scholarly journals The Craft of Archaeology and Dialogue with the Public

2016 ◽  
Vol 9 (3) ◽  
pp. 563
Author(s):  
Staša Babić
Keyword(s):  
Social Context ◽  
The Other ◽  
Modern World ◽  
Human Society ◽  
Archaeological Research ◽  
The Public ◽  
The Past ◽  
Individual Researcher ◽  
Theoretical Approaches ◽  
Other Hand

Over the last decades, especially among the postprocessualy oriented archaeologists, the link between the research into the past and various relations of domination in the modern world has been explicitly articulated, as well as the ways in which the discipline engages in the dialogue with its social context, widely encompassed by the notion of the public. On the other hand, the eminent representatives of other theoretical approaches in archaeology, such as Gordon Childe, have argued for the purpose of archaeological research in the search for knowledge leading to more just and human society much before this clearly value-oriented proclamation. The message conveyed by archaeologists to the public depends on the choice of the segment of this wide notion and whose interests an individual researcher decides to enforce, regardless of the theoretical and methodological inclinations.

scholarly journals Holden Caulfield: A Marginal Player Made by Historical Context

2018 ◽  
Vol 80 ◽  
pp. 1-6
Author(s):  
Zari Dorri
Keyword(s):  
Social Context ◽  
Environmental Factors ◽  
Critical Theory ◽  
Historical Context ◽  
The Other ◽  
New Historicism ◽  
Environmental Condition ◽  
The Public ◽  
Other Hand ◽  
Opening Up

Holden Caulfield, the major character in Jerome David Salinger’s most rewarded novel The Catcher in the Rye, long stood as the innovative and leading figure for such distinctive and revolutionary traits in a character he presented in 1959s’ America literary domain. Salinger media-shy and no interview policies led the public to spread out the idea of the author’s being the whole genius behind the sheer novelty of Holden Caulfield character by making a myth out of the author who turns down any kind of publicity and is finally lionized. This student-friendly hero who denigrate respectability and” phoniness” with his cynical attitude and obscene language, in one way or another, is kept being compared to such huge characters like Huckle Berry Finn whose universal popularity is barely deniable; but the question is that, could at any rate, J.D.Salinger be the sole innovator behind this genuineness? On the other hand, are there any other social and environmental factors, which came to pave the way for any kinds of Holden to be born and well liked? The main purpose of the paper is to answer these questions by a kind of critical theory as New Historicism and survey through the history as a discourse in this method. The results and findings indicate that, apparently, there was a specific social context for the emergence of this novel, with which the author had to interact. By opening up the environmental condition of those days and considering the facts, which affected Holden’s birth and popularity in that era. This essay will point out the fact that criticizing America’s 50s in such aforementioned ambience was inevitably and to some extent predictable.

scholarly journals Presenting the Era (Masa)

2020 ◽  
Vol 2 (2) ◽  
pp. 31-46
Author(s):  
Aji Dedi Mulawarman
Keyword(s):  
Entire Range ◽  
The Other ◽  
Human Being ◽  
Human Relations ◽  
Time And Space ◽  
The Real ◽  
The Public ◽  
The Third ◽  
The Past ◽  
Other Hand

This article aims to present a concept of era based on the Qur'anic idea of Al-Ashr. At the first presence, era, whether at historical level, or transcending it, has never escape holiness, as time and space where sacred moral act is always present. At the second presence, era is, in essence, holiness as a reality of being, reality of existence, and presence, where the entire range of the past, present and future is no longer important, even lost, but is a reality that is present in the era without era. At the third presence, holiness, on the other hand, must be historical for the task of the public in the name of love for God, which is part of the deepest consciousness of every human being and human relations where the past, present and future move historically in space and time. At the fourth presence, the real man is thus a man who always purifies his soul without pause in the historical space of time, even beyond it. At the fifth presence, the act of “so be it” (kun fayakun) of God exists, time exists throughout the span of time without any preconditions or constructions based on His commandments (namely Ibn Arabi Bipolar Triplisity).

