In an address to the Pontifical Academy of Sciences, meeting at the Vatican on October 22, 1996, Pope John Paul II accepted the theory of evolution, thus bringing to an official end, for the Catholic Church, the most bitter and most persistent of all debates between science and religion. “New knowledge,” John Paul said, “has lead to the recognition of the theory of evolution as more than a hypothesis.” He qualified his statement somewhat by pointing out that there are many readings of evolution, “materialist, reductionist, and [his preference] spiritualist interpretations.” Still, we must not quibble; the Pope has endorsed slow evolutionary change, Darwinian evolution, as the likely way that nature modifies all living creatures, including all human beings. Fashioning us in the image of God, the Pope appears to believe, took a very, very long time. The dust has not yet settled on the great evolution war, nor will it settle soon. A few intelligent scientists are still not convinced that evolutionary theory explains the species richness of our planet and the amazing adaptations, such as eyes, wings, and social behavior, of its in-habitants. There also remain powerful religious orthodoxies that show no sign of giving up the fight for creationist theology. A second war about evolution is now being waged, an invisible, un-publicized struggle between a different set of protagonists; it is a war whose outcome will affect our lives and civilization more directly than the original controversy ever did. The new protagonists are not science and traditional religion; instead, they are the corporate apostles of the religion of progress versus those surviving groups and individuals committed to slow social evolution as a way of life. To understand this other struggle, it is necessary to look at evolution in a broad context that transcends biology. Not just a way of explaining how the camel got her hump or how the elephant got his trunk, the idea of evolution can also be applied to the writing of a play that “evolves” in the mind of the playwright or the “evolution” of treaties, banking systems, and anything else that changes over time in a non random direction.