The Platonic Academy of Florence*

1961 ◽  
Vol 14 (3) ◽  
pp. 147-159 ◽  
Author(s):  
Paul Oskar Kristeller

Since the beginnings of its greatness, Florence was a town of merchants and of craftsmen where the arts, literature, and religious devotion were highly cultivated and where the vernacular tongue, probably after the French and Provençal model, was used as a literary language much earlier than in the rest of Italy, not only in lyrical poetry but also in all other branches of literature. The example of Dante alone is sufficient to show that the interest in philosophy and theology was very much alive in early Florence. Yet the university which was founded during the fourteenth century never occupied a predominant place in the intellectual life of the city, and hence the learned disciplines characteristic of the medieval universities were less strongly represented in Florence than in the old university centers.

1945 ◽  
Vol 2 (1) ◽  
pp. 30-50
Author(s):  
Francis Borgia Steck

Another gifted writer whose name has almost passed into oblivion is Tirso Rafael Córdoba. Like Rafael Gómez, he from Michoacán, a circumstance that seems to explain why during the period we are considering these two men stood on such intimate terms of friendship and in their literary career had so many things in common. His biographer tells us that in 1853, at the early age of fifteen, Córdoba, then a student in the Seminario de Morelia, was admitted to membership in the Liceo Iturbide, a distinction conferred upon him in view of the exceptional progress he had made in the arts and sciences. Only for the disturbed times in which his youth and early manhood fell, Córdoba would have entered the priesthood, this being his intention when he studied philosophy in the Seminario Conciliar Palafoxiano in the city of Puebla. From this celebrated school he graduated with high honors and then proceeded to Mexico City where he studied canon and civil law in the Colegio de San Ildefonso and passed the bar examination in the University of Mexico. But again he became a victim of circumstances, unable to engage freely and fully in the legal and political circles for which he was so richly qualified. After the fall of the Second Empire, at which time he was Secretary General of the municipal government of Puebla, he retired from public life and thereafter took a prominent part, chiefly in Mexico City, in social and literary activities. He was one of the founders of the organization known as La Sociedad Católica and collaborated in the founding and editing of periodicals, popular as well as literary, such as La Voz de México, El Obrero Católico, El Hijo del Obrero, La Lira Poblana, La Aurora, and La Oliva.


1970 ◽  
Vol 30 (4) ◽  
pp. 408
Author(s):  
William O. Winter
Keyword(s):  
The Arts ◽  

2009 ◽  
Author(s):  
Paolo Emilio Pecorella ◽  
Raffaella Pierobon Benoit

In the undulating plains of north-eastern Syria is the site of Tell Barri, identified with the city of Kahat. The archaeological sequence which has been brought to light stretches without interruption from the start of the third millennium up to the fourteenth century AD. This report illustrates the results of the twentieth excavation campaign, carried out by the group from the University of Florence and from the "Federico II" University of Naples. In Area G the levels of the first half of the III millennium BC and a sequence of strata of the Mitanni epoch were investigated, while on the western border of the site another section of the palace of Adad-nirari I was brought to light. In Area J the operations exposed the eastward extension of the palace structure resulting from transformations in the Neo-Babylonian period; in the northern section another courtyard of the palace of Tukulti Ninurta II was brought to light. The text, prepared for printing in July 2005, was published following the tragic death of Paolo Emilio Pecorella, which took place on 29 August in Tell Barri in the course of the excavation campaign.


2019 ◽  
Vol 3 (27) ◽  
pp. 59
Author(s):  
Luis Rodríguez V ◽  
José Antepara B ◽  
Luis Braganza

Introductionthe purpose of analyzing the way in which electronic public administration is presented in the environment of Public Higher Education, for which the accessibility of web content is evaluated by applying the Ecuadorian standard NTE INEN ISO / IEC 40500: 2012. These criteria will serve as a basis for the necessary adjustments in the interfaces. Objectiveto promote an inclusive service. The selected websites correspond to the University of Guayaquil, Agraria del Ecuador, Escuela Politécnica del Litoral and the Arts, all of them of a public nature and settled in the city of Guayaquil. Materials and methodsinvolves five pages of each website as a representative sample. The research has a non-experimental character, transversal design and descriptive type. For this evaluation metric, only the 38 criteria that comply with compliance levels A and AA were taken into account. Automatic and manual tools for the measurement of accessibility are applied to the criteria, excluding the user test. Resultsare presented in four blocks where the levels of accessibility found in the four universities are described. Discussion The websites of the Public Higher Education Institutions of Guayaquil on average have a level of accessibility. ConclusionThe websites of the Public Higher Education Institutions of Guayaquil on average have a deficient level of accessibility in the application of the NTE INEN ISO / IEC 40500: 2012 Standard.


