The Unpredictability of the Past: Memories of the Asia-Pacific War in U.S.-East Asian Relations. Ed. by Marc Gallicchio. (Durham: Duke University Press, 2007. x, 337 pp. Cloth, $84.95, ISBN 978-0-8223-3933-5. Paper, $23.95, ISBN 978-0-8223-3945-8.)

2008 ◽  
Vol 95 (1) ◽  
pp. 260-261
Author(s):  
A. J. Huebner
2016 ◽  
Vol 10 (2) ◽  
pp. 175-206 ◽  
Author(s):  
Man-houng Lin (林滿紅)

This article deals with Taiwanese civilian emigration and overseas investment in the period of 1940–1945 when Japan engaged the Greater East Asian War. Taiwan in general, and some Taiwanese in particular, helped the reconstruction of Japanese occupied areas in this war. Overseas Taiwanese mainly worked as employees for Japanese stores, companies, mines, plantations, and Japanese government offices, but also opened stores, factories, plantations and banks by themselves. As overseas ethnic Chinese, the Taiwanese civilian emigrants examined in this paper moved in the direction opposite that of other overseas Chinese holding Chinese nationality. The Taiwanese populace expanded overseas to Greater East Asia, while Chinese nationals withdrew from this area and returned to China. Thus, this paper will illustrate how the phrase, “people should fight for their country,” bore different meanings for these two different types of overseas Chinese in the Asia-Pacific War theater of wwii. 1930至40年代,中日學者曾就華僑的定義進行討論。吳主惠將華僑定義為定居於海外的中國人及其後裔,不包括駐外政府官員和留學生。吳氏認為華僑的最嚴格定義,是指定居海外但仍保有中國國籍者。1933年日本大藏省為替局統計臺灣地區約有46,000至47,000名華僑,便是依據這樣的定義。吳氏指出,在此嚴格定義下,華人後裔如不具中國國籍者,便非華僑。另有一種較為寬鬆的定義是: 無論是否具中國國籍,凡定居或曾赴海外的中國人及其後裔皆為華僑,井出季和太即持此見。關於日本統治臺灣時期的臺灣人國籍,根據日本大藏省為替局的解釋,由於馬關條約簽訂後的二年內,臺灣人得自由決定離去與否,留下臺灣者為日本國民。這些成為日本國民的臺灣人或其祖先曾具有中國國民的身分,因而1933年的340萬臺灣人也被視為較寬定義下的華僑。在日本建構所謂的「大東亞共榮圈」時期 (1940–1945),許多不具軍人身分的臺灣人向海外移民或投資,與之相反的是,擁有中國國籍的華僑在此時期則多回歸故里。在大東亞戰爭時期的華人,由於出身不同,「為國而戰」一詞對於他們的意義也因而分歧。 (This article is in English.)


2013 ◽  
Vol 6 (3) ◽  
pp. 359-369 ◽  
Author(s):  
Meaghan Morris

Across much of the Asia-Pacific today, the smart phone, the tablet and the laptop or home personal computer are vying with the humble TV set not only to promote new models of lifestyle and to distribute communal and national stories but also to circulate other people’s stories and ways of life, complicating notions of heritage and cultural affinity. The proliferation of media technologies and their rapid spread across populations hitherto remote from or hostile to each other has transformed the conditions for the practice as well as the study of memory in this region as elsewhere. Yet, there are precedents for these developments; ‘new waves’ of media culture responded to technological change, colonial conflict, war, revolution and the growing influence of Hollywood across the Asia-Pacific region after the Pacific War. In Australia, one such ‘wave’ was a boom in travel writing from the 1930s to the 1950s, and another was the ‘new Australian cinema’ of the 1970s and early 1980s. Drawing on work in progress about Ernestine Hill, a mid-twentieth-century writer preoccupied with technology, this article suggests that asking how ‘old’ media have circulated ‘new’ memories of community in the past also opens up a way of situating old Australian national stories in a regional frame today.


2014 ◽  
Vol 36 (2) ◽  
pp. 75-98
Author(s):  
Akiko Takenaka

Using Peace Osaka (an exhibit facility known for its portrayal of the Japanese military’s aggressions during the Asia-Pacific War) as a case study, this essay examines the shift in ways that the war has been portrayed in Japanese museums. Echoing the neo-revisionist turn, a trend that is increasingly apparent in various venues including cultural production and policy making, the exhibit at Peace Osaka will soon be changed in its entirety to erase any traces of aggressive behavior by the Japanese military. The essay argues that the recent shift to neo-revisionism is an example of “reactionary nationalism”: a response to earlier acknowledgements of war responsibility that was not based on a historical understanding of the past.


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