Learned Discussions of Indulgences for the Dead in the Middle Ages

1992 ◽  
Vol 61 (4) ◽  
pp. 367-381 ◽  
Author(s):  
Robert W. Shaffern
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Holy Places ◽  
The Dead ◽  
The Middle Ages

By the thirteenth century, Latin Christians had been dispensing and collecting indulgences for two centuries. Though indulgentia was a relatively late term, and first the favorite of thirteenth-century Dominican theologians, remissions of temporal penalty for sin had been granted since the eleventh century, whether they were known as remissiones or relaxationes, the two most popular terms of eleventh- and twelfth-century ecclesiastics. Bishops granted partial indulgences for visitations of holy places. Partial indulgences remitted a fraction of all penalty incurred through sin. Contributions to pious works, such as church, hospital, or bridge constructions, were also rewarded with indulgences. Other prelates granted indulgences until Lateran IV. The popes granted both partial and plenary indulgences (those which remitted all penalty for having sinned). They granted partial indulgences for much the same reasons as other bishops. Plenary indulgences were almost exclusively granted to crusaders or contributors to crusades.

Signs of Salvation: The Evolution of Stigmatic Spirituality Before Francis of Assisi

2013 ◽  
Vol 82 (1) ◽  
pp. 40-68
Author(s):  
Carolyn Muessig
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Seventh Century ◽  
Early Middle Ages ◽  
Medieval Europe ◽  
The Face ◽  
Biblical Commentaries ◽  
The Ideal

Francis of Assisi's reported reception of the stigmata on Mount La Verna in 1224 is widely held to be the first documented account of an individual miraculously and physically receiving the wounds of Christ. The appearance of this miracle, however, in the first quarter of the thirteenth century, is not as unexpected as it first seems. Interpretations of Galatians 6:17—“I bear the marks of the Lord Jesus Christ in my body”—had been circulating in biblical commentaries since the early Middle Ages. These works posited that clerics bore metaphorical and sometimes physical wounds(stigmata)as marks of persecution, while spreading the teaching of Christ in the face of resistance. By the seventh century, the meaning of Galatians 6:17 had been appropriated by bishops and priests as a sign or mark of Christ that they received invisibly at their ordination, and sometimes visibly upon their death. In the eleventh century, Peter Damian articulated a stigmatic spirituality that saw the ideal priest, monk, and nun as bearers of Christ's wounds, a status achieved through the swearing of vows and the practice of severe penance. By the early twelfth century, crusaders were said to bear the marks of the Passion in death and even sometimes as they entered into battle. By the early thirteenth century, “bearing the stigmata” was a pious superlative appropriated by a few devout members of the laity who interpreted Galatian 6:17 in a most literal manner. Thus, this article considers how the conception of “bearing the stigmata” developed in medieval Europe from its treatment in early Latin patristic commentaries to its visceral portrayal by the laity in the thirteenth century.

scholarly journals 2. Note. On the Use of the Scholastic Terms Vetus Logica and Nova Logica, with a Remark upon the corresponding Terms Antiqui and Moderni

1872 ◽  
Vol 7 ◽  
pp. 441-449
Author(s):  
Thomas M. Lindsay
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Incomplete Knowledge ◽  
Diffusion Of Knowledge ◽  
Old Greek ◽  
The Middle Ages

During the earlier part of the middle ages, or until the middle of the eleventh century, students of logic had a very incomplete knowledge of the logical works of Aristotle. They knew the translations which Boethius had made of Porphyry's Εἰσαγωγὴ of Aristotle's περὶ κατεγορίων, and of his περὶ ἑρμηνείας, and they knew little else. Their labours did not go beyond the reproduction of, and commenting on, these old Greek writings.Towards the beginning of the twelfth century, however, the gradual diffusion of knowledge had brought with it acquaintance with the remaining treatises of Aristotle's Organon. The old translations of Boethius were recovered, and new translations were made. We are told that “Jacobus Clericus of Venetia translated from Greek into Latin certain books of Aristotle, and commented on them, namely, the Topica, the Analytics Prior and Posterior, and the Elenchi, although,” adds the chronicler, “an earlier translation of these same books may be had.”

