John Dryden, a Bibliography of Early Editions and of Drydeniana.

1941 ◽  
Vol 56 (1) ◽  
pp. 74
Author(s):  
E. N. Hooker ◽  
H. T. Swedenberg ◽  
Hugh Macdonald
Keyword(s):  
John Dryden

Memoirs of John Dryden

2013 ◽  
Author(s):  
Walter Scott
Keyword(s):  
John Dryden

Echohistoricism: Aristotle, Dryden, Montgomery, Conrad

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 278-293
Author(s):  
Thomas H. Ford
Keyword(s):  
Literary History ◽  
Joseph Conrad ◽  
John Dryden ◽  
Modern Literature ◽  
Critical Dialogue ◽  
Lecture Series ◽  
Narrative Frame ◽  
Definition Of

The contingencies of military decisions and their outcomes have always shaped the course of literary history, determining even the languages in which it has been conducted. But modern literature takes a new bearing on its determinant military contingencies. This paper describes a modern literary scene that self-reflexively attributes to literature the potential to suspend these determining military events, and so to communicate the unactualised possibilities contained in past contingencies, even those that have been violently foreclosed. It is a scene of interested observers, adrift in a boat, who listen for the sounds of a distant naval battle. Having first located this scene's classical antecedents in Aristotle, I then track it through three pivotal and distinctively modern moments of literary self-periodization. In each instance, the scene is differently configured, articulating a specific conjuncture of war, textuality and literary self-definition. It appears in John Dryden as the setting of a modern critical dialogue on theatre, with James Montgomery as a Romantic definition of the poetry of sound in a lecture series on literature, and with Joseph Conrad as the narrative frame of a modernist tale within a tale. But the same scene re-echoes in all three – the scene of literary inscription as one in which, contingently, a war neither did nor did not take place, a battle was and was not fought.

John Dryden: The Living and the Dead

2001 ◽  
Vol 10 (1) ◽  
pp. 136-145
Author(s):  
Tom Mason
Keyword(s):  
John Dryden ◽  
The Dead

A propos de All for Love de John Dryden

XVII-XVIII ◽  
1985 ◽  
Vol 21 (1) ◽  
pp. 109-115
Author(s):  
Pierre Danchin
Keyword(s):  
John Dryden

The ‘Glorious Revolution’ and the Court in Exile

2017 ◽  
Author(s):  
Margaret J. M. Ezell
Keyword(s):  
John Dryden ◽  
Glorious Revolution ◽  
Poet Laureate ◽  
Jane Barker ◽  
Anne Finch ◽  
The Glorious Revolution

The birth of an heir to King James and Mary of Modena led to a crisis, with allegations that the child was not legitimate. Whig politicians were alarmed by the promotion of openly practicing Catholics in the army and at the court. Upon the invasion by William, the court fled into exile in France, establishing a rival court at St. Germain. While in exile, Jacobite poets including Jane Barker created manuscript volumes of verse and fiction to be published later. In England, supporters of King James including Heneage and Anne Finch retreated from London into a quiet exile in the countryside, and John Dryden was removed from his post as Poet Laureate.

Textual Transformations

2019 ◽  
Keyword(s):  
Early Modern ◽  
Financial Incentives ◽  
Book History ◽  
John Dryden ◽  
Book Production ◽  
Original Essays ◽  
Wide Range ◽  
Lucy Hutchinson ◽  
The Many ◽  
The Impact

This collection of twelve original essays by an international team of eminent scholars in the field of book history explores the many ways in which early modern books were subject to reworking, re-presentation, revision and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected and transformed in ways that their original authors might hardly recognize. The essays discuss the processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation and posthumous publication that resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author’s name are no longer sufficient pointers to a book’s identity or contents. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical and scholarly trends and debates as they discuss a wide range of genres and kinds of publication (including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy) and of authors and booksellers (including Lucy Hutchinson, Richard Baxter, Thomas Burnet, Elizabeth Rowe, John Dryden, and Samuel Taylor Coleridge, Lucy Hutchinson, Henry Maundrell, John Nourse; Jonathan Swift, Samuel Richardson, John Tillotson, Isaac Watts and John Wesley).

From koine to standard: the early modern origin of a key linguistic term

2021 ◽  
Vol 7 (2) ◽  
pp. 283-302
Author(s):  
Raf Van Rooy
Keyword(s):  
Seventeenth Century ◽  
Western Europe ◽  
Early History ◽  
John Dryden ◽  
Common Language ◽  
Regional Dialects ◽  
Language Studies ◽  
Linguistic Term ◽  
History Of ◽  
The Impact

Abstract In this paper, I explore the early history of the word standard as a linguistic term, arguing that it came to compete with the designation common language in the seventeenth century. The latter phrase was, in turn, formed by ideas on the Greek koine during the Renaissance and appears to have been the first widely used collocation referring to a standard language-like entity. In order to sketch this evolution, I first discuss premodern ideas on the koine. Then, I attempt to outline how the intuitive comparison of the koine with vernacular norms that were being increasingly regulated resulted in the development of the concept of common language, termed lingua communis in Latin (a calque of Greek hē koinḕ diálektos), in the sixteenth century. This phrase highlighted the communicative functionality of the vernaculars, which were being codified in grammars and dictionaries. Scholars contrasted these common languages with regional dialects, which had a limited reach in terms of communication. This distinction received a social and evaluative connotation during the seventeenth century, which created a need for terminological alternatives; an increasingly popular option competing with common language was standard, which was variously combined with language and tongue by English authors from about 1650 onwards, especially in Protestant circles, where the vernaculars tended to play a more prominent role than in Catholic areas. Of major importance for this evolution was the work and linguistic usage of the poet John Dryden (1631–1700). This essay uncovers the early history of standard as a key linguistic term, while also presenting a case study which shows the impact of the rediscovery of the Greek heritage on language studies in Western Europe, especially through the term common language.

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