scholarly journals K.H. Sholeh Darat’s Hadith Understanding In Majmū’ah Al-Sharī’ah Al-Kaifiyah Lil Al-Awwām Book

2019 ◽  
Vol 27 (2) ◽  
pp. 162
Author(s):  
Rohmansyah Rohmansyah
Keyword(s):  
Social Context ◽  
Environmental Conditions ◽  
Analytical Method ◽  
The Other ◽  
Historical Approach ◽  
The Past ◽  
Other Hand ◽  
The Social ◽  
Plural Society

This article aims to explain the understanding of K.H. Sholeh Darat in the Majmū'ah al-Syarī'ah al-Kaifiyah lil Awwām book by looking at the social context that occurred in the past when the hadith was delivered. This paper uses a descriptive-analytical method with a sociological-historical approach and syarh hadith. The findings show that K.H. Sholeh Darat is an ulama from Java who was present in the midst of a society is closely related with the traditions of a plural society both santri, priyai and abangan. He tends to understand the hadith textually under certain conditions, but on the other hand it tends to be contextual depending on the situation and environmental conditions he experiences or ṣāliḥun li kulli zamānin wa makānin. Besides, it is undeniable that the understanding is less from the methodology of hadith understanding that was initiated by contemporary hadith experts such as textual understanding of tasyabbuh hadith and hadith of pilgrimage to the Prophet's tomb. However, he understands the hadith about intercession contextually

scholarly journals Modern Scotland: Archaeology, the Modern past and the Modern present

2012 ◽  
Keyword(s):  
Modern World ◽  
Archaeological Research ◽  
Recent Past ◽  
Critical Perspective ◽  
The Public ◽  
World Archaeology ◽  
The Past ◽  
The World ◽  
Ways Of Life

The main recommendations of the panel report can be summarised under five key headings:  HUMANITY The Panel recommends recognition that research in this field should be geared towards the development of critical understandings of self and society in the modern world. Archaeological research into the modern past should be ambitious in seeking to contribute to understanding of the major social, economic and environmental developments through which the modern world came into being. Modern-world archaeology can add significantly to knowledge of Scotland’s historical relationships with the rest of the British Isles, Europe and the wider world. Archaeology offers a new perspective on what it has meant to be a modern person and a member of modern society, inhabiting a modern world.  MATERIALITY The Panel recommends approaches to research which focus on the materiality of the recent past (i.e. the character of relationships between people and their material world). Archaeology’s contribution to understandings of the modern world lies in its ability to situate, humanise and contextualise broader historical developments. Archaeological research can provide new insights into the modern past by investigating historical trends not as abstract phenomena but as changes to real lives, affecting different localities in different ways. Archaeology can take a long-term perspective on major modern developments, researching their ‘prehistory’ (which often extends back into the Middle Ages) and their material legacy in the present. Archaeology can humanise and contextualise long-term processes and global connections by working outwards from individual life stories, developing biographies of individual artefacts and buildings and evidencing the reciprocity of people, things, places and landscapes. The modern person and modern social relationships were formed in and through material environments and, to understand modern humanity, it is crucial that we understand humanity’s material relationships in the modern world.  PERSPECTIVE The Panel recommends the development, realisation and promotion of work which takes a critical perspective on the present from a deeper understanding of the recent past. Research into the modern past provides a critical perspective on the present, uncovering the origins of our current ways of life and of relating to each other and to the world around us. It is important that this relevance is acknowledged, understood, developed and mobilised to connect past, present and future. The material approach of archaeology can enhance understanding, challenge assumptions and develop new and alternative histories. Modern Scotland: Archaeology, the Modern past and the Modern present vi Archaeology can evidence varied experience of social, environmental and economic change in the past. It can consider questions of local distinctiveness and global homogeneity in complex and nuanced ways. It can reveal the hidden histories of those whose ways of life diverged from the historical mainstream. Archaeology can challenge simplistic, essentialist understandings of the recent Scottish past, providing insights into the historical character and interaction of Scottish, British and other identities and ideologies.  COLLABORATION The Panel recommends the development of integrated and collaborative research practices. Perhaps above all other periods of the past, the modern past is a field of enquiry where there is great potential benefit in collaboration between different specialist sectors within archaeology, between different disciplines, between Scottish-based researchers and researchers elsewhere in the world and between professionals and the public. The Panel advocates the development of new ways of working involving integrated and collaborative investigation of the modern past. Extending beyond previous modes of inter-disciplinary practice, these new approaches should involve active engagement between different interests developing collaborative responses to common questions and problems.  REFLECTION The Panel recommends that a reflexive approach is taken to the archaeology of the modern past, requiring research into the nature of academic, professional and public engagements with the modern past and the development of new reflexive modes of practice. Archaeology investigates the past but it does so from its position in the present. Research should develop a greater understanding of modern-period archaeology as a scholarly pursuit and social practice in the present. Research should provide insights into the ways in which the modern past is presented and represented in particular contexts. Work is required to better evidence popular understandings of and engagements with the modern past and to understand the politics of the recent past, particularly its material aspect. Research should seek to advance knowledge and understanding of the moral and ethical viewpoints held by professionals and members of the public in relation to the archaeology of the recent past. There is a need to critically review public engagement practices in modern-world archaeology and develop new modes of public-professional collaboration and to generate practices through which archaeology can make positive interventions in the world. And there is a need to embed processes of ethical reflection and beneficial action into archaeological practice relating to the modern past.