The reconstruction of the abbey church at St-Denis (1231–81): the interplay of music and ceremony with architecture and politics

1985 ◽  
Vol 5 ◽  
pp. 187-238 ◽  
Author(s):  
Anne Walters
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Substantial Evidence ◽  
Northern France ◽  
The North ◽  
Liturgical Manuscripts ◽  
The Church ◽  
The Middle Ages

During the Middle Ages, the construction or renovation of a great church was a vast undertaking in terms of time and of money. An array of cathedrals that still rise above the cities and towns of northern France bears witness to medieval ingenuity and industry. The first structure which embodies many of the elements that are now called Gothic was begun at St-Denis in 1140. The church as we know it, however, was not entirely the work of the twelfth century. Only much later, between 1231 and 1281, was St-Denis finally completed. Substantial evidence of the thirteenth-century rebuilding is found in the monument which stands just to the north of Paris. But the stones of St-Denis do not tell the entire story: a small handful of documents refer to stages of the fifty-year reconstruction of the abbey, and now, new witness exists in the form of the liturgical manuscripts which have survived from the thirteenth century.

The Conquest in Historical Writing from the Late Thirteenth Century

2020 ◽  
pp. 173-208
Author(s):  
George Garnett
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Old English ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Historical Writing ◽  
The Third ◽  
History Of

Chapter 5 analyses three genres of historical writing about England in the later middle ages: histories of individual churches, universal histories, and histories of the kingdom. It confirms the provisional judgement reached in Chapter 4: that with respect to the Conquest and earlier England, historical writing fossilized. There were, however, exceptions, most of which could be categorized in the first genre. These are examined in great detail, and follow on from the treatment of the unusual episodes recorded during the thirteenth century at St Augustine’s, Canterbury and Burton Abbey which were considered in Chapter 4. The first is the problematic, neglected Historia Croylandensis attributed to (Pseudo-)Ingulf, which is for the most part a fabrication of the fourteenth or fifteenth century, but which masquerades as the work of the abbot at Crowland at the end of the eleventh century, and therefore as contemporaneous with the great post-Conquest histories of England. The second is the early fourteenth-century Lichfield Chronicle, written by Alan of Ashbourn. The third is a general history of England conventionally attributed to John Brompton, abbot of Jervaulx in the early fifteenth century, and perhaps written at the abbey. All three pay a great deal of attention to (different) twelfth-century compilations of Old English and immediately post-Conquest law. This unusual characteristic accounts for their exceptional interest in the Conquest. The chapter also includes a briefer discussion of the more conventional histories into which condensed earlier discussions of the Conquest were inserted.

II.—The Catalan Mascarón and an Episode in Jacob Van Maerlant's Merlijn

PMLA ◽  
1911 ◽  
Vol 26 (1) ◽  
pp. 31-50
Author(s):  
J. P. Wickersham Crawford
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Virgin Mary ◽  
Church Fathers ◽  
Italian Version ◽  
Good And Evil ◽  
The Devil ◽  
The Church ◽  
The Middle Ages

A popular allegorical subject in the Middle Ages was that which represented the struggle of the good and evil powers for the possession of man's soul. Frequently the evil power is centralized in the devil or his procurator, and the contest is excited by the harrowing of Hell and the release of the damned souls by Christ. According to some of the Church Fathers, the devil had certain rights over man after the first sin, a right which was the more legitimate since it was sanctioned by God himself. The whole subject is closely connected with the dogmatic traditions of the Church concerning the redemption. In the twelfth century, Hugo of St. Victor in his commentary on the fifteenth Psalm gives an account of a dispute between Christ and Satan, in which the devil asserts his right to man as having been consigned to him after the Fall. We find this reproduced in an Italian version of the thirteenth century entitled Piato del Dio col Nemico. According to other versions, the Virgin Mary undertook the defense of man against the claims of the devil. This idea was a product of the worship of the Virgin which affected so many of the doctrines of the Church. As the protecting Mother of sinners, she was the natural adversary of the forces of evil. Mary, the Queen of Heaven, was thus contrasted with Lucifer, the independent ruler of Hell. In certain cases, the story represents a trial scene in which Christ appears as the judge, the Virgin Mary as the advocate of mankind and Mascaron, the devil's procurator, as the plaintiff. This version is found in three texts, Dutch, Latin, and Catalan, which show marked similarities.

