II.—The Catalan Mascarón and an Episode in Jacob Van Maerlant's Merlijn

PMLA ◽  
1911 ◽  
Vol 26 (1) ◽  
pp. 31-50
Author(s):  
J. P. Wickersham Crawford
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Virgin Mary ◽  
Church Fathers ◽  
Italian Version ◽  
Good And Evil ◽  
The Devil ◽  
The Church ◽  
The Middle Ages

A popular allegorical subject in the Middle Ages was that which represented the struggle of the good and evil powers for the possession of man's soul. Frequently the evil power is centralized in the devil or his procurator, and the contest is excited by the harrowing of Hell and the release of the damned souls by Christ. According to some of the Church Fathers, the devil had certain rights over man after the first sin, a right which was the more legitimate since it was sanctioned by God himself. The whole subject is closely connected with the dogmatic traditions of the Church concerning the redemption. In the twelfth century, Hugo of St. Victor in his commentary on the fifteenth Psalm gives an account of a dispute between Christ and Satan, in which the devil asserts his right to man as having been consigned to him after the Fall. We find this reproduced in an Italian version of the thirteenth century entitled Piato del Dio col Nemico. According to other versions, the Virgin Mary undertook the defense of man against the claims of the devil. This idea was a product of the worship of the Virgin which affected so many of the doctrines of the Church. As the protecting Mother of sinners, she was the natural adversary of the forces of evil. Mary, the Queen of Heaven, was thus contrasted with Lucifer, the independent ruler of Hell. In certain cases, the story represents a trial scene in which Christ appears as the judge, the Virgin Mary as the advocate of mankind and Mascaron, the devil's procurator, as the plaintiff. This version is found in three texts, Dutch, Latin, and Catalan, which show marked similarities.

The reconstruction of the abbey church at St-Denis (1231–81): the interplay of music and ceremony with architecture and politics

1985 ◽  
Vol 5 ◽  
pp. 187-238 ◽  
Author(s):  
Anne Walters
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Substantial Evidence ◽  
Northern France ◽  
The North ◽  
Liturgical Manuscripts ◽  
The Church ◽  
The Middle Ages

During the Middle Ages, the construction or renovation of a great church was a vast undertaking in terms of time and of money. An array of cathedrals that still rise above the cities and towns of northern France bears witness to medieval ingenuity and industry. The first structure which embodies many of the elements that are now called Gothic was begun at St-Denis in 1140. The church as we know it, however, was not entirely the work of the twelfth century. Only much later, between 1231 and 1281, was St-Denis finally completed. Substantial evidence of the thirteenth-century rebuilding is found in the monument which stands just to the north of Paris. But the stones of St-Denis do not tell the entire story: a small handful of documents refer to stages of the fifty-year reconstruction of the abbey, and now, new witness exists in the form of the liturgical manuscripts which have survived from the thirteenth century.

Papal Legates against the Albigensians: The Debts of the Church of Valence (1215–1250)

Traditio ◽  
2013 ◽  
Vol 68 ◽  
pp. 259-276
Author(s):  
D. Dudley Stutz
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Detailed Treatment ◽  
Northern Portion ◽  
Rhone Valley ◽  
The Church ◽  
The Middle Ages

