Attention in the Peer Production of User Generated Content - Evidence from 93 Pseudo-Experiments on Wikipedia

2018 ◽  
Author(s):  
Michael Kummer
Author(s):  
Eric von Hippel

This chapter suggests several ways to make progress in free innovation research, policymaking, and practice. It sets expectations for the role the free innovation paradigm might play in these efforts; compares and contrasts the research lenses offered by free innovation, user innovation, peer production, and open innovation; and proposes steps to improve the measurement of free innovation. Next the chapter suggests research steps for incorporating free innovation into innovation theory and policymaking. Finally, this chapter looks at how the free innovation paradigm can help us to understand the economics of household sector creative activities even beyond innovation, such as “user-generated content” ranging from fan fiction to contributions to Wikipedia.


2012 ◽  
pp. 249-274 ◽  
Author(s):  
Tatyana Dumova

In an age of user-generated content, multimedia sharing sites, and customized news aggregators, an assortment of Internet-based social interaction technologies transforms the Web and its users. A quintessential embodiment of social interaction technologies, blogs are widely used by people across diverse geographies to locate information, create and share content, initiate conversations, and collaborate and interact with others in various settings. This chapter surveys the global blogosphere landscape for the latest trends and developments in order to evaluate the overall direction that blogging might take in the future. The author posits that network-based peer production and social media convergence are the driving forces behind the current transformation of blogs. The participatory and inclusive nature of social interaction technologies makes blogging a medium of choice for disseminating user-driven content and particularly suitable for bottom-up grassroots initiatives, creativity, and innovation.


Author(s):  
Melanie Dulong de Rosnay ◽  
Francesca Musiani

Online peer-production platforms facilitate the coordination of creative work and services. Generally considered as empowering participatory tools and a source of common good, they can also be, however, alienating instruments of digital labour. This paper proposes a typology of peer-production platforms, based on the centralization/decentralization levels of several of their design features. Between commons-based peer-production and crowdsourced, user-generated content “enclosed” by corporations, a wide range of models combine different social, political, technical and economic arrangements. This combined analysis of the level of (de)centralization of platform features provides information on emancipation capabilities in a more granular way than a market-based qualification of platforms, based on the nature of ownership or business models only. The five selected features of the proposed typology are: ownership of means of production, technical architecture/design, social organization/governance of work patterns, ownership of the peer-produced resource, and value of the output.


MedienJournal ◽  
2017 ◽  
Vol 36 (1) ◽  
pp. 20-37
Author(s):  
Stefan Bosshart
Keyword(s):  

2020 ◽  
Vol 12 (1-2020) ◽  
pp. 95-110
Author(s):  
Luki Sarah Schmitz
Keyword(s):  

Der Beitrag setzt sich aus geschlechtertheoretischer Perspektive mit ambivalenten Folgen von Digitalisierungsprozessen auf Arbeits- und Produktionsformen auseinander. Im Zentrum stehen dabei Crowdwork und Commons-based Peer Production als zwei Formen, die je unterschiedliche Narrative der Partizipation in sich tragen. Im Verlauf der Analyse wird deutlich, dass der zugrunde liegende Partizipationsimperativ in einen paradoxalen Umschlag führt, der entgegen der Hoffnung nach mehr Autonomie, Selbstgestaltung und Flexibilität, verschiedene Formen von Prekarität nach sich zieht. Die darin enthaltene geschlechtliche Dimension wird herausgearbeitet und Erklärungen für die Paradoxie gegeben.


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