scholarly journals Study on the Infancy Characteristics of Meiji Capitalism in Takekurabe under the Semiotic Square Theory

2021 ◽  
Vol 5 (2) ◽  
pp. p34
Author(s):  
Suyan Zhao

Takekurabe (Child’s Play) is one of the masterpieces of Ichiy? Higuchi, a Japanese female writer, during the Meiji (Note 1) period. Setting in the context of Yoshiwara, a famous red-light district in Edo (Note 2)period, the novella depicts the absurd and wild growth experience of a group of youths who were deeply influenced by the feudal dross culture. From the perspective of structuralism, this paper leverages Greimas’s semiotic square theory to explore the meaning structure beneath the ostensible narratives of the work. It is found that the contradictions and entanglement among teenagers are closely connected with Yoshiwara’s social culture and mainstream values. It can be said that Yoshiwara in the Meiji period portrayed by Ichiy? is a residual epitome of Edo feudal culture.

2021 ◽  
Vol 53 (1) ◽  
pp. 139-143
Author(s):  
Hanan Hammad

What does a casual confrontation in a rundown shack between a landlady and her factory-worker tenant tell us about the history of gender and class relations in modern Egypt? Could a lost watch in a red-light district in the middle of the Nile Delta complicate our understanding of the history of sexuality and urbanization? Can an unexpectedly intimate embrace on a sleeping mat illuminate a link in the history of class, gender, and urbanization in modern Egypt?


2019 ◽  
pp. 127-139
Author(s):  
Simanti Dasgupta

Drawing on ethnographic work with Durbar Mahila Samanwaya Committee (DMSC), a grassroots sex worker organisation in Sonagachi, the iconic red-light district in Kolkata, India, this paper explores the politics of the detritus generated by raids as a form of state violence. While the current literature mainly focuses on its institutional ramifications, this article explores the significance of the raid in its immediate relation to the brothel as a home and a space to collectivise for labour rights. Drawing on atyachar (oppression), the Bengali word sex workers use to depict the violence of raids, I argue that they experience the raid not as a spectacle, but as an ordinary form of violence in contrast to their extraordinary experience of return to rebuild their lives. Return signals both a reclamation of the detritus as well as subversion of the state’s attempt to undermine DMSC’s labour movement.


Zebrafish ◽  
2016 ◽  
Vol 13 (3) ◽  
pp. 226-229 ◽  
Author(s):  
Isaac Adatto ◽  
Lauren Krug ◽  
Leonard Ira Zon
Keyword(s):  

2021 ◽  
Author(s):  
Sarah Adeyinka ◽  
Sophie Samyn ◽  
Sami Zemni ◽  
Ilse Derluyn

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