In 1232 Pope Gregory IX (r. 1227–41) imposed a tenth of episcopal revenues on prelates of Occitania to subsidize the church of Valence, which owed 10,000 poundstournoisto various bankers of Vienne, Rome, Lyons, and Siena. In 1865 B. Hauréau first noted the event when he edited one of the main documents in theGallia christianavolume concerning the ecclesiastical province of Vienne. With the publication of Gregory IX's register from 1890–1908 most of the facts of the tax were more widely available. In 1910 Ulysse Chevalier briefly mentioned the tax in his monograph on the long tenure of John of Bernin, archbishop of Vienne (r. 1218–66). In 1913, Heinrich Zimmermann cited Hauréau's text in a note in his detailed treatment of early thirteenth-century papal legations. Recently Alain Marchandisse reviewed eight of the eleven papal letters pertaining to the tax in his study of William of Savoy (d. 1239) as bishop-elect of Liège. These scholars provided no reason for the debt or why the papacy would take such measures to ensure payment. Perhaps they did not study this tax further because a church indebted to moneylenders is not in itself surprising. It appears that the church of Valence acquired the debt, very large compared to the church's income, when bishop-elect William of Savoy (r. 1225–39) waged war against Adhémar II of Poitiers-Valentinois, count of the Valentinois (r. 1189–1239). Struggles between bishops and the local nobility occurred on a regular basis throughout the Middle Ages, so what in this unimportant Rhone-valley diocese interested the pope enough to impose taxes on prelates of Occitania over twenty years to ensure payment of this debt? Adhémar II faithfully supported Raymond VI (r. 1194–1222) and Raymond VII (r. 1222–49) of Saint-Gilles, counts of Toulouse, throughout their struggle with the papacy during and following the Albigensian crusades. Adhémar II was also their vassal for the Diois, which borders the Valentinois on the southeast and comprised the northern portion of the marquisate of Provence. These lands had been reserved for the church in the Treaty of Meaux-Paris (1229), which ended the Albigensian crusades. Thus William of Savoy as bishop-elect of Valence defended the papacy's claims on the marquisate of Provence, which the papacy deemed part of the larger struggle between the Roman church and the counts of Toulouse. The facts on the nature of the debts and the steps the papacy took to aid the diocese show that the local struggle between the bishop of Valence and the count of the Valentinois embodied a part of the larger struggle between the papacy and the counts of Toulouse over the marquisate of Provence, which began as early as 1215.

Weavers into Heretics? The Social Organization of Early-Thirteenth-Century Catharism in Comparative Perspective

1997 ◽  
Vol 21 (1) ◽  
pp. 111-137
Author(s):  
Lutz Kaelber
Keyword(s):  
Social Organization ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Social Processes ◽  
The Other ◽  
Comparative Perspective ◽  
The Social ◽  
The Church ◽  
The Middle Ages

How did a person become a heretic in the Middle Ages? Then, once the person was affiliated with a heretical group, how was the affiliation sustained? What social processes and mechanisms were involved that forged bonds among heretics strong enough, in some cases, for them to choose death rather than return to the bosom of the Church? Two competing accounts of what attracted people to medieval heresies have marked the extremes in historical explanations (Russell 1963): one is a materialist account elucidated by Marxist historians; the other one focuses on ideal factors, as proposed by the eminent historian Herbert Grundmann.

scholarly journals I Second That Emotion: Modelling the Anxious Experiences of Thirteenth-Century Episcopal Office

2019 ◽  
Vol 3 (1) ◽  
pp. 1-23
Author(s):  
Philippa Byrne
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Institutional Authority ◽  
Emotional Language ◽  
Christian Service ◽  
High Middle Ages ◽  
The Church

Abstract The episcopacy in the High Middle Ages (c.1100–1300) can be understood through the idea of a shared emotional language, as seen in two treatises written to advise new bishops. In them, episcopal office was largely defined by the emotions it provoked: it was a cause for sorrow, a burden akin to back-breaking agricultural service. The ideas most associated with episcopal office were anxiety, labour and endurance. Ideas about Christian service as painful labour became particularly important in the twelfth century, alongside the development of the institutional authority of the Church. As episcopal power began to look more threatening and less humble, this emotional register provided one means of distinguishing episcopal power from secular lordly power: both were authorities, but bishops were distinguished by sorrowing over office and ‘enduring’, not enjoying it.

