scholarly journals History, Oral Transmission and Structure in Ibn Khaldun's Chronology of Mali Rulers

1996 ◽  
Vol 23 ◽  
pp. 17-28 ◽  
Author(s):  
Ralph A. Austen ◽  
Jan Jansen
Keyword(s):  
Political Development ◽  
Close Contact ◽  
Formative Period ◽  
Oral Traditions ◽  
Oral Literature ◽  
Ibn Khaldun ◽  
Oral Transmission ◽  
History Of ◽  
Historical Reliability ◽  
Praise Poetry

The early history of the Mali empire is known to us from two sources: Mande oral literature (epic and praise poetry) recorded over the last 100 years and Ibn Khaldun's Kitab al-ʿIbar (Book of Exemplars) written in the late four-teenth century. The list of Mali kings presented by Ibn Khaldun is precise, detailed, entirely plausible, and recorded not too long after the events it purports to describe. For scholars attempting to reconstruct an account of this West African empire, no other medieval Arab chronicler or, indeed, any Mande oral traditions provide comparable information for its formative period.There is, however, reason to question the historical reliability of Ibn Khaldun's account precisely on the grounds of its narrative richness. When read in relation to the general model of political development and decay which Ibn Khaldun worked out in the more theoretical Muqaddimah (“Prolegomena”) of Kitab al-ʿIbar, as well as the larger context of the work in which it is imbedded, the Mali kinglist takes on some characteristics of an instructive illustration rather than a fully empirical account of the past. Indeed Ibn Khaldun himself, in his contemplation of the basis for asabiyah (group solidarity) among bedouin peoples, cautions us against literal interpretation of genealogical accounts:For a pedigree is something imaginary and devoid of reality. Its usefulness consists only in the resulting connection and close contact.Ibn Khaldun is certainly not as ideologically engaged in constructing the royal genealogy of Mali as a bedouin spokesman might be in reciting the list of his own ancestors. Nevertheless, this great Arab thinker has something at stake in this story which needs to be given serious attention by all scholars concerned with either the events of the medieval western Sudan or the process by which they have been incorporated into more recent narratives.

Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Social History ◽  
Latin American ◽  
Political Development ◽  
Formative Period ◽  
Latin American Music ◽  
The Social ◽  
History Of ◽  
Latin Jazz

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.

Praise Poems as Historical Data: the Example of the Yoruba Oríkí

Africa ◽  
1974 ◽  
Vol 44 (4) ◽  
pp. 331-349 ◽  
Author(s):  
Bolanle Awe
Keyword(s):  
Historical Data ◽  
Historical Research ◽  
Oral Traditions ◽  
Oral Literature ◽  
Historical Reconstruction ◽  
Historical Knowledge ◽  
General Acceptance ◽  
Rich Variety ◽  
History Of ◽  
Opening Paragraph

Opening ParagraphThe importance of oral traditions in the reconstruction of the history of non-literate peoples has virtually ceased to be a matter for debate and is now generally acknowledged. Indeed, within the last few years, historical research, based on such traditions has made possible histories of many societies in Africa. But in spite of this general acceptance, the diversity of oral traditions has not been so fully recognized as to make possible the analysis of each type as historical data. In this regard, the history of the Yoruba provides a good example. Their culture has accumulated around it a rich variety of oral traditions whose study has made significant contributions towards the understanding of their past. For the earlier period of their history, their historians have had to rely mainly on oral traditions; even for the latter period, in spite of the existence of written documents, oral traditions have still proved very useful in giving a balanced view of events. The tendency, however, has been for the historians of the Yoruba people to regard oral traditions as no more than personal recollections and generalized historical knowledge. In the main, they have failed to give cognizance to oral literature; experience elsewhere, however, has shown that a meaningful utilization of oral traditions in historical reconstruction cannot afford to neglect this third category, which is for historians of non-literate societies what literature is for the cultural and social historians of literate societies. Moreover, the Yoruba themselves treat some forms of oral literature as quasi-historical records.

Panel on South African Oral Traditions

1976 ◽  
Vol 6 (1) ◽  
pp. 5-13
Author(s):  
Mazisi Kunene ◽  
Daniel Kunene ◽  
Kofi Awoonor
Keyword(s):  
South African ◽  
Southern Africa ◽  
Oral Traditions ◽  
Oral Literature ◽  
History Of ◽  
The Subject

The subject of African oral literature is so vast that it would require more than an hour to present it in an understandable way, particularly to people for whom some of its dimensions may be new or completely unknown. Southern African oral literature is even more difficult to handle because there is not one southern African oral literature, there are several. These are divided not by languages, forms, or types, but rather by geography and history. The Sotho-speaking peoples, for instance, include the Kgatlas, the Ngwatos, the Pedis, and various other subgroups. Sotho literature does not necessarily follow the history of the Sotho nation, because there are several Sotho peoples distributed in different areas who are producing their own unique literatures. So in discussing the oral literature of southern Africa, we are actually discussing several literatures created by several peoples. If you happen to know the literature of one Sotho group, you are not necessarily versed in Sotho literature. You are versed only in the Sotho literature of a particular region. This is very important to understand.