ILUMINURAS ◽  
2021 ◽  
Vol 22 (56) ◽  
Author(s):  
Deisimer Gorczevski ◽  
Aline Mourão Albuquerque ◽  
João Miguel Diógenes de Araújo Lima

Habitamos a cidade que nos habita, atravessamos a cidade que nos atravessa. Com interesse sobretudo na resistência pelos afetos e nas micropolíticas acionadas pelo desejo e pelo que nos faz querer viver, partimos em pesquisa-expedição, no encontro da arte contemporânea com a cartografia. Como pesquisar e intervir pode ativar experiências estéticas, com diferentes espaços-tempos da cidade e da universidade? Esta questão norteia as ações realizadas pelo Laboratório Artes e Micropolíticas Urbanas (LAMUR), entre elas: ConversAções na Praia do Vizinho e Micropolítica e Revolução, apresentadas neste trabalho. Movimentar as artes e a universidade com o cotidiano urbano demanda a invenção de modos de fazer-saber. As questões da cidade instigam conversas e encontros com as ruas; revolução, utopia e heterotopias transbordam em imagens que tomam corpo em projeções audiovisuais colaborativas, lambe, fotografia e colagens. As artes de intervenção entrelaçam-se com modos de viver e conviver, impulsionando a potência de processos coletivos e singulares em resistir e inventar cidades. Palavras-chave: Arte contemporânea. Cidade. Micropolíticas. Invenção. Cartografia.  ARTS OF INTERVENTION, INVENTING CITIES Abstract: We inhabit the city that inhabits us, we go through the city that goes through us. Especially interested in resistance through affects, and the micropolitics activated by desire and what makes us want to live, we go on a research-expedition, where contemporary art meets cartography. How to research and intervene as a way to activate aesthetic experiences, with the different times-spaces of the city and the university? This question guides the activities of LAMUR, the Arts and Urban Micropolitics Laboratory (Laboratório Artes e Micropolíticas Urbanas), and among them, ConversAções at the Vizinho Beach, and Micropolitics and Revolution, presented in this work. Moving the arts and the university with urban everyday life demands inventing ways of savoir-faire. The city’s questions instigate conversations and gatherings with the streets; revolution, utopia and heterotopias overflow in images that become collaborative audiovisual projections, wheatpaste, photography and collages. The arts of interventions are entwining with ways of living and living together, propelling the potency of collective and singular processes in resisting and inventing cities.Keywords: Contemporary art. City. Micropolitics. Invention. Cartography.


1945 ◽  
Vol 2 (01) ◽  
pp. 30-50
Author(s):  
Francis Borgia Steck

Another gifted writer whose name has almost passed into oblivion is Tirso Rafael Córdoba. Like Rafael Gómez, he from Michoacán, a circumstance that seems to explain why during the period we are considering these two men stood on such intimate terms of friendship and in their literary career had so many things in common. His biographer tells us that in 1853, at the early age of fifteen, Córdoba, then a student in the Seminario de Morelia, was admitted to membership in the Liceo Iturbide, a distinction conferred upon him in view of the exceptional progress he had made in the arts and sciences. Only for the disturbed times in which his youth and early manhood fell, Córdoba would have entered the priesthood, this being his intention when he studied philosophy in the Seminario Conciliar Palafoxiano in the city of Puebla. From this celebrated school he graduated with high honors and then proceeded to Mexico City where he studied canon and civil law in the Colegio de San Ildefonso and passed the bar examination in the University of Mexico. But again he became a victim of circumstances, unable to engage freely and fully in the legal and political circles for which he was so richly qualified. After the fall of the Second Empire, at which time he was Secretary General of the municipal government of Puebla, he retired from public life and thereafter took a prominent part, chiefly in Mexico City, in social and literary activities. He was one of the founders of the organization known as La Sociedad Católica and collaborated in the founding and editing of periodicals, popular as well as literary, such as La Voz de México, El Obrero Católico, El Hijo del Obrero, La Lira Poblana, La Aurora, and La Oliva.


