Alaskan Pottery: A Classification and Historical Reconstruction

1955 ◽  
Vol 21 (1) ◽  
pp. 32-43 ◽  
Author(s):  
Wendell Oswalt

Alaskan Pottery has received for the most part somewhat cursory treatment in archaeological reports, and consequently it is often difficult to obtain from published studies data on such basic characteristics as temper, paste, and in some cases, design. Outstanding exceptions to this general tendency are the works of Collins (1937) and de Laguna (1939, 1940, 1947). De Laguna, especially, not only has thoroughly reported upon excavated material but has published information on pottery from many museum collections. Since the publication of de Laguna's penetrating analyses, there have been numerous site reports in which new pottery types were added and old ones partially clarified (Larsen and Rainey 1948; Heizer 1949; Giddings 1949,1952; Oswalt 1952a, 1953a, b, c; Griffin 1953). A systematic approach to Alaskan pottery is needed now to arrange the chronological and geographical positions of various styles and facilitate reference to specific types.

Author(s):  
Yevhen Kolesnichenko

Since the beginning of the XXI century, the amount of available for the researchers numismatic material has increased significantly, so introducing a new types of coins into the scientific circulation has become an especially relevant in modern numismatics, even when the archaeological context of most of these finds is almost lost. The study of ancient numismatics of Olbia is rapidly gaining in modern Ukraine. At the beginning of the XX century, ancient numismatics already had some significant achievements, but the accumulated material required urgent cataloging and systematization. During last 10 years since the publication of the most important and thorough catalog of ancient coins by Vladlen Opanasovich Anokhin, as well as the results of cataloging Olbia coins by other researchers - Valery Nechitaylo and Grigory Makandarov, numismatics has been enriched by new previously unknown coin types. The aim of the study. The main purpose of the article is to introduce into the scientific circulation new varieties of Olbia coins and to compile the most complete classification of Olbia coins of the IV century BC. Research methodology. In the process of scientific elaboration of the topic general scientific methods were used: analytical, chronological, and topographical, as well as source methods: critical, metrological and iconographic. A systematic approach to the processing of modern finds from private collections and access to the collections of foreign museums was the impetus for writing an expanded classification work. The scientific novelty. The value of the processed materials is that they not only complement this group of coins, but also refine previously published types in unsatisfactory condition, where incorrect reading of the names and trinkets has led to inaccuracies. The Conclusions. The so-called «obol series» covers the period of the Olbia minting around 350-330 BC. The monetary system consists of four denominations: obol (on the coin field depicts Demeter and the eagle on the dolphin), dikhalk (on the coin field depicts Demeter and the eagle on the dolphin), hulk (on the coin field depicts Demeter and the ear, dolphin) and hemihalk (depicts Demeter and dolphin). The die analysis allowed to divide the coins of Olbia of the IV century BC senior denomination for two stylistic groups. According to the results of our own research, we were able to determine the following number of varieties of each of these denominations: obols – 24 types, dikhalks - 6 types, hulks - 6 types, hemihalks - 2 types. We see the prospect of further research in the introduction into scientific circulation of new previously undiscovered varieties of Olbian coins from little-studied sources - materials of museum collections in Ukraine and abroad, among numismatic rarities sold at numismatic auctions and private collections.


2019 ◽  
Vol 21 (1) ◽  
pp. 1-9
Author(s):  
L. Z. Bogolepova ◽  
N. A. Belousova

The research features the historical and cultural heritage of the Teleuts, an indigenous people of Kuzbass, in particular their national costumes stored in the funds of the museum «Archeology, Ethnography, and Ecology of Siberia» (Kemerovo State University). The museum collections form a basis for scientific historical reconstruction of women’s Teleut costume. The paper describes authentic ethnographic items of the main collection and the archives: various collections, field notebooks, expedition diaries, and reports made by scientists of the university, as well as photographs, videos, slides, and sketches. It is the first time the documentary funds have been introduced into scientific use. The research involved the prosopographic database of the scientists who donated valuable collections on the material and spiritual culture of the Teleuts, as well as museum collections of the departments of ethnography and history. The authors also described historical and ethnographic heritage collected by the scientists who organized expeditions in 1960s – late 1990s and donated their collections to the museum. The authors evaluated the contribution the scientists made to the studies of the Teleut culture. In addition, the article introduces an acquisition technique that would guarantee the authenticity of the items related to the Teleut culture.


