Two Renaissance Epitaphs

1955 ◽  
Vol 8 (1-Part1) ◽  
pp. 9-11
Author(s):  
Curt F. Bühler

Epitaphs of somewhat greater literary and historic interest than those usually met with are to be found in two volumes in the Pierpont Morgan Library. Though one was written down in a mediaeval manuscript and the other relates to an English nobleman who died early in the fifteenth century, they may nevertheless be identified with the era to which the Renaissance Society dedicates itself, since both the epitaphs were probably composed in the sixteenth century and they were set down in the Morgan volumes by two writers of the same century.On the verso of the first fly-leaf of Morgan Ms 771, there is written, in a hand of the early sixteenth century, the following stanza:La terre monde et ciel/ont deuise ma dameAnne qui fut des Roys/diaries et loys femmeLa terre a pris le corps/qui gist soubz ceste LameLe monde ansy Retient/Sa Renommee et famePardurable a Jaymes/Sans estre blasmee de ameEt Le ciel pour sa part a voulu prendre L'ame

Archaeologia ◽  
1933 ◽  
Vol 83 ◽  
pp. 285-305 ◽  
Author(s):  
James G. Mann

The Royal Armoury at Madrid is justly famous. But it is predominantly a Renaissance armoury, and for range and variety must yield the first place in Europe to the other Habsburg armoury at Vienna. If one wishes to trace the history of defensive armour in Spain prior to the sixteenth century one must look farther afield. Actual specimens of medieval armour are to-day as rare in Spain as in other countries, and knowledge of the earlier periods must, as elsewhere, be supplemented by the evidence of contemporary sculpture, painting, and literature.


Author(s):  
Pedro D. B. BROCCO

The present work aims to provide a comparative analysis of the workings of the Companhia de Jesus in Brazil and Japan in the second half of the sixteenth century, before considering the activities of Portuguese Jesuit priest Luís Fróis (1532-1597) on the Japanese mission and his central importance to the written output and publication of the mission among European and Ignatian circles. In writing on the Japanese mission, Fróis introduces into his discourse the foreign voice of the native Japanese, giving them a voice in the texts and describing their rituals, customs, and way of life. A comparative analysis with the written output of Manuel de Nóbrega, who wrote on the Brazilian mission, indicates that the symbolic aspect of the written representation of difference, which may be located in Luis Fróis, is less pronounced or even absent from Nóbrega’s work, giving rise to the appearance of the other not as difference, but as similarity, diluted in the fifteenth-century European imaginative and rhetoric frameworks. To conclude, a general reading is carried out between the work of Luis Fróis and Antoine Galland, the first European translator of One Thousand and One Nights.


PRICES AND WAGES IN ENGLAND The cheaper linens used in the fifteenth century were French and these were easily accessible through import to Southampton. From the early sixteenth century holland came into general use except during the period 1620–40. The various linens bore no general price relation to each other, for fineness and width determined rates. From 1691 no quantities were entered in the accounts. Although there is an abundance of entries the lack of detailed information makes tabulation difficult. It cannot be said with certainty that any one kind was purchased continuously over the whole period. So many different prices occur for tablecloths and towels, for instance, and purchases are so irregular that it is impossible to disen­ tangle a series with any apparent homogeneity for either purpose till after 1550. On the other hand purchases for aprons, etc. (series A) become obscure before this date. Linen and canvas bought for similar purposes at similar prices are used to supplement each other in several of the tables. Entries for linen are printed in italics when inserted in a series mainly for canvas and canvas is printed in italics when inserted in a series mainly for linen. The width of any cloth is only specifically mentioned once : linen for tablecloths in 1395 at 4d. per ell is stated to be 3/4 ell wide. The measurements of two linen table­ cloths are also given in this year as 6 ells by 1 ell (Flemish, 5s. 2d.) and 6 yds. by 1 yd. (5s.). Apart from this year the only evidence of any widths is afforded by the occasional description of “ wide ” or “ narrow.” In the series tabulated all the cloth is recorded by the ell (except lockram 1643–48) and is probably all foreign. The ell measure cannot be taken as proof of foreign origin, however, since pannus vernaculus is recorded by the ell in 1631–40. Diaper is recorded usually by the yard but entries are irregular and for varying purposes, widths and/ or qualities ; no series can therefore be formed. Irish linen is mentioned only in 1468 and 1477, cheaper in price than canvas for aprons, etc. (series A).

