scholarly journals Den fænomenologiske metode i museologisk forskning

1970 ◽  
pp. 17
Author(s):  
Bjarne Sode Funch
Keyword(s):  
Museum Studies ◽  
Phenomenological Approach ◽  
Art Museum ◽  
Phenomenological Description ◽  
Human Consciousness ◽  
Museum Collections ◽  
Phenomenological Method ◽  
Stream Of Consciousness ◽  
Eidetic Variation ◽  
Basic Characteristics

The Phenomenological Method in Museological Research The phenomenological method is closely associated with the study of human consciousness. In museum studies the phenomenological approach is essential for gaining an understanding of why museum collections are established and how they may influence the museum audience. This article introduces the structure of human consciousness and the principles of the phenomenological method. The various stages of the phenomenological approach are put forward starting from an experiment carried out at the Art Museum in Esbjerg concerning how people are influenced by different kinds of introduction to art. Introspection and retrospection are first laid out as phenomenological strategies for observing what is going on within consciousness. Some of the major difficulties in studying the living stream of consciousness or an experience as it is later recalled in consciousness, are discussed. The following interview is defined as an explorative approach to a specific phenomenon. It is presented as a dialogue meant to inspire a person to describe the experience he or she has had and to make it possible for the researcher to grasp this experience through empathy. The aim of the final phenomenological description is to define the basic characteristics of the phenomenon in question. Epoché or phenomenological reduction is used in this context as a strategy for describing the phenomenon as it appears in consciousness, and the eidetic variation as a strategy for identifying the fundamental characteristics of the same phenomenon. Finally, the phenomenological description provides a basis for evaluating the influence of a specific phenomenon on human existence. 

Byzantine-period lamps from Antioch-on-the-Orontes and its hinterland

2019 ◽  
Author(s):  
Ani Eblighatian
Keyword(s):  
United States ◽  
The United States ◽  
Art Museum ◽  
Archaeological Sites ◽  
Museum Collections ◽  
Doctoral Research ◽  
Princeton University ◽  
Byzantine Period ◽  
The University ◽  
Roman Syria

The paper is an off-shoot of the author's PhD project on lamps from Roman Syria (at the University of Geneva in Switzerland), centered mainly on the collection preserved at the Art Museum of Princeton University in the United States. One of the outcomes of the research is a review of parallels from archaeological sites and museum collections and despite the incomplete documentation i most cases, much new insight could be gleaned, for the author's doctoral research and for other issues related to lychnological studies. The present paper collects the data on oil lamps from byzantine layers excavated in 1932–1939 at Antioch-on-the-Orontes and at sites in its vicinity (published only in part so far) and considers the finds in their archaeological context.

Peirce’s legacy for contemporary consciousness studies, the emergence of consciousness from qualia, and its evanescence in habits

Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Winfried Nöth
Keyword(s):  
Phenomenological Approach ◽  
Self Control ◽  
The Other ◽  
Detailed Account ◽  
Human Consciousness ◽  
States Of Mind ◽  
Self Reflection ◽  
Physical Universe ◽  
Consciousness Studies ◽  
Nonhuman Animals

Abstract The paper argues that contemporary consciousness studies can profit from Charles S. Peirce’s philosophy of consciousness. It confronts mainstream tendencies in contemporary consciousness studies, including those which consider consciousness as an unsolvable mystery, with Peirce’s phenomenological approach to consciousness. Peirce’s answers to the following contemporary issues are presented: phenomenological consciousness and the qualia, consciousness as self-controlled agency of humans, self-control and self-reflection, consciousness and language, self-consciousness and introspection, consciousness and the other, consciousness of nonhuman animals, and the question of a quasi-consciousness of the physical universe. A detailed account of Peirce’s three modes of consciousness is presented: (1) primisense, qualisense or feeling-consciousness, (2) altersense (consciousness of the other), and (3) medisense, the consciousness of cognition, thought, and reasoning. In contrast to consciousness studies that establish a rather sharp dividing line between conscious and unconscious states of mind, Peirce adopts the principle of synechism, the theory of continuity. For him, consciousness is a matter of degree. An important difference between Peirce’s concept of qualia and current theories of qualia in human consciousness is discussed. The paper shows how consciousness, according to Peirce, emerges from unconscious qualia and vanishes into equally unconscious habits. It concludes with a study of the roles of qualia, habit, and self-control in Peirce’s theory of signs, in particular in qualisigns and symbols, and the question of signs as quasi-conscious agents in semiosis.

