Kawaika-a in the Historic Period

1942 ◽  
Vol 8 (1) ◽  
pp. 119-120
Author(s):  
Erik K. Reed
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Tree Ring ◽  
Historical Evidence ◽  
Archaeological Evidence ◽  
Historic Period

The westernmost of the great Pueblo IV sites of the Jeddito Valley is Awatovi, occupied through the exploration and mission periods to 1700. The next upstream is Kawaika-a, inhabited, on the basis of archaeological evidence, at least to the end of the fifteenth century: a tree-ring date of A.D. 1495. Historical evidence has been thought to indicate sixteenth-century occupation of Kawaika-a, and destruction by Tovar in 1540. It has even been taken to show that Kawaika-a was sparsely repopulated by 1583, and finally deserted only between that date and 1598.

scholarly journals Destruction of the Royal Town at Visegrád, Hungary: Historical Evidence and Archaeoseismology of the A.D. 1541 Earthquake at the Proposed Danube Dam Site

2021 ◽  
Author(s):  
Miklós Kázmér ◽  
Mohammad Al-Tawalbeh ◽  
Erzsébet Győri ◽  
József Laszlovszky ◽  
Krzysztof Gaidzik
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Hard Rock ◽  
Seismic Damage ◽  
Alluvial Plain ◽  
Seismic Events ◽  
Historical Evidence ◽  
The Status ◽  
Dam Site ◽  
Archaeological Excavations

Abstract The Danube Bend is the site of the proposed Nagymaros dam, part of the Gabčikovo–Nagymaros hydropower complex in Slovakia and Hungary. The dam was designed in the 1970s to resist intensity VI seismic events. We present historical and archaeological evidence for an intensity IX earthquake on 21 August 1541, which destroyed buildings of the royal town of Visegrád. Evidence includes vertical fissures cutting through the 30-m-high, thirteenth-century donjon Salamon Tower, built on hard rock. Some parts of the adjacent fifteenth-century Franciscan friary, built on the alluvial plain, collapsed because of liquefaction of the subsoil. The date of a potentially responsible earthquake on 21 August 1541 was recorded in a sermon of the eyewitness Lutheran minister Péter Bornemisza, living at Pest-Buda, 35 km away. Taken by the Ottoman army in 1544, the royal town and the fortress lost strategic importance, never to be rebuilt. Photographs and drawings of the donjon made three centuries later faithfully reflect the status of sixteenth-century seismic damage, corroborated by modern archaeological excavations in the ecclesiastic complex.

Pittenweem Priory and the conventuality question

2017 ◽  
Vol 68 (1) ◽  
pp. 19-37 ◽  
Author(s):  
Anthony Lodge
Keyword(s):  
Fifteenth Century ◽  
Traditional View ◽  
Archaeological Evidence ◽  
Significant Development ◽  
New Mother ◽  
Set Up ◽  
And Control

Pittenweem Priory began life as the caput manor of a daughter-house established on May Island by Cluniac monks from Reading (c. 1140). After its sale to St Andrews (c. 1280), the priory transferred ashore. While retaining its traditional name, the ‘Priory of May (alias Pittenweem)’ was subsumed within the Augustinian priory of St Andrews. Its prior was elected from among the canons of the new mother house, but it was many decades before a resident community of canons was set up in Pittenweem. The traditional view, based principally on the ‘non-conventual’ status of the priory reiterated in fifteenth-century documents, is that there was ‘no resident community’ before the priorship of Andrew Forman (1495–1515). Archaeological evidence in Pittenweem, however, indicates that James Kennedy had embarked on significant development of the priory fifty years earlier. This suggests that, when the term ‘non-conventual’ is used in documents emanating from Kennedy's successors (Graham and Scheves), we should interpret it more as an assertion of superiority and control than as a description of realities in the priory.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Josquin des Prez, Renaissance Historiography, and the Cultures of Print

2011 ◽  
pp. 353-380
Author(s):  
Kate van Orden
Keyword(s):  
Sixteenth Century ◽  
Information Sources ◽  
Historical Evidence ◽  
Josquin Des Prez ◽  
Lack Of Information ◽  
Renaissance Studies

This article studies Josquin des Prez, a musical genius who refused to compose on request and was an individualist who represented the new spirit of humanism. It notes the lack of information sources or print for studies on Josquin. This makes him a good example of how musicologists who carry out research on the sixteenth century are often forced to go to the extremes in order to recover even the tiniest shreds of historical evidence. Nevertheless, this article focuses on information gathered by several researchers about Josquin, including his importance in Renaissance studies.