Some Reflections on the Oral Traditions of the Galinhas Country, Sierra Leone

1985 ◽  
Vol 12 ◽  
pp. 151-165
Author(s):  
Adam Jones
Keyword(s):  
Sierra Leone ◽  
Oral Tradition ◽  
Tape Recorder ◽  
Oral Traditions ◽  
African History ◽  
Oral Literature ◽  
Main Interest ◽  
The World ◽  
History Of ◽  
Different Parts

Whenever historians of Africa write: “According to tradition…”, they evade the crucial question of what kind of oral tradition they are referring to. The assumption that oral tradition is something more or less of the same nature throughout Africa, or indeed the world, still permeates many studies on African history; and even those who have themselves collected oral material seldom pause to consider how significant this material is or how it compares with that available in other areas.The majority of studies of oral tradition have been written by people who worked with fairly formal traditions; and those who, after reading such studies, go and work in societies where such traditions do not exist are often distressed and disappointed. There is therefore still a need for localized studies of oral tradition in different parts of Africa. As far as Sierra Leone is concerned, no work specifically devoted to the nature of oral tradition has been published, despite several valuable publications on the oral literature of the Limba and Mende. The notes that follow are intended to give a rough picture of the kind of oral material I obtained in a predominantly Mende-speaking area of Sierra Leone in 1977-78 (supplemented by a smaller number of interviews conducted in 1973-75, 1980, and 1984). My main interest was in the eighteenth and nineteenth century history of what I have called the Galinhas country, the southernmost corner of Sierra Leone.I conducted nearly all of my interviews through interpreters and did not use a tape recorder more than a very few times. This was partly because the amount of baggage I could carry on foot was limited, but also because I soon found that some informants were disturbed by the tape recorder, and because it was difficult to catch on tape the contributions of all the bystanders.

NURTURING OF CHILDREN THROUGH DRAMA AND THEATRE: THE CASE OF INTWASA KOBULAWAYO PERFORMANCES

2016 ◽  
Vol 13 (2) ◽  
pp. 86-99
Author(s):  
Vimbai Moreblessing Matiza
Keyword(s):  
Political Development ◽  
Children And Youth ◽  
Main Task ◽  
Growing Up ◽  
Theatrical Performances ◽  
History Of ◽  
The One

Dramatic and theatrical performances have a long history of being used as tools to enhance development in children and youth. In pre-colonial times there were some forms of drama and theatre used by different communities in the socialisation of children. It is in the same vein that this article, through the Intwasa koBulawayo performances, seeks to evaluate how drama and theatre are used to nurture children and youth into different developmental facets of their lives. The only difference which this article will take into cognisance is that the performances are done in a different environment, which is not the one used in the pre-colonial times. Although these performances were like this, the most important factor is the idea that children and youth are socialised through these performances. It is also against this backdrop that children and youth are growing up in a globalised environment, hence the performances should accommodate people from all walks of life and teach them relevant issues pertaining to life as they live it now. Thus the main task of the article is to spell out the role of drama and theatre in the nurturing of children and youth through socio economic and political development in Intwasa koBulawayo festivals.

Features of Development of the Black Sea Village in 1920s: Materials from the Black Sea Party Obkom Fond in the Documentation Center for Contemporary History of the Krasnodar Krai

2018 ◽  
pp. 1128-1136
Author(s):  
Olga V. Bershadskaya ◽  
Keyword(s):  
Rural Communities ◽  
Black Sea ◽  
Distinctive Feature ◽  
Agricultural Production ◽  
Political Development ◽  
The Black Sea ◽  
Contemporary History ◽  
Krasnodar Krai ◽  
Geographical Environment ◽  
History Of