2013 ◽  
pp. 116-116

AJS Review ◽  
1982 ◽  
Vol 7 ◽  
pp. 409-425
Author(s):  
Hava Tirosh-Rothschild

The period from the middle of the fifteenth century to the middle of the sixteenth century marks a transition in Jewish intellectual history in the Italian Renaissance characterized by the decline of Jewish rationalism and the rise of kabbalah. This process reached its culmination with the printing of Sefer ha-Zohar in 1558–59, an event accompanied by heated controversy on many fronts. During these years we find those thinkers who unambiguously profess their allegiance to one camp or the other, but we also find many whose allegiance is at least superficially ambivalent.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Antonio Urquízar-Herrera

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).


Author(s):  
Shannon McSheffrey
Keyword(s):  

Although historians have until now thought that sanctuary in England had become moribund by the early sixteenth century, research in the legal records shows something different: although sanctuary-seeking was indeed infrequent from 1400 to about 1480, it began to increase substantially after that, reaching a peak around 1530 before collapsing, quite suddenly, in the later 1530s. This chapter both introduces the different forms of English sanctuary and explains in broad terms both why resort to sanctuary became more common under the early Tudors, and why it collapsed. This raises a number of themes that weave through the other chapters—mercy and redemption, Christian kingship, jurisdiction, prosecution of felony, and aristocratic honour culture.


Author(s):  
Samuel K. Cohn, Jr.

This book challenges a dominant hypothesis in the study of epidemics. From an interdisciplinary array of scholars, a consensus has emerged: invariably, epidemics in past times provoked class hatred, blame of the ‘other’, or victimization of the diseases’ victims. It is also claimed that when diseases were mysterious, without cures or preventive measures, they more readily provoked ‘sinister connotations’. The evidence for these assumptions, however, comes from a handful of examples—the Black Death, the Great Pox at the end of the sixteenth century, cholera riots of the 1830s, and AIDS, centred almost exclusively on the US experience. By investigating thousands of descriptions of epidemics, reaching back before the fifth-century BCE Plague of Athens to the eruption of Ebola in 2014, this study traces epidemics’ socio-psychological consequences across time and discovers a radically different picture. First, scholars, especially post-AIDS, have missed a fundamental aspect of the history of epidemics: their remarkable power to unify societies across class, race, ethnicity, and religion, spurring self-sacrifice and compassion. Second, hatred and violence cannot be relegated to a time when diseases were mysterious, before the ‘laboratory revolution’ of the late nineteenth century: in fact, modernity was the great incubator of a disease–hate nexus. Third, even with diseases that have tended to provoke hatred, such as smallpox, poliomyelitis, plague, and cholera, blaming ‘the other’ or victimizing disease bearers has been rare. Instead, the history of epidemics and their socio-psychological consequences has been richer and more varied than scholars and public intellectuals have heretofore allowed.


1970 ◽  
Vol 39 (1) ◽  
pp. 30-35
Author(s):  
Louis J. Lekai

The sixteenth century was a crucial period in the history of French monasticism. In addition to the causes of a general decline throughout Europe, in France two peculiar developments precipitated a nearly fatal collapse of monastic establishments. One was the commendatory system that spread over the whole country following the Concordat of Bologna in 1516. Royally appointed commendatory abbots, whose only concern was the collection of their share of monastic income, contributed much to the moral and material decline of the institutions supposedly under their care. The other and even more devastating calamity was the series of religious and civil wars during the second half of the century that resulted in the pillage and partial or total destruction of hundreds of monasteries.


2017 ◽  
Vol 30 (60) ◽  
pp. 253-272 ◽  
Author(s):  
Diego Olstein

Abstract World history can be arranged into three major regional divergences: the 'Greatest Divergence' starting at the end of the last Ice Age (ca. 15,000 years ago) and isolating the Old and the New Worlds from one another till 1500; the 'Great Divergence' bifurcating the paths of Europe and Afro-Asia since 1500; and the 'American Divergence' which divided the fortunes of New World societies from 1500 onwards. Accordingly, all world regions have confronted two divergences: one disassociating the fates of the Old and New Worlds, and the other within either the Old or the New World. Latin America is in the uneasy position that in both divergences it ended up on the 'losing side.' As a result, a contentious historiography of Latin America evolved from the very moment that it was incorporated into the wider world. Three basic attitudes toward the place of Latin America in global history have since emerged and developed: admiration for the major impact that the emergence on Latin America on the world scene imprinted on global history; hostility and disdain over Latin America since it entered the world scene; direct rejection of and head on confrontation in reaction the former. This paper examines each of these three attitudes in five periods: the 'long sixteenth century' (1492-1650); the 'age of crisis' (1650-1780); 'the long nineteenth century' (1780-1914); 'the short twentieth century' (1914-1991); and 'contemporary globalization' (1991 onwards).


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