirely unpublished.


Author(s):  
Khaled Asfour

In Vitruvius’ treatise, what makes good architecture is its ability to communicate to the public particular messages that reflects the program of the building with spaces and components arranged in an orderly way. According to Vitruvius these messages when acknowledges by the public the building posses strong character. This research discusses this idea by reflecting on the 1895 competition of the Egyptian Museum project. Marcel Dourgnon, the French architect of the winning scheme, showed profound understanding of character resulting in a building that had positive vibe with the local community.  Today Vitruvius’ idea is still living with us. Norman Foster succeeded in upgrading the British Museum in a way that addressed all cultures of the world through his grand atrium design.  Similarly, Emad Farid and Ramez Azmy revived the presence of the Egyptian Museum in public cognition.  Spatial experience that evokes similar perceptions to all its visitors is a timeless piece that transcends cultural boundaries.


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