scholarly journals A Phenomenological Investigation into the Psychotherapist’s Experience of Processing Projective Identifications

2016 ◽  
Vol 20 (2) ◽  
pp. 183-197
Author(s):  
Mark Thorpe
Keyword(s):  
Projective Identification ◽  
Phenomenological Description ◽  
Phenomenological Method

Projective identification is arguably one of the most important, complex and difficult to understand psychoanalytic concepts. This paper discusses research which aims to develop a phenomenological description of the psychotherapist’s experience of identifying, containing and processing the client’s projective identifications. The researcher interviewed eight psychoanalytic psychotherapists in depth. The empirical phenomenological method was then used to explicate the transcribed interviews. The results are dialogued with clinical illustrations and the literature on projective identification. Waitara Tērā pea kō te whakapūreo tuakiri tētahi o ngā ariā tātarihanga hinengaro whakahirahira, matatini ki te whakamātau. Ko tā tēnei tuhinga, he matapaki i ngā rangahau e whai ana ki te whanake i tētahi whakaahua whakaataata wheako kaitātari hinengaro tohu, pupuri, taki pūreo tuakiri kiritaki. Tokowaru ngā kaitātari whakaora hinengaro i whakamātautau hōhonuhia e te kairangahau, ka whakamahia te huarahi whakamātau whakahirahira ki ngā tuhinga whakamātautau. Ko ngā hua i matapakihia ki te taha o ngā whakaahua haumanu me ngā tuhinga hāngai ki te whakapūreo tuakiri.

scholarly journals Peran Identifikasi Tokoh Wayang dalam Pembentukan Identitas Diri

2017 ◽  
Vol 44 (2) ◽  
pp. 97
Author(s):  
Subandi
Keyword(s):  
Data Analysis ◽  
Identity Formation ◽  
Human Development ◽  
Group Discussion ◽  
Phenomenological Approach ◽  
Phenomenological Method ◽  
Self Image ◽  
Depth Interview ◽  
Interview Methods ◽  
Qualitative Phenomenological

One of the tasks of human development is to discover its identity. There are many ways a person can find that identity. One of them is through the identification of the idol figure. This study aims to understand the process of identity formation through the identification of shadow puppet figures in the context of Javanese culture. A qualitative phenomenological approach was used to understand the process retrospectively. Three main participants were involved in the study. The process of collecting data was done through in-depth interview methods to both the main participants and their significant others. FGD (focused group discussion) is also conducted to explore participants' understanding of their process of identity formation. Data analysis was done by phenomenological method. This study found three main themes, namely interested in shadow puppet figures, matching self-image with puppet characters, and the use of feeling as a bridge between self and the puppet. This study concluded that shadow puppets can be used as a means to find identity among their fans.

THE TRANSITION FROM LOGICAL POSITIVISM TO PHENOMENOLOGY IN THE SOCIAL SCIENCES: POLITICAL ASPECTS

2021 ◽  
Vol 16 (5) ◽  
pp. 81-95
Author(s):  
A.A. KOVALEV ◽  
Keyword(s):  
Social Sciences ◽  
Public Administration ◽  
Social Problems ◽  
Civil Service ◽  
Phenomenological Approach ◽  
The State ◽  
Logical Positivism ◽  
Phenomenological Method ◽  
Practical Application ◽  
The Social