2021 ◽  
pp. 101-113
Author(s):  
О. Р. Козакевич

Local and artistic features of Boiko`s region traditional clothing décor are studied. The attention is given to lace and knit decor, which gave the clothing components a unique and often was the artistic accent in Boiko`s clothing complexes. The methodological basis of the study is the principle of systematic approach and comprehensive research. The comparative-historical and typological methods were used for the study research subject. The analysis of lace and knit décor was done using the art study method. The main typological groups and items` types formed under the influence of ethno-cultural and historical factors were determined in the Boiko`s region based on artifacts from museum collections, field studios and scientific sources. The décor manufacturing textile techniques and technological methods are outlined, with pointed of common and distinctive features in comparison with folk clothing of the Carpathian region`s other ethnographic groups. Artistic and stylistic characteristics of knitting and lace are analyzed, taking into account the interplay of neighboring ethnicities cultures and border features. It is studied out that the lace décor was mostly common in female headwear, the waist wear and shirts. Sprang, lace, crocheting weaving techniques as well as other technological methods were used in the manufacturing lace adornments. Knitting, crocheting and weaving “on the laba” were used for gloves, “narakvytsias”, and socks-stockings manufacturing. In folk clothing Boikos applied weaving belts which were made in technique “on the wall”. This kind of belts also were used in Hutsul`s region – mainly on the Hutsul-Pokuttia border and were not common in Boikos. According to the artistic and stylistic features, it is possible to single out female coifs with lace bottoms, openwork ornaments on female shirts of Transcarpathian Boiko`s region, decoration low edges of aprons (“zapaskas”) with fringes using macramé. However, the ethno-local and artistic characteristic of lace and knitting within single centers were differed in their unique features. Scientific novelty consists in the introduction into the scientific circulation of materials about Boiko`s folk clothing. The focus is on the lace and knit décor that reveals the artistic diversity of Boiko`s region clothing art. The study allows expanding the knowledge of Boiko`s traditional garment and textile production, in particular, about the centers of manufacturing some types of clothing with openwork and knitting. This contributes to use the receives information in the further study of Boiko`s region traditional clothing.


2018 ◽  
Vol 7 (3.2) ◽  
pp. 392
Author(s):  
Vira Shchepak ◽  
Natalia Senenko ◽  
Inna Senenko

The aim of the work was to investigate the aspects of construction, simulate the management system for the construction of small hotels with the development of the graph model, determine the main characteristics of the system components and perform their evaluation using the integrated assessment technique.A systematic approach was used in the process of preparing the publication.The study has determined that the construction of hotels is formed under the influence of a significant number of different factors of the external and internal environment and is a complex process. It is proposed to consider the construction of small hotels in conjunction with the financing, design, development of recreational areas and profitability of the future hotel business.The construction management system is also complex and complicated. For the effective functioning of such a system, the integration of its components on the basis of modeling was carried out. For this purpose, graph theory has been used and a graph-model of the control system has been developed. This approach made it possible to simplify the management system for the construction of small hotels and to distinguish two main subsystems: engineering-construction and economics. The first subsystem includes building objects and recreational areas, the second - investor-customers.The components and functions of the model have been described. The basic characteristics of subsystems and their interrelations were singled out. Then an example of an assessment of the main characteristics of the engineering and construction subsystem using the integrated assessment technique was given.As a result, the most effective variant of the formation of the engineering and construction component of the management system for the construction of small hotels has been determined.Prospects for further research are an in-depth study of the interrelationships between the components of the management system for construction of small hotels and formation of the development direction for this system.  


