scholarly journals Research on Countermeasures to Develop Social Organizations for Cultural and Creative Industries—Taking Shanghai Songjiang District as an Example

2017 ◽  
Vol 4 (1) ◽  
pp. 167
Author(s):  
Chao Wu
Keyword(s):  
Social Organization ◽  
Soft Power ◽  
Management System ◽  
Creative Industries ◽  
Cultural Industry ◽  
Social Organizations ◽  
Key Points ◽  
Basic Characteristics ◽  
Countermeasures And Suggestions ◽  
Cultural And Creative Industries

<em>Currently Shanghai Songjiang District has achieved initial success in nurturing and developing the relevant social organizations around the overall objective to accelerate the development of cultural industry. But there still exist many problems, for example, organizations are immature, function is not significant, the management system is not perfect and so on. Analyzing the basic characteristics and key points of the development of Shanghai Songjiang District’s social organizations for cultural and creative industries, we should put forward the corresponding countermeasures and suggestions, which will help to promote the construction of modern social organization system and the urban cultural soft power.</em>

Quick Steps, Incremental Reform—Shenzhen Social Organization Registration Management System Reform

2014 ◽  
Vol 6 (2) ◽  
pp. 259-274
Author(s):  
Yushan Xu ◽  
Siying Luo
Keyword(s):  
Social Organization ◽  
Management System ◽  
System Reform ◽  
Trade Associations ◽  
Social Organizations ◽  
The Past ◽  
New Policies

This case study describes the process of Shenzhen’s social organizations registration and management system reform in the past ten years. Shenzhen has taken three modest reform measures, including the disconnection of trade associations from administrative departments, direct registration of trade associations and expanded range of direct registration, which has lowered the threshold for the registration of social organizations and kindled the vigor of social organizations. In line with the reform and devolution of city-level departments of civil affairs, different districts have made efforts to experiment and innovate with new policies, issuing reform plans regarding the filing of community social organizations, the incubation of social organizations, etc.

scholarly journals Research on influencing factors of the development of cultural and creative industries based on grey factor analysis

2021 ◽  
pp. 24-24
Author(s):  
Jianjun Li ◽  
Jia Liao
Keyword(s):  
Factor Analysis ◽  
Influencing Factors ◽  
Creative Industries ◽  
Added Value ◽  
Cultural Consumption ◽  
Factors Affecting ◽  
Healthy Development ◽  
Impacting Factors ◽  
Countermeasures And Suggestions ◽  
Cultural And Creative Industries

In order to study the influencing factors of cultural and creative industries (CCIs), the Grey Factor Analysis and 30 different indexes are used to empirically analyze the correlation between the influencing factors and the added value of CCIs in Shanghai. At the same time, main environmental factors affecting the development of CCIs are explored. The result shows that technology research and development, policy and government financial support, human resources, social culture, cultural consumption environment, cultural industry basis and development status are important impacting factors on the development of CCIs in Shanghai. Based on the above research results, this paper puts forward some countermeasures and suggestions on the construction of a comprehensive environment to promote the sustainable and healthy development of CCIs.

Culture and creative industry: the control of flow processes

2021 ◽  
Author(s):  
Nataliya Mal'shina ◽  
Andrey Garnov
Keyword(s):  
Capital Investment ◽  
Creative Industries ◽  
Regional Economies ◽  
Cultural Industry ◽  
Economic Support ◽  
Wide Range ◽  
New Ideas ◽  
State Income ◽  
Support Mechanisms ◽  
Cultural And Creative Industries

The cultural industry should become attractive for capital investment through the development of project activities, organizational and economic support mechanisms in the form of integrated structures, as well as through the development of mechanisms for its financing: multi-channel cultural financing systems and public-private partnerships that would create prerequisites for the emergence and implementation of new ideas and projects in the field of culture, contributing to its formation as a full-fledged source of state income. As a result of the implementation of this project, original new fundamental theoretical positions and empirical data in the field of the cultural and creative industries were obtained. The research focuses on the analysis of the fundamental foundations of the functioning of the cultural and creative industries, solves the scientific problems of evaluating its effectiveness and justifying the directions of support and financing, develops strategies and mechanisms for the development of the Russian cultural industry in accordance with the specifics and needs of regional economies. For a wide range of readers interested in the development of the cultural industry.

scholarly journals Drag Performers’ Perspectives on the Mainstreaming of British Drag: Towards a Sociology of Contemporary Drag

Sociology ◽  
2021 ◽  
pp. 003803852110083
Author(s):  
Mark McCormack ◽  
Liam Wignall
Keyword(s):  
Performing Arts ◽  
Social Stigma ◽  
Creative Industries ◽  
Public Data ◽  
Career Opportunity ◽  
Cultural And Creative Industries ◽  
British Culture ◽  
Depth Interviews ◽  
Inductive Analysis

Drag performance has entered mainstream British culture and is gaining unprecedented appreciation and recognition, yet no sociological accounts of this transformation exist. Using an inductive analysis of in-depth interviews with 25 drag performers, alongside netnography of media and other public data, this article develops a sociological understanding of the mainstreaming of drag. There are two clear reasons for the success of drag. First, there is a pull towards drag: it is now seen as a viable career opportunity where performers receive fame rather than social stigma in a more inclusive social zeitgeist, even though the reality is more complex. Second, there is a push away from other creative and performing arts because heteronormative perspectives persist through typecasting and a continued professional stigma associated with drag. In calling for a sociology of drag, future avenues for research on contemporary drag are discussed, alongside the need for the sociology of cultural and creative industries to incorporate sexuality as both a subject and analytic lens.

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