The Athelstan Gift Story: Its Influence on English Chronicles and Carolingian Romances

PMLA ◽  
1952 ◽  
Vol 67 (4) ◽  
pp. 521-537
Author(s):  
Laura Hibbard Loomis
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Tenth Century ◽  
Chanson De Roland ◽  
Anglo Norman ◽  
The Relationship ◽  
The Middle Ages ◽  
William Of Malmesbury

To saints and their relics in the Middle Ages great men did great reverence. The mighty Charlemagne zealously collected and distributed relics of Christ and the saints; so, too, did the noble King Athelstan of England, who was, to his own contemporaries, something of “an English Charlemagne.” Certain tales relating to these two famous rulers and the holy relics acquired by them, are full of interest in themselves and in the relationship, at special stages, of the stories to each other. The Continental Carolingian narratives—the Pèlerinage de Charlemagne, the Descriptio qualiter Karolus Magnus clavum et coronam Domini a Constantino poli Aquis Grani detulerit, the Fierabras tell how Charlemagne, either on a fabulous journey to the East, or by warfare in Spain, got a hoard of precious relics which included some from the Crucifixion but never, in the oldest versions of these stories, any part of the Passion Lance. An ancient story, of English origin, tells how Athelstan received, as a gift from France, a hoard which likewise included some Passion relics. Among the gifts was the Passion Lance which was said to have belonged to Charlemagne; there was also the vexillum of St. Mauricius. For the Carolingian stories named above there is no extant text that antedates the latter half of the twelfth century, no conjectured source that antedates the latter half of the eleventh century. The Athelstan Gift Story, as we shall call it, was first set forth in an Anglo-Latin poem eulogizing the English king (d. 939). This panegyric was quoted and summarized by William of Malmesbury (1125) and is now accepted, though it was long ignored, as an authentic tenth century source. It may have been this almost unknown poem which inspired in the Chanson de Roland, in that earliest Anglo-Norman copy known as the Oxford Roland, four concepts connected with Charlemagne's reported possession of a bit of the Passion Lance. Our concern here, however, is not with the ancient Latin poem, but with the version of its Gift Story by William of Malmesbury. To it he gave new life, new currency; its influence can be traced in various chronicles and in certain English Carolingian romances. It throws new light on their development and relationships. Strangely enough, it was in these English Carolingian stories and not in their Continental sources and analogues that the idea that Charlemagne had once possessed the Passion Lance took root and flourished.

Bastard Feudalism and the Framing of Thirteenth-Century England

2018 ◽  
Author(s):  
Peter Coss
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
The State ◽  
The Other ◽  
Great Work ◽  
Early Middle Ages ◽  
The One ◽  
The Relationship

In the introduction to his great work of 2005, Framing the Early Middle Ages, Chris Wickham urged not only the necessity of carefully framing our studies at the outset but also the importance of closely defining the words and concepts that we employ, the avoidance ‘cultural sollipsism’ wherever possible and the need to pay particular attention to continuities and discontinuities. Chris has, of course, followed these precepts on a vast scale. My aim in this chapter is a modest one. I aim to review the framing of thirteenth-century England in terms of two only of Chris’s themes: the aristocracy and the state—and even then primarily in terms of the relationship between the two. By the thirteenth century I mean a long thirteenth century stretching from the period of the Angevin reforms of the later twelfth century on the one hand to the early to mid-fourteenth on the other; the reasons for taking this span will, I hope, become clearer during the course of the chapter, but few would doubt that it has a validity.

Stages in Diplomatic Production

2020 ◽  
pp. 610-618
Author(s):  
Olivier Guyotjeannin
Keyword(s):  
Middle Ages ◽  
Eleventh Century ◽  
The Church ◽  
The Middle Ages

This chapter examines administrative documents of the Middle Ages and the major scholarly studies of them. It surveys the number of preserved documents and the problems surrounding the lack of documents in different periods and places. The author discusses the role and influence of the Church in the increased production and preservation of documents beginning in the eleventh century, leading to an enormous increase in the production of documents during the last three centuries of the Middle Ages.

scholarly journals XVIII.—Letter from Sir Thomas Phillipps, Bart., F.R.S., F.S.A., addressed to Albert Way, Esq., Director, communicating a transcript of a MS. Treatise on the preparation of Pigments, and on various processes of the Decorative Arts practised during the Middle Ages, written in the twelfth century, and entitled Mappæ Clavicula

Archaeologia ◽  
1847 ◽  
Vol 32 (1) ◽  
pp. 183-244 ◽  
Author(s):  
Thomas Phillipps
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Decorative Arts ◽  
The Middle Ages

The manuscript entitled Mappæ Clavicula, signifying the Little Key of Drawing, or Painting, is a small duodecimo volume of sixty-seven leaves of vellum, written in the twelfth century. It appears to be perfect, except a leaf torn out between pp. 64 and 65 of the modern paging, and a little cropping in two leaves.

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