scholarly journals Rediscovering Monasticism through Art

Religions ◽  
2019 ◽  
Vol 10 (7) ◽  
pp. 423
Author(s):  
Sawicki
Keyword(s):  
Social Context ◽  
The Other ◽  
Modern World ◽  
Other Hand

Looking at modern monasticism and its role in society one can see how traditional monastic concepts or values find their new forms. On the other hand, art and artists willingly, though not always consciously, use or refer to some monastic themes. In this paper, on the base of texts of some authors open to the dialogue between monasticism and art, a reading of monasticism in the key of art is proposed, exclusively in reference to the Christian monasticism. Given its present cultural and social context, the thesis of this paper is that through the rediscovering of monasticism through art, one can and should refresh and save it in a more and more secularized society, what may be also a perspective of a new role of monasticism in the modern world.

scholarly journals I.A. Bunin: (in)variants of the memoir image

2021 ◽  
pp. 106-112
Author(s):  
Olga R. Demidova ◽  
◽  
Keyword(s):  
Literary Tradition ◽  
The Other ◽  
The Public ◽  
The Past ◽  
Other Hand ◽  
The Aesthetic

The paper based on a substantial number of émigré ego-texts (memoirs, diaries, and letters) deals with the invariant paradigm of I.A. Bunin’s image represented in them. Relying on the undertaken analysis, the author argues that the said invariants are structurally organized on two levels based on different criteria. The first level differentiating between the existential and the artistic, presents the invariants “Bunin the man” and “Bunin the writer”, the latter constructed on the juxtaposition of the public and the private, the outer and the inner selves. The second level, actualizing the aesthetic and the artistic, juxtaposes the traditional and the modern, realism and modernism as the criteria of evaluating Bunin’s personality. In the majority of the texts Bunin is associated with the past and gone cultural and literary tradition, the authors of the said texts treating this fact as the cause of Bunin’s personal and artistic tragedy. On the other hand, though, Bunin’s personality and artistic standpoint is regarded by all the authors as incomparable and unique, as well as his role in preserving the tradition in exile

scholarly journals Keramičke studije i arheometrija: između analiza prirodnih nauka i arheološke interpretacije

2017 ◽  
Vol 12 (3) ◽  
pp. 683
Author(s):  
Jasna Vuković
Keyword(s):  
Material Culture ◽  
North American ◽  
Natural Sciences ◽  
The Other ◽  
Raw Material ◽  
Archaeological Research ◽  
The Past ◽  
Other Hand ◽  
Natural Scientists ◽  
Material Provenance