The article studies features of socio-economic and socio-political development of the Black Sea village in 1920s. Documents from the fond of the Black Sea District Committee (Obkom) of the RCP (b) -VKP (b) stored in the Center for Documentation of the Modern History of the Krasnodar Krai allow not only to reconstruct the developments in the Black Sea village in the NEP days, but also to understand the nature of its evolution. Uniqueness of the Black Sea village was greatly determined by its geographical environment. There had formed a sectoral makeup of agricultural production: fruit-farming, viticulture, tobacco growing. Rugged relief forced peasants to form holdings or farms; therefore rural communities were rare. Its another distinctive feature was its motley national composition. Over 50 ethnic groups inhabited the district, among most numerous were the Russians, the Ukrainians, the Armenians, and the Greeks. In the first years of the NEP, the main tasks facing district authorities were to develop ‘high-intensity’ industries and to shape local peasant farms into food base for cities and resorts. While tackling these tasks, they had to deal with shortages of land and poor communications and to bring lease relations and work-hands employment up to scratch. The situation was complicated by socio-political inertia of rural population of the district that came from the absence of community tradition. Study of the documents from the fond of the Black Sea party obkom shows that local authorities were well aware of the peculiarity of their region, but in most cases had to follow guidelines set ‘from above’ to introduce all-Russian standards.

State-run celebration of Liberation Day in Czechoslovakia (based on audiovisual sources)

2019 ◽  
pp. 251-268
Author(s):  
Timur Gimadeev
Keyword(s):  
Political Development ◽  
Communist Regime ◽  
Political Regime ◽  
The Political ◽  
Historical Experience ◽  
History Of ◽  
Post War ◽  
The 1960S ◽  
The Military

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.

KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION

2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Information Technologies ◽  
Cultural Landscapes ◽  
Social Institutions ◽  
Music Culture ◽  
Oral Transmission ◽  
Intercultural Interaction ◽  
History Of ◽  
New Type

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).

The Birth of the Prophet Muhammad

2009 ◽  
Vol 26 (1) ◽  
pp. 97-99
Author(s):  
Frederick S. Colby
Keyword(s):  
Twentieth Century ◽  
Middle Eastern ◽  
Formative Period ◽  
Central Importance ◽  
Islamic Studies ◽  
Critical Scholarship ◽  
History Of ◽  
Late Twentieth ◽  
Modern Era ◽  
Late Twentieth Century

Despite the central importance of festival and devotional piety to premodernMuslims, book-length studies in this field have been relatively rare.Katz’s work, The Birth of the Prophet Muhammad, represents a tour-deforceof critical scholarship that advances the field significantly both throughits engagement with textual sources from the formative period to the presentand through its judicious use of theoretical tools to analyze this material. Asits title suggests, the work strives to explore how Muslims have alternativelypromoted and contested the commemoration of the Prophet’s birth atdifferent points in history, with a particular emphasis on how the devotionalistapproach, which was prominent in the pre-modern era, fell out of favoramong Middle Eastern Sunnis in the late twentieth century. Aimed primarilyat specialists in Middle Eastern and Islamic studies, especially scholarsof history, law, and religion, this work is recommended to anyone interestedin the history of Muslim ritual, the history of devotion to the Prophet, andthe interplay between normative and non-normative forms ofMuslim beliefand practice ...

NILAI-NILAI KEARIFAN LOKAL DALAM TRADISI LISAN WARAG-WARAH DAN RINGGOK-RINGGOK SUKU KOMERING, SUMATERA SELATAN (VALUES OF LOCAL WISDOM IN ORAL TRADITION OF WARAH WARAH AND RINGGOK-RINGGOK OF KOMERING TRIBE, SOUTH SUMATRA)

ALAYASASTRA ◽  
2017 ◽  
Vol 13 (1) ◽  
pp. 73
Author(s):  
Ery Agus Kurnianto
Keyword(s):  
Social Relations ◽  
Oral Tradition ◽  
Social Groups ◽  
Qualitative Approach ◽  
Oral Traditions ◽  
Oral Literature ◽  
Belief In God ◽  
Real Effort ◽  
Descriptive Method

The focus of the problem in this study is the values of local wisdom within two oral traditions of Warag-Warah and Ringgok-Ringgok of Komering Tribe, South Sumatra. This study aimed to identify and to describe elements of local wisdom within those oral traditions. In addition, this study was established as a real effort to explore, to inventorize, and to document the oral traditions of Komering society. A descriptive method was applied in this study. The data were analyzed by applying qualitative approach on ethnographic elements to demonstrate and explain the value of local wisdom within those oral traditions. The theory applied in this study were oral literature and local wisdom. The conclusion from the analysis proved that there was a concept of social relations among individuals, among individuals and society, among social groups, and among individuals and their God. The value of local wisdom that had been identified were: 1) belief in God, 2) deliberation, 3) responsibility and 4) helping each other. The actualization of the value of local wisdom within the oral traditions of Warag-Warah and Ringgok-Ringgok was in form of behaving in ways that help each other, solving problems by means of deliberation and responsibility. Keywords: Oral tradition, warah-warah, ringgok-ringgok, local wisdom values.

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