Author(s):  
David Willetts

A beautiful large stained-glass window dominates the end of the Great Hall of Birmingham University. My great-grandfather was one of the glaziers who made it—my family were Birmingham artisans, craftsmen, and engineers. His son, my grandfather, remembered being taken to the opening of Birmingham University in 1902—Joe Chamberlain, the founder of the university, believed that the workers who had built it should be invited, not just the academics. From a distance it looks like the stained-glass window in an ancient cathedral with figures of saints, but close up you see the radicalism of Joe Chamberlain’s vision. It is dedicated to the arts and sciences. Instead of saints and bishops the figures represent disciplines like geometry or music, but alongside them, equally prominent, are contemporary trades: there is an electroplater, a rather Michelangelesque miner, and a demure bookkeeper too. It is a celebration of the range of trades and professions of the early twentieth century, ‘as practised in the university and in the City’, said the local paper. England’s first university in one of its great bustling industrial cities was claiming a new role for the university based on its civic commitment. This great window embodies a very different idea of the university from the Oxbridge tradition. It is a vigorous statement in an argument that was raging within Government at the very time that Chamberlain was planning his new university. The question was whether public funds should go to help pay for higher education courses outside Oxbridge on a systematic basis and if so which courses at which institutions. (At this point what would become our Redbrick universities were typically university colleges teaching for the external degree of the University of London and funded locally, though with occasional public grants.) The question came to the Chancellor of the Exchequer in 1895, who replied: ‘As an old Oxford man myself I must confess to a feeling, which you may call a prejudice, that University education, in the full sense of the term, can hardly be obtained except at our old Universities.’ The Treasury consulted Oxford and Cambridge on what they should fund.


Author(s):  
Edith Dudley Sylla

Medieval Latin natural philosophy falls into two main periods, before the rise of the universities (mainly in the twelfth century, when works were produced in connection with aristocratic patrons, monastic institutions or cathedral schools) and after their rise. In the earlier period, the dominant Greek influence is that part of Plato’s Timaeus which had been translated into Latin and commented on by Calcidius. In the university period, the central works are those of Aristotle, often together with commentaries by Averroes. Before the twelfth century, there was very little that could be described as natural philosophy. Such work as existed fell mainly into the genres of natural history (encyclopedic works using Pliny and the like as sources), didactic works (perhaps following a question and answer format on the model of Seneca’s Natural Questions) or biblical commentary (especially commentaries on the Hexaemeron, or six days of creation). In the twelfth century, however, there are a number of original texts that may be considered as natural philosophy; examples include William of Conches’ Philosophia mundi (Philosophy of the World), Bernard Sylvester’s Cosmographia or Hildegard of Bingen’s Scivias (Know the Ways). Greek natural philosophy also reached the Latin West through its influence on medical works and on art, for example on drawings of the cosmos, heaven, angels and hell. The high and late Middle Ages (thirteenth and fourteenth centuries) was perhaps the preeminent period in all of history for natural philosophy. Natural philosophy was an official area of study in the arts faculties of medieval universities, alongside and distinct from the seven liberal arts (the trivium – grammar, rhetoric and logic – and the quadrivium – arithmetic, geometry, astronomy and music), moral philosophy or ethics, and first philosophy or metaphysics. As a subject of the arts faculty, natural philosophy was also defined as distinct from the subjects studied in the graduate faculties of theology, medicine and law. The most common approach to natural philosophy in the thirteenth and fourteenth centuries was to comment on, or to dispute questions arising from, the natural works of Aristotle, especially his Physics, On the Heavens, On Generation and Corruption, Meteorology and On the Soul, as well as his various works in biological areas and the so-called Parva Naturalia, a group of short works on psychological topics. Medieval investigations of the cosmos that were largely mathematical – for example, most of astronomy – were considered in the Middle Ages to belong not to natural philosophy but to the quadrivium or perhaps to the so-called ‘middle sciences’ (such as optics, statics or the newly developed ‘science of motion’). What little medieval experimental science there may have been (for instance that appearing in Peter Peregrinus’ De magnete (On the Magnet), in Frederick II’s De arte venandi cum avibus (On the Art of Hunting with Birds) and perhaps in some works on alchemy) seems not to have been done within the university setting. In the fourteenth century the new methods of medieval logic (supposition theory, propositional analysis or exposition, rules for solving sophismata and so on) are prominently used in natural philosophy. Thirteenth- and fourteenth-century natural philosophy began with the general assumption of the Aristotelian world view, but later medieval natural philosophers did not hold to the Aristotelian view rigidly or dogmatically. In some cases, Christian faith seemed to contradict or to add to Aristotle’s ideas, and natural philosophers tried to resolve these contradictions or to make the appropriate additions, as in the case of heaven and hell and angels. A number of difficulties, inconsistencies and sticking points in Aristotle were special subjects for discussion and received new resolutions as time went on. Within the medieval university, natural philosophy was considered to be a part of general education, but it was also thought to be useful as a tool for theology and medicine. In northern universities such as Paris and Oxford, some of the most fundamental original work in natural philosophy was done in connection with the investigation of theological problems, for which natural philosophy, together with the other disciplines of the arts faculty, served as important aids. In Italian universities, where faculties of theology were less prominent or non-existent, natural philosophy was similarly tied to the resolution of medical questions. European libraries contain many manuscript commentaries on Aristotelian works that still await modern analysis. The medieval university system did not as a rule identify, encourage or reward originality or uniqueness. Many natural philosophers claimed to be explaining Aristotle’s meaning, even when they were introducing a novel interpretation of or variation on his ideas. When they made use of the ideas of earlier commentators, they rarely mentioned them by name. What we now know about medieval natural philosophy is not a mirror reflection of what happened in the thirteenth and fourteenth centuries, because modern scholars have chosen to study those subjects and individuals relevant to their own present situations: Dominicans have emphasized the history of Dominican natural philosophy in such thinkers as Albert the Great and Thomas Aquinas, Franciscans have studied Franciscans such as John Duns Scotus and William of Ockham, historians of science have studied those individuals who had something to say about the subjects of modern science such as bodies, forces, velocities and resistances, logicians have studied logic, and so on. Because natural philosophy as such is not the focus of attention of many modern philosophers or other scholars, much medieval natural philosophy remains unread, sometimes in large-scale and handsomely produced commentaries on Aristotle’s works, sometimes in hastily scribbled student notebooks.


