Modern Life and Modern Subjects: British Art in the Early Twentieth Century

2002 ◽  
Vol 84 (3) ◽  
pp. 532
Author(s):  
David Cast ◽  
Lisa Tickner
2017 ◽  
Vol 86 (4) ◽  
pp. 632-660 ◽  
Author(s):  
Anne Rees

Australian women travelers in early twentieth-century New York often recoiled from the frenetic pace of the city, which surpassed anything encountered in either Britain or Australia. This article employs their travel accounts to lend support to the growing recognition that modernity took different forms throughout the world and to contribute to the project of mapping those differences. I argue that “hustle” was a defining feature of the New York modern, comparatively little evident in Australia, and I propose that the southern continent had developed a model of modern life that privileged pleasure-seeking above productivity. At a deeper level, this line of thinking suggests that modernization should not be conflated with the relentless acceleration of daily life; it thus complicates the ingrained assumption that speed and modernity go hand-in-hand.


Experiment ◽  
2016 ◽  
Vol 22 (1) ◽  
pp. 53-71
Author(s):  
Louise Hardiman

This article examines several important designs by Elena Dmitrievna Polenova (1850-1898) for art embroideries and textile panels. These are the least studied of Polenova’s works, but offer new insights into the artist’s role as a leader of the neo-national movement in late nineteenth-century and early twentieth-century Russian art. Linking extant designs with photographs of exhibition displays and unpublished archival sources, including contemporary accounts by the British art journalist Netta Peacock (1864-1938), this project seeks to initiate the important process of identifying and analysing Polenova’s designs within the context of the movement.


Author(s):  
James G. Mansell

This chapter examines rationalizing attempts to intervene in the everyday sounds of early twentieth-century Britain, focussing on two spatial case studies – the industrial workplace and the home – where reformers targeted their attention in the inter-war period. It traces the influence of state-sponsored industrial psychologists who situated their dispassionate expertise about noise in opposition to the noise abatement movement led by the Anti-Noise League. The chapter also examines documentary filmmaking as a third practice where state-sponsored activity sought to shape everyday attitudes to sound. The chapter argues that these activities ultimately legitimated noise as a necessary feature of modern life.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

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