The purpose of this study is to study the research potential of the phenomenological approach in the social sciences, which emerged in the first half of the XX century as a critique of the dominant method of logical positivism at that time. The following scientific approaches and methods were used in the article: the method of analysis, description and comparison, as well as the phenomenological approach. The author has made an attempt to prove the significance of phenomenology in the social sciences by means of comparison as a way not only to describe facts, but also to explain motives and unobservable meanings. According to the results of the conducted research, the author comes to the conclusion that the solution of urgent problems of society through the practical application of the acquired knowledge about society is possible only if the phenomenological method is actively applied in such a scientific and practical discipline as public administration. This will help to overcome the bureaucratization of the civil service, the isolation of the state administrative apparatus from real social problems, as well as to involve the population itself in the process of public administration, establishing feedback.

Children's art museum collections as Linked Open Data

2021 ◽  
Vol 15 (1) ◽  
pp. 60
Author(s):  
Efstathia Marini ◽  
Konstantinos Kotis ◽  
Sotiris Angelis ◽  
Maria Chondrogianni
Keyword(s):  
Open Data ◽  
Art Museum ◽  
Linked Open Data ◽  
Museum Collections ◽  
Children's Art

Material rotating frame, rate-independent plasticity with regularization of Schmid law and study of channel-die compression

2017 ◽  
Vol 24 (1) ◽  
pp. 18-39
Author(s):  
Karim Fathallah ◽  
Ahmed Chenaoui ◽  
Michel Darrieulat ◽  
Abdelwaheb Dogui
Keyword(s):  
Three Dimensional ◽  
Phenomenological Approach ◽  
Frame Rate ◽  
Common Element ◽  
Rotating Frame ◽  
Phenomenological Method ◽  
Large Plastic Deformation ◽  
Triangular Matrices ◽  
Upper Triangular Matrices ◽  
Velocity Tensor

Metals often exhibit several crystallographic components that rotate when subjected to large plastic deformation. Studying their evolution constitutes a prospect to apply the finite plastic strain theory. In this respect, this research paper formulates a three-dimensional extension of Dogui’s plane kinematics to choose a material rotating frame in which deformation and velocity tensor gradients are represented by upper triangular matrices. This technique facilitates numerical calculation and renders it faster. This can prove to be useful if used for crystalline calculation. We study the kinematics of a channel-die loading to implement the material rotating frame model. The rate-independent formulation, which uses the multi-surface theory to represent the plastic flow of crystals, often leads to slip indeterminacy. Hence, we have developed a phenomenological method to solve such a difficulty using the regularization of Schmid’s yield law. As a significant application of this proposed phenomenological approach, aluminium crystal flow in channel-die compression is numerically simulated for three cases of loadings: (i) classical rolling components Cube, Goss, Brass, Copper and Dillamore orientations; (ii) {110} compression; and (iii) Strange orientation, which has no common element of symmetry with the channel-die. A good correlation between the simulation results and the available experimental ones is observed.

scholarly journals The Experiential Museum – Avant-Garde Spatial Experiments and the Reorganization of the Human Sensorium

2021 ◽  
Vol 55 (1-2) ◽  
Author(s):  
Meri Batakoja ◽  
Karin Šerman
Keyword(s):  
New Media ◽  
Museum Studies ◽  
Art Museum ◽  
Avant Garde ◽  
New Concepts ◽  
Per Se

Avant-garde artistic experiments are unquestionably recognized as relevant to the museum field in the context of art and museum studies. This paper aims to reconfirm their relevance in the architectural context as well, selecting crucial cases and protagonists whose final products were not artworks or exhibitions per se, but new (concepts of) space. These new concepts of space were all treated as democratic and participatory new media capable of training and modernizing the whole of our human sensorium. In this way, a curious partnership is discovered between this “experiential” art museum and the discourse on architectural modernity. Imaginary space, expressionist space, correlational space, multimedia space and situationist space – these are the principal categories that this paper recognizes as five distinct productive devices for modernist perceptual reorganization.

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