An Historical Perspective of the Giriama and Witchcraft Control

Africa ◽  
1979 ◽  
Vol 49 (2) ◽  
pp. 112-133 ◽  
Author(s):  
Cynthia Brantley
Keyword(s):  
Historical Perspective ◽  
African Society ◽  
Clear Cut ◽  
Opening Paragraph ◽  
Protection And Control ◽  
And Control

Opening ParagraphWherever belief in witchcraft permeated an African society, fear prevailed and people demanded protection and control. Even though the degree of African concern about witchcraft was not always appreciated by outsiders, it was possible, at least in centralized societies, for such outsiders to discern the processes that were involved in its control. A king or a priest who failed to control the spread of witchcraft and to alleviate the fear was unlikely to maintain his authority for long. In non-centralized societies, the problem of witchcraft and the means of control were less clear-cut. Solutions were rarely obvious and easy.

scholarly journals African Chiefs Today: The Lugard Memorial Lecture for 1958

Africa ◽  
1958 ◽  
Vol 28 (3) ◽  
pp. 195-206 ◽  
Author(s):  
L. P. Mair
Keyword(s):  
Economic Development ◽  
Radical Change ◽  
Memorial Lecture ◽  
Traditional Authority ◽  
African Society ◽  
Administrative Structure ◽  
Clear Cut ◽  
Opening Paragraph

Opening ParagraphIt is a familiar fact that European rule in Africa has set in motion a radical change in African society. In some fields this has not been the result of any deliberate intention. In that of economic development, interest has generally been centred in the immediate problems of production, and the effects upon African institutions of the solutions that have been found for these have been neither planned nor even foreseen. But in the field of politics, European governments have been obliged to define their intentions towards the authorities whom they found already in existence, and here, in theory, there was a clear-cut choice from the start. Either the holders of power in the indigenous societies should be recognized, and utilized as part of an administrative structure of larger scale, or they should be disregarded–their authority be perhaps deliberately destroyed–and replaced by what M. Albert Sarraut once called ‘new and rectilinear architectures’. The British chose the first course, and this policy has now become inseparably associated with the name of Lugard. I believe that the forthcoming work by Miss Margery Perham will show that what has been called ‘Lugardism’ in the derogatory sense–I mean the insistence on maintaining traditional authority almost for its own sake–was not Lugard's own philosophy, but that of the successors who were in command during the period when he was away from Nigeria.

scholarly journals Bringing the Virus Back Home: Media Representations of Ukrainian Labour Migrants in a Time of Pandemic

2021 ◽  
pp. 088832542110187
Author(s):  
Alexander Tymczuk
Keyword(s):  
Spatial Organization ◽  
Frame Analysis ◽  
Media Representations ◽  
Potential Danger ◽  
Economic Resource ◽  
Clear Cut ◽  
And Control ◽  
Globalized World ◽  
The Way

In a globalized world where mobility and movement is at its essence, the movement of viruses paradoxically causes a preoccupation with boundaries, containment, and control over borders, and thus keeping the “dangerous” outside separated from the “safe” inside. Through a qualitative thematic and frame analysis of news articles published on 12 Ukrainian news sites, I found that Ukrainian labour migrants conceptually constitute a challenge to such a clear-cut spatial organization in a time of a pandemic. Labour migrants are part of the national “we,” but their presence in the dangerous outside excludes them from the “imagined immunity.” This ambiguity is evident in the way labour migrants were portrayed during the first months of the outbreak in Ukraine. Initially, Ukrainian labour migrants were depicted as a potential danger, and then blamed for bringing the virus back home. However, the framing of the labour migrants as a danger is only part of the story, and the image of a scapegoat was eventually replaced with images of an economic resource and a victim. Thus, Ukrainian labour migrants have been the object of vilification, heroization, as well as empathy during the various phases of the outbreak. I would argue that these shifting frames are connected to the ambiguous conceptualization of Ukrainian labour migrants in general.

scholarly journals Entanglement and the Modern Australian Rhythm Method: Lantana’s Lessons in Policing Sexuality and Gender

2004 ◽  
Vol 1 (1) ◽  
Author(s):  
Kirsty Duncanson ◽  
Catriona Elder ◽  
Murray Pratt
Keyword(s):  
Dance Teacher ◽  
Know How ◽  
Good People ◽  
Cultural Medium ◽  
Sexuality And Gender ◽  
Australian Community ◽  
The Difference ◽  
And Gender ◽  
Protection And Control ◽  
And Control

Film in Australia, as with many other nations, is often seen as an important cultural medium where national stories about belonging and identity can be (re)produced in pleasurable and, at times, complicated ways. One such film is Ray Lawrence’s Lantana. Although striking a chord in Australia as a good film about ‘ basically good people’, people that rang ‘brilliantly’ true (Lantana DVD 2002), this paper argues that, at the same time as it produces a fantasy of a ‘good’ Australia, the film also conducts a regulation of what constitutes Australianness. In many ways the imaginary of Australia offered in this film, to its contemporary, urban, professional and intellectual elite audience, still draws on and (re)produces a vision of an Australian community that uses the same narrative frameworks of protection and control as the cruder discourses of ‘white Australia’ offered to an earlier generation of cinema-goers. This film’s central motif of the lantana bush, the out of control weed, that is known as both foreign and local is here emblematic of tensions about belonging, place and otherness. Yet while, within the film’s knowingly reflexive purview any remaining potential for racism is understood and itself under control – we know how to be good mutliculturalists –it is the trope of sexuality in Lantana that provides the real sense of edginess and anxiety about belonging. It is in this arena that the film sets up an idea of danger and –less self-consciously, and in the end more aggressively – marks out who is and who is not part of the community. In this context the motif of lantana signals an ambivalence about difference and the exotic. Lantana is both desirable because of the difference in its attractive Latin looks and repulsive or feared because of other qualities inherent within its difference: a refusal to behave and a propensity to get out-of control, spread and potentially take over. The film here explores desire for a taste of the other (a gay man, a newly separated woman, a Latin dance teacher). However, these fantasies are in the end emphatically shut down as the film ends by producing a vision of subtly normalised hetero, mono, familial (though not necessarily happy) forms of desiring, loving and reproducing in contemporary Australia.

The Regulation, Protection and Control System for Magnetoelectric Generator with Combined Excitation

2018 ◽  
Author(s):  
Maxim V. Balagurov ◽  
Petr A. Bachurin ◽  
Abilmansur R. Mansurov ◽  
Dmitry B. Kuguchev ◽  
Vladimir S. Meshalkin ◽  
...  
Keyword(s):  
Control System ◽  
Protection And Control ◽  
And Control
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