Plan for Communication by Self Media and Horizon of Expectations for Genre― Study of Yun Dong-ju’s Poetry ―

2016 ◽  
Vol 65 ◽  
pp. 211-236
Author(s):  
Kang-ha Lee
Keyword(s):  
Horizon Of Expectations ◽  
Genre Study

THE ROLE OF ANTHROPONYMS IN THE SEMANTIC FIELD OF ARTISTIC WORKS

2019 ◽  
Vol 2019 (29) ◽  
pp. 66-77
Author(s):  
Lidiya Derbenyova
Keyword(s):  
Literary Work ◽  
Main Theme ◽  
Semantic Field ◽  
New Meanings ◽  
Minor Part ◽  
The One ◽  
A Minor ◽  
And Storage ◽  
Horizon Of Expectations

The article explores the role of antropoetonyms in the reader’s “horizon of expectation” formation. As a kind of “text in the text”, antropoetonyms are concentrating a large amount of information on a minor part of the text, reflecting the main theme of the work. As a “text” this class of poetonyms performs a number of functions: transmission and storage of information, generation of new meanings, the function of “cultural memory”, which explains the readers’ “horizon of expectations”. In analyzing the context of the literary work we should consider the function of antropoetonyms in vertical context (the link between artistic and other texts, and the groundwork system of culture), as well as in the context of the horizontal one (times’ connection realized in the communication chain from the word to the text; the author’s intention). In this aspect, the role of antropoetonyms in the structure of the literary text is extremely significant because antropoetonyms convey an associative nature, generating a complex mechanism of allusions. It’s an open fact that they always transmit information about the preceding text and suggest a double decoding. On the one hand, the recipient decodes this information, on the other – accepts this as a sort of hidden, “secret” sense.

The Dualism of Place in Lattif Halmat’s Poetic Texts

2021 ◽  
Vol 8 (3) ◽  
pp. 387-409
Author(s):  
Sarkawt Omer Ibrahim ◽  
Zanear Zyad Ibrahem
Keyword(s):  
Analytical Study ◽  
Theoretical Method ◽  
Philosophical Concept ◽  
Binary Oppositions ◽  
The Aesthetic ◽  
Poetic Texts ◽  
Definition Of ◽  
Horizon Of Expectations

     This research, which is entitled “The Dualism of Place in Lattif Halmat’s Poetic Texts”, is a critically analytical study on the dualism of place, the role and position of the element of place within the frame of poetic texts. In the poet’s poetic texts, the element of place created a kind of reversal in the readers’ horizon of expectations. The binary oppositions have become the structure of art and the aesthetic of poetic texts. And often, they have become (purple patches) in the texts in a way that all the surrounding words are ablaze with their power and their beauty.  This research is composed of two chapters: The first chapter is devoted to the concept and definition of dualism and the philosophical concept of dualism in a theoretical method. In terms of their presence in Lattif Halmat’s poetic texts, the second chapter deals with the dualism of place within the frame of poetic texts in a critically analytical way. And finally, the research ends with the conclusions and bibliography.

scholarly journals "Exoticism” in the opera Gilgamesh by Rudolf Brucci in Ralph Locke’s “All the music in the full context” paradigm

Muzikologija ◽  
2013 ◽  
pp. 105-125
Author(s):  
Nemanja Sovtic
Keyword(s):  
Third World ◽  
Visual Representations ◽  
Musical Language ◽  
Musical Style ◽  
Creative Behavior ◽  
Musical Tradition ◽  
Musical Works ◽  
French Composers ◽  
The Third World ◽  
Horizon Of Expectations