Art, Prophecy, and Drama in the Choir of Salisbury Cathedral

2006 ◽  
Vol 10 (2) ◽  
pp. 161-190
Author(s):  
Matthew Reeve
Keyword(s):  
Middle Ages ◽  
Old Testament ◽  
Thirteenth Century ◽  
Liturgical Drama ◽  
Relationship Of ◽  
The Relationship ◽  
The Church ◽  
The Middle Ages ◽  
Christian History

AbstractThe former painted cycle over the vaults of Salisbury Cathedral represents one of the great losses of thirteenth-century English art. This paper focuses on the imagery over the three-bay choir, which features twentyfour Old Testament kings and prophets each holding scrolls with texts prefiguring the Coming of Christ. The content of the cycle derives from a sermon, well known in the Middle Ages, by Pseudo-Augustine: Contra Judaeos, Paganos et Arianos. Yet the most immediate sources lie in twelfth and thirteenth-century extrapolations of the Pseudo-Augustinian sermon in liturgical drama, the so-called Ordo Prophetarum, or prophet plays. This observation leads to a discussion of the relationship of imagery to its liturgical setting. It is argued that the images on the choir vaults were also to be understood allegorically as types of the cathedral canons, who originally sat in the choir stalls below. A reading of the choir as a place of prophecy is located within traditions of liturgical commentary, which allegorize processions through churches as processions through Christian history. This leads to a discussion of the allegorization of the church interior in the Gothic period.

The Remains of the Cathedral of Bishop Jocelin at Glasgow (c. 1197)

1964 ◽  
Vol 44 (2) ◽  
pp. 220-232
Author(s):  
C. A. Ralegh Radford ◽  
E. L. G. Stones
Keyword(s):  
Present Article ◽  
Middle Ages ◽  
Twelfth Century ◽  
Half Century ◽  
The Church ◽  
The Middle Ages

For a building of such importance and interest, the cathedral of Glasgow has attracted remarkably little attention from archaeologists during the last half century. Many students outside Scotland perhaps do not realize that Glasgow possesses the only cathedral of the Scottish mainland to survive virtually intact from the middle ages, nor that its history is (by Scottish standards) relatively well documented, because of the fortunate survival of a quantity of records ranging from the twelfth to the sixteenth centuries. We may hope that the time is not too far distant when a full archaeological and constitutional study of the cathedral may be undertaken. In the meantime there is room for some briefer studies of particular problems. The present article attempts to put together what can be discovered about the immediate predecessor of the present building: i.e. the church of Bishop Jocelin. Most of what has previously been written on this subject is scattered, and now rather inaccessible. It will be useful to present the evidence afresh; and if there is nothing entirely new to be said, students of twelfth-century architecture outside Scotland may still find that the facts are not without interest for them.

The Enigma of Gregory the Great's Dialogues: A Response to Francis Clark

1988 ◽  
Vol 39 (3) ◽  
pp. 335-381 ◽  
Author(s):  
Paul Meyvaert
Keyword(s):  
Middle Ages ◽  
Church Fathers ◽  
Gregory The Great ◽  
The Reformation ◽  
The Church ◽  
The Middle Ages

The Middle Ages remained serenely unaware that a dark problem might attach itself some day to the Dialogues of Gregory the Great. They knew their Gregory, studied his Moralia and other scriptural commentaries with uplifted hearts, read his Dialogues with equal veneration and devotion and never perceived even the glimmer of a contradiction between the two categories of works. Then came the Reformation with its stress on Scripture and its dislike of the ‘superstitious Romanist piety’ fostered by works like the Dialogues. A problem thus arose for the Reformers. They had little love for the papacy but retained a veneration for the Church Fathers, among whom they counted Gregory the Great, that great interpreter of Scripture, who had been instrumental in bringing Christianity to England. Was it possible to retain Gregory but divest him of an embarrassing work? It is important to note that the first attempts to deny Gregory's authorship of the Dialogues are rooted in the polemics of the Reformation period.