Author(s):  
James Hannam

Cecco d’Ascoli (c. 1269–1327) was the diminutive used by the writer and poet Francesco Stabili, from the commune of Ascoli Piceno in central Italy. He was a lecturer on astrology at the University of Bologna, best known for being burnt at the stake as a relapsed heretic. He was first convicted of heresy in Bologna in 1324 by the inquisitor Lambert of Cingoli (fl. 1316–1324), who stripped him of his lectureship and forbade him to practice astrology. Cecco moved to Florence where he became the court astrologer of Duke Charles of Calabria (1298–1328), then ruler of the city. However, he was quickly caught up in the politics of the ducal court. His rivalry with Duke Charles’s chancellor, the Bishop of Aversa, led to the Inquisition’s file on him being reopened. In 1327, following an investigation by the Florentine inquisitor, Accursius, Cecco was found to have relapsed into heresy and was burnt outside the Church of Santa Croce. It is likely that Cecco earned a master of the arts degree at Bologna before being appointed to teach astrology in about 1315. Astrology was then considered an essential adjunct to the practice of medicine and physicians were expected to be competent in casting horoscopes. Material from his lectures is preserved in his Latin commentaries, including one on the Sphere of John Sacrobosco (d. c. 1250). The Commentary on the Sphere was specifically condemned to be burned in 1327 at the same time as Cecco. Cecco also composed a long poem in Italian on the nature of the universe, with a focus on astrology and magic, called l’Acerba. This was also condemned by the Inquisition at the time of his execution. The poem of 4,867 lines is in five books, the last of which was left unfinished at the time of his death. L’Acerba covers the constitution of the heavens (Book 1), virtues and vices (Book 2), the magical properties of minerals and a bestiary (Book 3), questions of natural philosophy (Book 4), and an incomplete theology (Book 5). It is widely interpreted as a criticism of the natural philosophy of Dante Alighieri. It enjoyed some popularity in the early modern period, most likely because of the notoriety of its author. During the 19th century, Cecco’s fate at the hands of the Inquisition led to a revival of his reputation as a potential “martyr of science.” Since then, it has become clear that Cecco’s interests were not “scientific” in the modern sense and most scholarly attention has consequently been focused on l’Acerba.


2009 ◽  
Author(s):  
Paolo Emilio Pecorella ◽  
Raffaella Pierobon Benoit

In the undulating plains of north-eastern Syria is the site of Tell Barri, identified with the city of Kahat. The archaeological sequence which has been brought to light stretches without interruption from the start of the third millennium up to the fourteenth century AD. This report illustrates the results of the twentieth excavation campaign, carried out by the group from the University of Florence and from the "Federico II" University of Naples. In Area G, the excavation of the chapel dating to the third millennium proceeded along with that of the palace of the Mid Assyrian King Adadnirari I; three coeval tombs were discovered, two with lavish furnishings. In Area J, the exploration of the Assyrian palace of Tukulti-Ninurta II was continued. As regards the Parthian phase, investigation has proceeded on the Great Defensive Wall in Area E and of the residential section in Area H. The text, prepared for printing in July 2005, was published following the tragic death of Paolo Emilio Pecorella, which took place on 29 August in Tell Barri in the course of the excavation campaign.


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