In this text, Rudolf Brucci?s opera Gilgamesh is viewed in the light of Ralph Locke?s ?All the Music in the Full Context? Paradigm which promotes the approach that one should search for the exotic elements in musical works first in the discursive components (title, program, accompanying notes), visual representations (costume, scenery) and a ?horizon of expectations? of a particular culture, and only then to observe exoticism as the aspect of a musical style. In the light of this Paradigm, ?exoticism? of the opera Gilgamesh is detected at the level of the music material and compositional procedures, but not in the dramaturgical profiling of characters, narrative adaptation of the Sumerian epic, costumes and scenery. The plot, costumes and the scenery of the opera do not construct the Orient with either positive or negative projections attributed to it by the Western European Orientalist discourse, but portray Gilgamesh and Enkidu as ancient mythic protagonists on the margin of the (not-always) exoticist once/now binarism. The musical language of the opera, which abounds in the usage of oriental musical scales and citations, indicates that oriental/exotic was one of the author?s ?target levels? when conceiving and composing Gilgamesh. Brucci, however, did not build the ?ethnological model? in his opera, but gave oriental scales and ?exotic? musical citations their meaning within the Western musical tradition, which is why his approach can be compared with the ?veiled exoticism? of the French composers of the late nineteenth and the early twentieth centuries. In the light of the self/other binarism, reaching for the exotic in Gilgamesh can be presented as an auto-exotic creative behavior of Brucci as a composer who perceives his ?minority identity? in a relation to an imaginary referential system of the Center. However, I am more inclined to see Brucci?s identificational intention in his advocacy of the Yugoslav NAM (Non-Aligned Movement) project, and his dealing with the ?exotic? as part of his strategy to support cultural achievements of the Third World which predominantly participated in that project.

scholarly journals Novel Mega Best-Seller Karya Luluk HF Mariposa dalam Kajian Resepsi Sastra

2021 ◽  
Vol 19 (2) ◽  
pp. 152
Author(s):  
Tania Intan ◽  
Muhamad Adji
Keyword(s):  
Aggressive Behavior ◽  
Research Data ◽  
The Novel ◽  
Research Results ◽  
Female Protagonist ◽  
Data Source ◽  
The Difference ◽  
Horizon Of Expectations ◽  
The Way

This study discusses the reception of readers of the mega best-seller novel entitled Mariposa by Luluk HF. The purpose of this study is to (1) describe the reader's responses, (2) describe the horizon of readers' expectations, and (3) describe the factors that cause differences in responses and the horizon of expectations of readers of Mariposa's novel. The method applied is descriptive qualitative. This study uses a reception aesthetic approach that seeks to find consistent reception patterns as a reflection of the way the reader responds to the text. The research data consisted of texts containing the responses of twenty respondents from the data source in the form of the Goodreads reader site. The research results obtained are as follows. First, not all readers respond positively to the intrinsic elements of the novel, especially the characterization of the female protagonist who is considered to show aggressive behavior with a love motive. Second, most of the horizons of readers' expectations do not match the reality in Mariposa. Readings are generally motivated by curiosity because of the hyperbolic labeling of the novel, recommendations from friends, and the discourse of filming the novel. Third, the factors that cause the difference or suitability of the horizon of readers' expectations for the Mariposa novel are knowledge of literature, knowledge of life, and experience of reading literary works.

scholarly journals Revisiting Raúl Prebisch’s concept of crisis

2020 ◽  
Vol 28 (1) ◽  
pp. 145-164
Author(s):  
Crespo Maria Victoria ◽  
Keyword(s):  
Latin America ◽  
Turning Point ◽  
Import Substitution ◽  
Role Of The State ◽  
Economic Commission ◽  
Neoclassical Economic Theory ◽  
The Caribbean ◽  
Horizon Of Expectations ◽  
Theoretical Proposal

This article offers a review and appraisal of the concept of crisis in the context of the remarkable trajectory and works of argentine economist Raul Prebisch. It argues that the crisis of the 1930s is the foundation of Prebisch’s theoretical proposal on dependency and development in Lat-in America. The crisis of 1929-1930 was the turning point that encour-aged him to revise and reinvent neoclassical economic theory, promote industrialization and import substitution, and, more importantly, to deeply restructure the role of the State in the region. The crisis leads to decision and action, and it implies and orientation towards the future, a new “horizon of expectations.” This horizon throughout the most part of the twentieth century in Latin America was development. The article also puts forward an interpretation of his program at the Economic Commission for Latin America and the Caribbean (ECLAC/CEPAL), also triggered by the crisis and oriented to the formulation of policies meant to overcome the crisis. Finally, the article shows how through his interactions with CEPAL sociologists, in particular José Medina Echavarría, Prebisch proposes a redefinition of his concept of crisis, shifting from an economic and junctural concept to a structural one: the crisis of peripheral capitalism

