The Poetry of Federico Garcia Lorca and "Cante Jondo"

1974 ◽  
Vol 39 (4) ◽  
pp. 94 ◽  
Author(s):  
Edward F. Stanton
Keyword(s):  
Federico Garcia Lorca ◽  
Cante Jondo

scholarly journals Enrico Di Pastena, Valerio Nardoni (a cura di). Federico García Lorca: Poema del cante jondo, seguito da Architettura del cante jondo

2020 ◽  
Author(s):  
Renata Londero
Keyword(s):  
Federico Garcia Lorca ◽  
Cante Jondo ◽  
Poema Del Cante Jondo

Review of Di Pastena, E.; Nardoni, V. (a cura di) (2019). Federico García Lorca: Poema del cante jondo, seguito da Architettura del cante jondo. Firenze: Passigli, 186 pp.

Madrid, Cante Jondo, and Nostalgia

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Nineteenth Century ◽  
Federico Garcia Lorca ◽  
Invented Tradition ◽  
Cante Jondo ◽  
Rural Immigration

This chapter provides an account of the cante jondo competition organized by Manuel de Falla and Federico García Lorca in Granada in 1922, which has been the object of substantial attention by scholars who regard cante jondo as an example of invented tradition. The chapter adds a new angle to this discussion as it argues that this competition helped to negotiate the tensions between Andalusia and Madrid provoked by rural immigration in the second half of the nineteenth century, and to restore the image of Gypsies from the damage inflicted by Eugenio Noel and other anti-flamenquismo critics. While Falla and Lorca used cante jondo as an antidote against flamenquismo, many critics in Madrid embraced flamenquismo as an antidote against jazz, which they regarded as a modern foreign import that threatened to annihilate national traditions. The chapter concludes with a discussion of the extent to which Andalusian identity and traditions were misunderstood in Madrid.

scholarly journals Federico García Lorca, Expresión Máxima De La Cultura Popular Andaluza

2017 ◽  
pp. 72-79
Author(s):  
Alfonso De La cruz Martínez
Keyword(s):  
Federico Garcia Lorca ◽  
Cultura Popular ◽  
Cante Jondo

En el presente escrito me propongo indagar respecto de la influencia de la cultura andaluz en la producción poética de Federico García Lorca, manifestado no solo en la temática que el autor aborda, sino también en un estudio comparativo de expresiones culturales como el cante jondo y los temas que resultan recurrentes en el autor como expresión del pensamiento y la cultura andaluz. Abordamos al poeta de la generación del 27, al hombre que fue capaz de profetizar su muerte a través de su producción poética, al que veía impregnada la cultura andaluza en todo lo que fuera el mundo hispánico, al que para abordar la vida era inevitable la unión entre el amor que casi siempre terminaba con la muerte, al que fue asesinado a manos de sus coterráneos al inicio de la guerra civil española en la carretera que de Viznar conduce a Alfacar en Granada - España.

scholarly journals Federico García Lorca: música y poesía : la problemática del cante jondo

2009 ◽  
Vol 14 ◽  
pp. 45-53
Author(s):  
Leona Baglyosi
Keyword(s):  
Federico Garcia Lorca ◽  
Musical Work ◽  
Place Of Origin ◽  
Cante Jondo ◽  
Poema Del Cante Jondo

The topic of my essay is the musical work of Federico García Lorca and the effect of music on poetry. The aim is to present an objective image of García Lorca, the musician, disregarding his reputation as poet and dramatist. In this extract, I discuss the theory of cante jondo. The differences between Lorca’s and later experts’ results are presented from the perspective of modern flamencology. The first disputed aspect is stylistic categorisation – while the poet makes a distinction between cante jondo and cante flamenco, flamencologists consider cante jondo as a subtype of flamenco. The origin of the genre is even more problematic, and, in the absence of written documents, the debate between the representatives of the Andalusian and the gypsy origin is still unclosed. Considering the place of origin of cante jondo Lorca did not state his opinion, therefore, based on some references, I try to clarify if he shared his teacher’s, Manuel de Falla’s opinion, which is different from what experts claim today. Only part of the analysis of Poema del cante jondo is published here, but after the in-depth examination of the volume it can be stated that despite the disputability of his theory, the poet could recreate the emotions and thoughtfulness of “deep song”.

scholarly journals Un poeta en las aulas: aproximación a una didáctica lorquiana

2021 ◽  
Vol 27 (0) ◽  
Author(s):  
Marina Peñas García
Keyword(s):  
Federico Garcia Lorca ◽  
Cante Jondo ◽  
Poema Del Cante Jondo

Este trabajo presenta una propuesta didáctica en torno a la figura y la obra de Federico García Lorca, cuyos destinatarios son los estudiantes de segundo ciclo de Educación Secundaria Obligatoria.A través de una metodología activa y participativa y una propuesta de actividades dinámicas, lúdicas, creativas e interartísticas se pretende acercar el universo lorquiano a los alumnos de secundaria. Se hace un recorrido por la trayectoria vital y literaria del autor granadino intentando que los alumnos disfruten y valoren su producción literaria. Esto contribuye a la formación de hábitos lectores perdurables y a su competencia literaria.Las obras sobre las que se fundamenta el diseño didáctico son: Poema del cante jondo, Romancero gitano, Poeta en Nueva York, Bodas de sangre, Yerma y La casa de Bernarda Alba.

Federico García Lorca : un pequeño texto olvidado

1966 ◽  
Vol 68 (1) ◽  
pp. 116-117
Author(s):  
Ian Gibson
Keyword(s):  
Federico Garcia Lorca
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