Britain's informal empire in the Middle East: a case study of Iraq, 1929–1941 and Iraq between the two world wars: the creation and implementation of a nationalist ideology

1987 ◽  
Vol 63 (2) ◽  
pp. 336-337
Author(s):  
Glen Balfour-Paul
1987 ◽  
Vol 92 (4) ◽  
pp. 960
Author(s):  
Phebe Marr ◽  
Daniel Silverfarb ◽  
Majid Khadduri
Keyword(s):  

2021 ◽  
pp. 084387142110376
Author(s):  
Athol Yates ◽  
Ash Rossiter

Britain long sought to establish, develop and utilise local military capabilities across its empire. In its informal empire among the Arab Gulf Sheikhdoms of Eastern Arabia, Britain increasingly encouraged – and often cajoled – its protégés to build up their own security forces as London's moment in the Middle East was coming to an end. The scholarly literature on imperial assistance to local forces is invariably army-centric; little attention is given to how powers such as Britain helped establish local naval forces. This article seeks to address this imbalance by describing how British naval institutions supported the establishment of the local naval force in Abu Dhabi in the years immediately before British withdrawal from the region in 1971. This case study expands the historiography of British military assistance to cover naval forces and describes the repertoire of support provided by the Royal Navy and Navy Department.


Author(s):  
Odile Moreau

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.


2013 ◽  
Author(s):  
Mu Hansheng ◽  
Liu Chuanxi ◽  
Li Peng ◽  
Pang Huihua

Jurnal Akta ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 421
Author(s):  
Amalia Putri Prima Erdian ◽  
Arief Cholil

Law of inheritance only happens because the person died. In BW there are two ways to get wealth, that is: as heirs according to the provisions of law and as a person appointed in the will. What is meant by the will itself according to Article 875 BW is an agreement that make statements about what he wished someone would happen after he died, and that by her to pull back. In general, people make a will before a Public Notary. According to article 1 paragraph 1 of Act No. 2 of 2014 concerning On Notary (now referred to UUJN). Notary is a public official who is authorized to make authentic agreements and other authorities referred to in the Act, where each testament must be shaped agreement in order to obtain certainty law as an authentic agreement binding. With the creation of the will meant that the parties can understand and be able to know the basic result of the offense can be arranged so that the interests of the concerned receive proper protection as known by the Notary.Keywords: Inheritance; Heir; Testament; Authentic Agreement


2020 ◽  
Vol 23 (13) ◽  
Author(s):  
Amelia Yuliana Abd Wahab ◽  
Munir Shuib ◽  
Abdul Rahman Abdul Razak Shaik

Author(s):  
Anna Michalak

Using the promotional meeting of Dorota Masłowska’s book "More than you can eat" (16 April 2015 in the Bar Studio, Warsaw), as a case study, the article examines the role author plays in it and try to show how the author itself can become the literature. As a result of the transformation of cultural practices associated with the new media, the author’s figure has gained much greater visibility which consequently changed its meaning. In the article, Masłowska’s artistic strategy is compared to visual autofiction in conceptual art and interpreted through the role of the performance and visual representations in the creation of the image or author’s brand.


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