Contemporary Russian Satire: A Genre Study

1998 ◽  
Vol 93 (2) ◽  
pp. 599
Author(s):  
Robert Porter ◽  
Karen L. Ryan-Hayes
Keyword(s):  
Genre Study

Futuro pasado. la evolución del concepto Poesía en Octavio Paz

2021 ◽  
Vol 66 (4) ◽  
pp. 173-186
Author(s):  
Alí Calderón Farfán ◽  
Keyword(s):  
Twentieth Century ◽  
Nobel Prize ◽  
Nobel Prize Winner ◽  
Octavio Paz ◽  
Marcel Duchamp ◽  
Spanish Speaking ◽  
Time Semantics ◽  
The Aesthetic ◽  
Aesthetic Ideas ◽  
Horizon Of Expectations

Future Past. The Evolution of the Concept of Poetry in Octavio Paz. Octavio Paz (1914) is a poet writing in Spanish whose aesthetic ideas have built a vision of relevant poetry for at least three traditions: poetry in French, English and, of course, Spanish. This study will analyze, from the metalinguistic perspective proposed by Reinhart Koselleck, how the concept of “poetry” evolved in the thought of the Mexican Nobel Prize winner. Framed by his tradition, by his space of experience, Octavio Paz wrote works that have been instrumental in understanding and valuing poetry in the twentieth century. From “Poesía de soledad y poesía de communion” (1943) to La otra voz, Poesía y fin de siglo (1990), Paz synthesized the aesthetic ideas of his time in El arco y la lira (1956), rethought the lyrical exercise in “Los signos de rotación” (1956), modified his poetic in the prologue to Poesía en movimiento and made his position explicit in Los hijos del limo and his thoughts on Lévi-Strauss and Marcel Duchamp. By focusing on these texts, as well as on a corpus of conferences, interviews, correspondence and even poetry recitals, this study explores the evolution of poetic thought and the horizon of expectations that the work of the last Spanish-speaking poet who received the Nobel Prize opens for us. Keywords: Octavio Paz, style, poetics, post-utopian time, semantics of concepts

Troubling Masculinities

2020 ◽  
Author(s):  
Glen Donnar
Keyword(s):  
National Identity ◽  
Science Fiction ◽  
American History ◽  
War Films ◽  
Hollywood Cinema ◽  
American Cinema ◽  
Media And Politics ◽  
American National Identity ◽  
The Impact ◽  
Genre Study

The association of the attacks of 9/11 with Hollywood science fiction and disaster spectacle was immediate and pervasive. Succeeding calls in media and politics for the reassuring return of ‘strong’ masculine types—predominantly drawn from Hollywood westerns, action and war films—were widespread, revealing renewed cultural fears of threats to America from both within and without.Troubling Masculinities is the first dedicated multi-genre study of representations of masculinity in encounters with terror in post-9/11 American cinema. The book examines the impact of “terror-Others”, from Arab terrorists to giant monsters, across a broad range of sub-genres—including disaster melodrama, monster movies, post-apocalyptic science fiction, discovered footage and ‘home invasion’ horror, action-thrillers and ‘frontier’ westerns—especially in relation to cinematic representations of masculinity in previous periods of national turmoil. The book demonstrates that the supposed reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Engaging critical arguments about how Hollywood cinema attempts to resolve male crisis in part through Orientalizing figures of terror, he shows how this unraveling reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they encounter. The book concludes by showing how interrelated anxieties about masculinity and nation continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, Troubling Masculinities offers an important counternarrative in this supposedly unprecedented moment in American history.

Three Axes of Genre Study

2016 ◽  
Author(s):  
Jeremy Rosen
Keyword(s):  
General Theory ◽  
Social Practice ◽  
Cultural Logic ◽  
Historical Moment ◽  
Minor Character ◽  
Genre Study

Derives a general theory of genre from analysis of the genre I call “minor-character elaboration.” It argues that genre should be studied and understood along three intersecting axes: as a practice of formal reiteration and variation, as a shared social practice that conveys the cultural logic of a particular historical moment, and as a technology that is deployed to serve the strategic needs of producers and consumers.

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