Public Engagement in the Administrative State: A Financial Privacy Case Study

2004 ◽  
Author(s):  
Mariano-Florentino Cuellar
2020 ◽  
Vol 8 (4) ◽  
pp. 351-360
Author(s):  
Matthew D. Howland ◽  
Brady Liss ◽  
Thomas E. Levy ◽  
Mohammad Najjar

AbstractArchaeologists have a responsibility to use their research to engage people and provide opportunities for the public to interact with cultural heritage and interpret it on their own terms. This can be done through hypermedia and deep mapping as approaches to public archaeology. In twenty-first-century archaeology, scholars can rely on vastly improved technologies to aid them in these efforts toward public engagement, including digital photography, geographic information systems, and three-dimensional models. These technologies, even when collected for analysis or documentation, can be valuable tools for educating and involving the public with archaeological methods and how these methods help archaeologists learn about the past. Ultimately, academic storytelling can benefit from making archaeological results and methods accessible and engaging for stakeholders and the general public. ArcGIS StoryMaps is an effective tool for integrating digital datasets into an accessible framework that is suitable for interactive public engagement. This article describes the benefits of using ArcGIS StoryMaps for hypermedia and deep mapping–based public engagement using the story of copper production in Iron Age Faynan, Jordan, as a case study.


Author(s):  
Isabel Menezes ◽  
Márcia Coelho ◽  
Fernanda Rodrigues ◽  
Peter Evans ◽  
Brian Martin

The emphasis on the social responsibility of higher education institutions emerged more systematically in the Post-Bologna European context. This paper presents an overview of a case study on a certificate in university social responsibility auditing, based on three European universities: Edimburgh, Kaunas and Porto. The goal is to develop an auditor training for students based on experiential learning, that is coherent and replicable in diverse contexts and that involves the various stakeholders. The project is based on a set of benchmarks of university social responsibility developed in the context of a European project, namely:  Research, Teaching, Support for Learning and Public Engagement; Governance; Environmental and Societal Sustainability; and Fair Practices. We will report on the initial data generated by the ESSA Project, in respect of student recruitment, baseline attitudes and the impact of participation in the training and the first audit.


10.2196/10827 ◽  
2018 ◽  
Vol 4 (4) ◽  
pp. e10827 ◽  
Author(s):  
Shi Chen ◽  
Qian Xu ◽  
John Buchenberger ◽  
Arunkumar Bagavathi ◽  
Gabriel Fair ◽  
...  

2018 ◽  
Author(s):  
Peter M. Shane

Among the rhetorical themes of the Obama Presidency, none has been more prominent than the call for open, participatory, and collaborative government. The Federal Communication, although not formally bound by the Administration's "Open Government Directive," pledged "to comply voluntarily with its terms and, when possible, to exceed its targets." This article provides a case study of the FCC's first seven months under Chairman Julius Genachowski, chronicling the issues facing "an agency in the early throes of institutionalizing open, participatory, and collaborative government." After reviewing the agency's challenges and initiatives in communicating its message, sharing records and data, and facilitating public input, the article briefly speculates on the political conditions necessary to sustain efforts of this intensity.


2012 ◽  
Vol 46 (2) ◽  
pp. 204-234 ◽  
Author(s):  
LORETTA GARRISON ◽  
MANOJ HASTAK ◽  
JEANNE M. HOGARTH ◽  
SUSAN KLEIMANN ◽  
ALAN S. LEVY

2017 ◽  
Vol 3 ◽  
pp. 180 ◽  
Author(s):  
Rebecca Wilbanks

Drawing on the case study of Real Vegan Cheese (RVC), a synthetic biology project housed in a community lab or “biohackerspace,” I argue that biohacking performs an “artistic critique” of the bioeconomy. Following Boltanski and Chiapello’s use of the term, the “artistic critique” pits values of autonomy and creativity against a view of capitalist production as standardized and alienating, represented (in the case of biotechnology) by Monsanto’s monoculture GMOs. In this way, biohacking is depicted as liberating biotechnology from the constraints of corporate and academic institutions. Through the use of design fiction and a playful aesthetic, projects such as RVC demonstrate a more legitimate––with respect to the values of the artistic critique––mode of production for a new generation of biotechnology products, one that is portrayed as driven primarily by ethical and aesthetic values rather than the profit motive. This analysis highlights the role that aesthetic and affective strategies play in advancing particular sociotechnical visions, and the way that biohacking projects operate in symbiosis with incumbent institutions even as they define themselves in opposition to them. Finally, it suggests that biohacking has certain limitations when considered as a form of public engagement with science.


Sign in / Sign up

Export Citation Format

Share Document