The consideration of the relationship between pottery studies and the application of hard sciences in archaeology includes the scrutiny of the importance of pottery studies in the history of archaeology as a discipline, and especially the differences in the approach to material culture between European and North American researchers. After modest beginnings during the 19th century, petrographic analyses were introduced into ceramology during the first decades of the 20th century, mainly thanks to the works of Anna Shepard. She was one of the initiators of the first conference on the ceramic technology, held as early as 1938. For archaeology in general, it is significant to note that the beginning of pottery studies, stressing the importance of social anthropology as well as the application of hard science methods, markedly predates the expansion of processual archaeology.It is also vital to explore certain tensions and differences in approaches to ceramics, exiting today as the consequence of polarization inside archaeology, among researchers primarily leaning upon natural sciences, and the ones regarding material culture as the product of cultural processes. Archaeometry is widely applicable in ceramology, above all in identifying the pottery recipes, raw material provenance, firing regimes, and many other aspects that are the consequences of various cultural practices. Maybe paradoxically, the researchers leaning towards natural sciences have most frequently embraced the concept of technological choices, presupposing that every human activity is the consequence of social relations, leading artisans to choose one of several technical possibilities, depending upon social norms. On the other hand, ethno-archaeological research relativizes to a certain extent the “solid” and unambiguous results of natural sciences, more readily accepting the concept of technological style, i.e. considering the socially influenced technological traditions. The concept of archaeological biomarkers, i.e. research into the remains of organic matters on ceramic vessels, indicates the differences between the scientistically oriented European archaeology, as opposed to the North American, dominated by the anthropological dimension of research, and pottery is not treated as a mere source of data, but as an object of research in its own right.  An additional difficulty in pottery studies is presented by the essential misunderstanding between archaeologists and natural scientists, also present in Serbia. We are still faced with the insufficient knowledge of possibilities of analytical techniques. On the other hand, the majority of research is conducted by the natural scientists, resulting in one-sided or multidisciplinary outcomes, and interdisciplinary studies are extremely rare. At the same time, although with exceptional possibilities, natural sciences applied to the research into the past are not infallible, and have been criticized on several levels, concerning the issues of raw material provenance, as well as identifying the remains of organic material on pottery vessels. Interdisciplinarity should undoubtedly be considered as an advantage in archaeological research, but we should bear in mind that the aim of pottery studies is the understanding of people and processes in the past, so the ultimate responsibility of interpretation rests upon archaeologists. For this very reason, they are obliged to understand the advantages as well as limitations of analytic techniques, and above all to formulate the theoretical framework, research topics and hypotheses.

‘Newness which never perishes’? Schoenberg’s ambivalent reception of Haydn

2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter
Keyword(s):  
The Other ◽  
Major Influence ◽  
Musical Style ◽  
The Past ◽  
Other Hand ◽  
The Future ◽  
Music Tradition

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.

Economic Performance and Public Finance in Kenya, 1960-2010

2018 ◽  
Vol 47 (2) ◽  
Author(s):  
Kempe Ronald Hope
Keyword(s):  
Public Finance ◽  
Economic Performance ◽  
Emerging Economy ◽  
The Other ◽  
Government Investment ◽  
The Past ◽  
Other Hand ◽  
Private Savings ◽  
Per Capita ◽  
Real Growth

Countries with positive per capita real growth are characterised by positive national savings—including government savings, increases in government investment, and strong increases in private savings and investment. On the other hand, countries with negative per capita real growth tend to be characterised by declines in savings and investment. During the past several decades, Kenya’s emerging economy has undergone many changes and economic performance has been epitomised by periods of stability, decline, or unevenness. This article discusses and analyses the record of economic performance and public finance in Kenya during the period 1960‒2010, as well as policies and other factors that have influenced that record in this emerging economy. 

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

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