Cultural and Natural Areas before Kroeber

1954 ◽  
Vol 19 (4) ◽  
pp. 317-331 ◽  
Author(s):  
George I. Quimby

Kroeber's classic study of the “Cultural and Natural Areas of Native North America” has been invaluable to eth' nologists and archaeologists working with cultural phenomena more recent than the beginning of the Christian era. However, it has become increasingly evident that the cultural and natural areas of the neo-Indian (the term used by Griffin, 1946, p. 38) were not necessarily those of the paleo-Indian (the term used by Roberts, 1940, pp. 51-116). It is therefore my intent here to outline briefly, and without much detail, the cultural and natural areas of the paleo-Indian.I have focused my attention upon glaciation, because the presence of a continental glacier seems to have been a major factor of North American paleogeography in the periods here considered. Climate, which possibly is more the result of, than the cause of, glaciation, I have interpreted in terms of pollen levels, and any other phenomena that I could understand.

1941 ◽  
Vol 6 (1) ◽  
pp. 139
Author(s):  
Fred Eggan ◽  
A. L. Kroeber

1940 ◽  
Vol 20 (4) ◽  
pp. 620
Author(s):  
Clark Wissler ◽  
A. L. Kroeber

1943 ◽  
Vol 23 (1) ◽  
pp. 89
Author(s):  
Maurice A. Mook ◽  
A. L. Kroeber

2018 ◽  
Vol 30 (4) ◽  
pp. 177-190
Author(s):  
Ryan Ben Shuvera

Wilf Carter (Montana Slim) crossed the Canadian-U.S. border in 1935 to further his career as a country musician. Hank Snow moved to Nashville in 1945, reaching the stage of the Grand Ole Opry in 1950. Twenty-one years later Neil Young settled into Nashville’s Quadraphonic Sound Studio to record songs that would be featured on the album Harvest. Today, Nashville’s New West Records represents country-inspired Canadian musicians Daniel Romano and Corb Lund. These artists make up part of a notable history of northerners blending North American identities through country music. A significant and overlooked part of this history came to light in 2014 with the release of the Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966-1985 compilation from Light In The Attic Records. NNA (Vol. 1) is a collection of limited releases from Indigenous musicians from across Canada and Alaska. It is significant because it makes audible that Indigenous musicians performed—and continue to perform—country, folk, and rock music, challenging the borders and identities forced on them through settler-colonialism. These artists bring together southern sounds and northern voices—often using northern Indigenous languages—to articulate different experiences under North American colonization. This paper begins to explore how artists such as Willie Dunn, John Angaiak, and William Tagoona unsettle North American boundaries and identities through country music. This paper also begins to explore the opportunities and challenges this compilation presents to white settler listeners.


Focaal ◽  
2005 ◽  
Vol 2005 (46) ◽  
pp. 176-186
Author(s):  
Franz Wojciechowski ◽  
Sarah Stohlman ◽  
Djamila Schans ◽  
David O'Kane ◽  
Ludwien Meeuwesen ◽  
...  

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