Review: The Crannied Wall: Women, Religion, and the Arts in Early Modern Europe by Craig A. Monson

1994 ◽  
Vol 47 (2) ◽  
pp. 347-359
Author(s):  
Suzanne G. Cusick
2003 ◽  
Vol 63 (1) ◽  
pp. 249-250
Author(s):  
Anne E. C. McCants

This edited volume is the result of a series of interdisciplinary conferences and seminars sponsored by the Renaissance Trust between 1990 and 1995 to examine “Achievement in Intellectual and Material Culture in Early Modern Europe” (p. 3). Historians of science, culture, the economy, and architecture and urban design were brought together to reflect on the intersections between past achievements in their respective fields within urban centers, as well as on the transfer of those achievements from one urban place to the next over time. These scholars were also called upon to consider the connections between the findings of more traditional “case-study” urban history and the grand narratives of modern development and geopolitical conflict. All of the contributors to this volume agreed to address the same meta question: “Why do recognized and celebrated achievements, across several fields of endeavor, tend to cluster within cities over relatively short periods of time?” (p. 5). In a schema entirely consistent with the Braudelian paradigm of early modern development (Fernand Braudel, The Perspective of the World. New York, 1981–84.), three cities in particular were chosen as representative of these episodic peaks of early modern achievement: Antwerp, Amsterdam, and London in roughly the sixteenth, seventeenth, and eighteenth centuries respectively. The chapters of the book are thus organized in groups of three, with one chapter devoted to each area of endeavor in each of the three cities, beginning with their material bases in economic growth and ending with high culture as exemplified by the arts, books, and scientific research and discovery.


Author(s):  
Déborah Blocker

This article discusses how the constitution, circulation and institutionalization of discourses on poetry and the arts in early modern Europe could best be accounted for from a historical point of view. Pointing to various inconsistencies in the way historians of ideas have traditionally explained the rise of aesthetic discourses, the article examines the usefulness of the tools crafted by historians of the book for the development of such a project. Through an example, the drawbacks of interpretations based solely on serial bibliographies are also addressed, as the author argues for the importance of case studies, grounded in social, cultural and political history, through which various types of aesthetic practices may be made to appear. She also suggests that, to bypass the theoretical and practical deadlocks of traditional Begriffsgeschichte as far as the study of aesthetic practices is concerned, intellectual traditions and the actions that make them possible — that is “actions of transmission” — are to be promoted to the status of primary hermeneutic tools.


Notes ◽  
1993 ◽  
Vol 50 (2) ◽  
pp. 560
Author(s):  
Irene Heskes ◽  
Craig A. Monson

1993 ◽  
Vol 24 (4) ◽  
pp. 1063
Author(s):  
Merry E. Wiesner ◽  
Craig A. Monson

2016 ◽  
Vol 20 (5) ◽  
pp. 429-461
Author(s):  
David Malkiel

This study focuses on the observations of two eighteenth-century visitors to Mantua’s Palazzo Tè, Rabbis Isaac Lampronti of Ferrara (1679-1756) and Hayyim Yoseph David Azulay of Jerusalem (1724-1806), especially their impressions of the echo in its Chamber of the Giants. The rabbis’ response to Palazzo Tè closely resembles that of dozens other European travelers, whose writings about the echo chamber exhibit the same fascination with recent advances in scientific knowledge, and like them, Lampronti and Azulay labor to synthesize their experience with the traditions and beliefs that make up their worldview. The Palazzo Tè literature emblematizes the explosive increase in the diffusion of knowledge in early modern Europe, in the arts as well as the sciences, and the importance of travel and travel writing in that process.


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