2020 ◽  
pp. 115-128
Author(s):  
О. Р. Козакевич

Local  and  art  features  of  Lemko`s region  traditional  clothing  décor  are  studied. The  attention  is  given  to  lace  and  knit  décor, which gave the clothing components a unique and  often  was  the  artistic  accent  in  Lemko clothing complexes.  Methodology.  The  methodological  basis  of the  study  is  the  principle  of  systematic approach  and  comprehensive  research.  The comparative-historical  and  typological methods  was  used  for  study  the  research subject. The analysis of lace and knit décor was done using the art study method. Results.  The  main  typological  groups  and items`  types  formed  under  the  influence  of ethno-cultural  and  historical  factors  were determined  based  on  artifacts  from  museum collections, field studios and scientific sources. The  décor  made  textile  techniques  and technological  methods  are  outlined,  with pointed of common and distinctive features in comparison  with  folk  clothing  of  the Carpathian  region`s  other  ethnographic groups.  Artistic  and  stylistic  characteristics  of knitting  and  lace  are  analyzed,  taking  into account  the  interplay  of  neighbouring ethnicities cultures and border features. It  is  studied  out  that  the  lace  was  common  infemale  clothing  in  the  production  of  the headwear,  the  waist  wear  and  shirts.  Knitting items  in  male  clothing  mainly  in  the  south-western  Lemko`s  territories  were  used.  There were  naracvytsias,  mittens,  socks,  locally  were used knitting hats “megerka” and scarves. In the creation  of  lace  and  knit  items  they  used common  techniques  and  technical  methods peculiar  to  Hutsul`s  and  Boiko`s  regions: knitting, crocheting gloves “on the laba”, “on the board”. Instead, the embroidery methods called “English hapt” with “cut out’ was typical only for the Lemko`s, mainly central-western, territories. Scientific novelty consists in the introduction into the scientific circulation of materials about Lemko  folk  clothing.  The  focus  is  on  the  lace and knit décor that reveals the artistic diversity of Lemko`s region clothing art. Practical  significance.  The  study  allows expanding the knowledge of Lemko traditional clothing  and  textile  production,  in  particular, about  the  centers  of  made  some  types  of clothing  with  openwork  and  knitting.  This contributes  to  use  the  receives  information  in the further study of Lemko`s region traditional clothing.


1970 ◽  
pp. 17
Author(s):  
Bjarne Sode Funch

The Phenomenological Method in Museological Research The phenomenological method is closely associated with the study of human consciousness. In museum studies the phenomenological approach is essential for gaining an understanding of why museum collections are established and how they may influence the museum audience. This article introduces the structure of human consciousness and the principles of the phenomenological method. The various stages of the phenomenological approach are put forward starting from an experiment carried out at the Art Museum in Esbjerg concerning how people are influenced by different kinds of introduction to art. Introspection and retrospection are first laid out as phenomenological strategies for observing what is going on within consciousness. Some of the major difficulties in studying the living stream of consciousness or an experience as it is later recalled in consciousness, are discussed. The following interview is defined as an explorative approach to a specific phenomenon. It is presented as a dialogue meant to inspire a person to describe the experience he or she has had and to make it possible for the researcher to grasp this experience through empathy. The aim of the final phenomenological description is to define the basic characteristics of the phenomenon in question. Epoché or phenomenological reduction is used in this context as a strategy for describing the phenomenon as it appears in consciousness, and the eidetic variation as a strategy for identifying the fundamental characteristics of the same phenomenon. Finally, the phenomenological description provides a basis for evaluating the influence of a specific phenomenon on human existence. 


Author(s):  
N. Mori ◽  
T. Oikawa ◽  
Y. Harada ◽  
J. Miyahara ◽  
T. Matsuo

The Imaging Plate (IP) is a new type imaging device, which was developed for diagnostic x ray imaging. We have reported that usage of the IP for a TEM has many merits; those are high sensitivity, wide dynamic range, and good linearity. However in the previous report the reading system was prototype drum-type-scanner, and IP was also experimentally made, which phosphor layer was 50μm thick with no protective layer. So special care was needed to handle them, and they were used only to make sure the basic characteristics. In this article we report the result of newly developed reading, printing system and high resolution IP for practical use. We mainly discuss the characteristics of the IP here. (Precise performance concerned with the reader and other system are reported in the other article.)Fig.1 shows the schematic cross section of the IP. The IP consists of three parts; protective layer, phosphor layer and support.


2017 ◽  
Vol 2 (1) ◽  
pp. 86-94 ◽  
Author(s):  
Lindsay Heggie ◽  
Lesly Wade-Woolley

Students with persistent reading difficulties are often especially challenged by multisyllabic words; they tend to have neither a systematic approach for reading these words nor the confidence to persevere (Archer, Gleason, & Vachon, 2003; Carlisle & Katz, 2006; Moats, 1998). This challenge is magnified by the fact that the vast majority of English words are multisyllabic and constitute an increasingly large proportion of the words in elementary school texts beginning as early as grade 3 (Hiebert, Martin, & Menon, 2005; Kerns et al., 2016). Multisyllabic words are more difficult to read simply because they are long, posing challenges for working memory capacity. In addition, syllable boundaries, word stress, vowel pronunciation ambiguities, less predictable grapheme-phoneme correspondences, and morphological complexity all contribute to long words' difficulty. Research suggests that explicit instruction in both syllabification and morphological knowledge improve poor readers' multisyllabic word reading accuracy; several examples of instructional programs involving one or both of these elements are provided.


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