The Mediæval Legend of Judas Iscariot

PMLA ◽  
1916 ◽  
Vol 31 (3) ◽  
pp. 481-632
Author(s):  
Paull Franklin Baum
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Early Life ◽  
The Other ◽  
The West ◽  
Greek Myth ◽  
Judas Iscariot ◽  
The Church ◽  
The Middle Ages

The legendary Life of Judas the Betrayer, based, it is usually said, on the Greek myth of Œdipus, is found in almost every language and country of mediæval Europe. It was written down in Latin as early as the twelfth century. By the end of the thirteenth century it was turned into the vernacular in lands as far apart as Wales, Catalonia, and Bohemia. At the close of the Middle Ages it had become the possession of the folk, and since that period—to some extent even during the fifteenth century—it has spread northward and eastward into Scandinavia, Finland, Russia, and Bulgaria. It was related in Greek, probably in the Middle Ages, although the manuscripts are of a much later date. It was still told orally in Galicia at the end of the last century. As a regular part of the ecclesiastical literature of the West it received canonization, so to say, late in the thirteenth century, in the great legendary of Jacopo da Voragine; but, on the other hand, it is a remarkable fact that in the Middle Ages, so far as I have been able to learn, none of the reputable church writers (with the exception of Jacopo) recognized or even mentioned it. And furthermore, mediaeval sculptors and carvers of wood and ivory, who gave themselves with so much zeal to the plastic representation of legendary matter, completely eschewed or overlooked the ‘early life’ of Judas. Not indeed that either the church writers or artists sought to avoid contact with such a wicked character; on the contrary, they devoted considerable space to him, rejecting only his apocryphal career. However this omission may be explained, the fact must be recognized as of some interest.

Mother of Mercy, Bane of the Jews

2016 ◽  
Author(s):  
Kati Ihnat
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Early Christianity ◽  
Daily Basis ◽  
Virgin Mary ◽  
Christian Identity ◽  
Human Beings ◽  
Immaculate Conception ◽  
Cult Of The Virgin ◽  
The Middle Ages

This book explores a key moment in the rise of the cult of the Virgin Mary and the way the Jews became central to her story. Benedictine monks in England at the turn of the twelfth century developed many innovative ways to venerate Mary as the most powerful saintly intercessor. They sought her mercy on a weekly and daily basis with extensive liturgical practices, commemorated additional moments of her life on special feast days, and praised her above all other human beings with new doctrines that claimed her Immaculate Conception and bodily Assumption. Drawing from theological and legendary traditions dating back to early Christianity, monks revived the idea that Jews violently opposed the virgin mother of God; the goal of the monks was to contrast the veneration they thought Mary deserved with the resistance of the Jews. This book argues that the imagined antagonism of the Jews toward Mary came to serve an essential purpose in encouraging Christian devotion to her as merciful mother and heavenly Queen. Through an examination of miracles, sermons, liturgy, and theology, the book reveals how English monks helped to establish an enduring rivalry between Mary and the Jews, in consolidating her as the most popular saint of the Middle Ages and in making devotion to her a foundational marker of Christian identity.

Learned Discussions of Indulgences for the Dead in the Middle Ages

1992 ◽  
Vol 61 (4) ◽  
pp. 367-381 ◽  
Author(s):  
Robert W. Shaffern
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Holy Places ◽  
The Dead ◽  
The Middle Ages

By the thirteenth century, Latin Christians had been dispensing and collecting indulgences for two centuries. Though indulgentia was a relatively late term, and first the favorite of thirteenth-century Dominican theologians, remissions of temporal penalty for sin had been granted since the eleventh century, whether they were known as remissiones or relaxationes, the two most popular terms of eleventh- and twelfth-century ecclesiastics. Bishops granted partial indulgences for visitations of holy places. Partial indulgences remitted a fraction of all penalty incurred through sin. Contributions to pious works, such as church, hospital, or bridge constructions, were also rewarded with indulgences. Other prelates granted indulgences until Lateran IV. The popes granted both partial and plenary indulgences (those which remitted all penalty for having sinned). They granted partial indulgences for much the same reasons as other bishops. Plenary indulgences were almost exclusively granted to crusaders or contributors to crusades.

Sign in / Sign up

Export Citation Format

Share Document