scholarly journals Huellas clásicas en «Cuatro Variaciones sobre el Filicidio» de Leopoldo María Panero

2019 ◽  
pp. 39-61
Author(s):  
Ismael López Gálvez
Keyword(s):  
Classical Literature ◽  
Classical Mythology ◽  
Leopoldo Maria Panero

RESUMEN: El presente estudio trata de analizar las relaciones transtextuales existentes entre el mundo clásico y las «Cuatro variaciones sobre el filicidio» de Leopoldo María Panero, sección de cuatro cuentos recogida en El lugar del hijo(1976), la primera obra en prosa editada del autor astorgano.PALABRAS CLAVE: Leopoldo María Panero, «Cuatro variaciones sobre el filicidio», mitología clásica, intertextualidad, mitoanálisis.  ABSTRACT: The present paper deals with the transtextual relationship between the Classical literature with «Cuatro variaciones sobre el filicidio» by Leopoldo María Panero, especially the section of four stories so-called El lugar del hijo(1976), which is the first published work in prose by the author of Astorga.KEY-WORDS: Leopoldo María Panero, «Cuatro variaciones sobre el filicidio», classical mythology, intertextuality, analysis of myth.

Protean Passions

2020 ◽  
Vol 40 (2) ◽  
pp. 174-193
Author(s):  
Kirk Essary
Keyword(s):  
Reform Movement ◽  
Classical Literature ◽  
The Past ◽  
Classical Mythology ◽  
Current Events ◽  
Affective Analysis ◽  
Affective Meanings ◽  
Do So

Abstract The purpose of this essay is to evaluate the manner in which Erasmus employs examples from and the genres of classical mythology in order to explain the emotions, but also to show how he utilizes affective meanings of myths to describe current events. Given Erasmus’ influence, and the burgeoning field of emotions history, my aim is to interject Erasmus more fully into the ongoing conversation about the ways in which emotions were understood in the past. I will do so by considering 1) his adaptation of Quintilian’s taxonomy of emotions as either tragic or comic; 2) his use of classical literature to explore and explain the emotions; and 3) his affective analysis of what he deems the “tragedy” of Martin Luther’s reform movement.

George Barker in the 1930s: Narcissus and the Autodidact

2015 ◽  
Vol 10 (2) ◽  
pp. 250-268
Author(s):  
Leo Mellor
Keyword(s):  
Cultural Authority ◽  
Classical Mythology

This article traces the complex and potent role of classical mythology in the poet George Barker's work of the 1930s. Noting Geoffrey Grigson's rage about ‘narcissism’ when reviewing Barker in 1935 it shows why this barb was more perceptive and apposite – in acknowledging an obsession with both a figure and an overtly classical precedent – than the acclamation given to Barker at the time, from T. S. Eliot among others. Central to the article is an exploration of Barker's heterodox version of a common modernist urge: encountering and reworking of fractured myths. For the radical and ever-present notions of uncertainty with which classical tales and Gods are treated in Barker's work is also revelatory of the autodidactic process – incomplete, unstable, and without class-annotated cultural authority – by which he gained such knowledge. The article thus situates Barker within a cultural matrix, and draws renewed attention to the pluralities of poetry within 1930s Britain.

THE POETIC ANALYSIS AND COMPOSITION OF «DEVONI GADO»

2020 ◽  
Vol 2 (3) ◽  
pp. 127-132
Author(s):  
Hafiza Aslanova ◽  
Keyword(s):  
Classical Literature

The article higlights the first patterns and backgrounds of diwans (a collection of poems by one author) by the representatives of the classical literature, as well as Gadoi. The article provides significant differences among diwans by Navoi and other poets such as Lytfiy, Atoi, Sakkoki and Gadoi both in genres and styles of poems

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