Literary Conduits for ‘Consent’

2016 ◽  
Vol 19 (2) ◽  
pp. 322-350 ◽  
Author(s):  
Pankaj Kumar Jha
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
North India ◽  
Indian Society ◽  
Historical Process ◽  
The North ◽  
Literary Cultures

The making of the imperial subjects is as much a matter of historical process as the emergence of the empire. In the case of the Mughal state, this process started much before its actual establishment in the sixteenth century. The fifteenth century in North India was a period of unusual cultural ferment. The emergence of the Mughal imperial formation in the next century was intimately related to the fast congealing tendency of the north Indian society towards greater disciplining of itself. This tendency is evident in the multilingual literary cultures and diverse knowledge formations of the long fifteenth century.

Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire

2006 ◽  
Vol 86 ◽  
pp. 179-205
Author(s):  
Mellie Naydenova
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Wall Paintings ◽  
Public And Private ◽  
Late Medieval ◽  
Public Statement ◽  
The Public ◽  
Parish Church ◽  
Public Persona ◽  
Private Devotion

This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.

Illustrations of Human Effigies in Tibetan Ritual Texts: With Remarks on Specific Anatomical Figures and Their Possible Iconographic Source

2011 ◽  
Vol 21 (1) ◽  
pp. 73-97
Author(s):  
BRYAN J. CUEVAS
Keyword(s):  
Fifteenth Century ◽  
Eleventh Century ◽  
Archaeological Evidence ◽  
Patron Saint

AbstractThe ritual use of objects and images designed to serve as effigies or surrogates of specific persons, animals or spirits is more or less universal across cultures and time. In Tibet, recent archaeological evidence attests to the use of illustrated effigies possibly dating from the eleventh century. Other early Tibetan images include anthropomorphic figures inscribed on animal skulls. The practical use of effigies in Tibetan ritual, both Buddhist and Bon-po, was almost certainly derived from much older Indian practices transmitted to Tibet. In this article illustrated effigies, their iconography and ritual use are discussed and the article concludes with the translation and transliteration of a short work by the fifteenth-century treasure revealer (gter-ston) and patron saint of Bhutan Padma-gling-pa (1450–1521), which gives instructions on how to draw a liṅga for a ritual of defence against human adversaries.

Tekstoverlevering van een Middelnederlands ridderdicht

Quaerendo ◽  
1984 ◽  
Vol 14 (4) ◽  
pp. 273-303
Author(s):  
Segheliin van Iherusalem
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Present Author ◽  
Preliminary Investigation ◽  
Middle Dutch ◽  
University Library ◽  
Base Level ◽  
South West ◽  
The Hague ◽  
West Flemish

AbstractThe Middle Dutch verse romance Segheliin van Iherusalem has survived in the following known extant copies: a manuscript (Berlin, Staatsbibliothek Preussischer Kulturbesitz, MS. Germ. fol. 922, fos. 71r.-122v., on the basis of the watermarks dated by the present author c. 1412-15); an incunabulum (Ghent University Library, Res. 1405 (between 1483 and 1486)); five post-incunabula, all printed in Antwerp (1511-40) and now in The Hague (2 copies), Leiden, Vienna and Paris; and a mid fifteenth-century excerpt (Brussels, Royal Library, Hs. II 116, fos. 2v.-5r.). These sources, all rhyming texts, are described here, and the excerpt is given in full. The gap still facing students of the Segheliin has thus been filled. Both manuscript and incunabulum are incomplete at the end. The text in the sixteenth-century editions differs widely from that of the manuscript version. For its part the incunabulum departs from the text of the post-incunabula with a version (perhaps closer to the original?) which in very many places tends towards the manuscript version, being something of a watershed between the two traditions. Preliminary investigation of the linguistic levels in the text, carried out on the basis of changes in the rhyme words, points to a Flemish and probably more specifically west or south-west Flemish base level (possibly the area where Ingvaonic and Brabantish meet (the region of the Dender), above which there is at least a Brabantish level. This fact, combined with the possibility of an interpretation of the Segheliin to some extent in terms of the context of the medieval veneration of the Cross and the Blood of Christ, more than suggests that the story is of Flemish origin.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

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