scholarly journals Environmental Criticism in Kulah's Short Story Gus Tf Sakai's Work: An Overview of Ecocritics

Author(s):  
Ahsani Taqwiem

Literary work is not born from an empty thing. It was born from the results of human hands on the other hand interacting and absorbing many things from the complexity of the environment in which it lives. This explains how a literary work has an intimate relationship with nature. Literary ecology exists as a bridge to understand how nature is placed in a work. The object of this research is Kulah's short story written by Gus Tf Sakai. Kulah's short story contains a lot of environmental criticism that is very strongly illustrated. Through interpretation efforts and descriptions when approaching the data in the form of quotations of words or sentences taken in my short story. Ecological theory tries to explain how humans and nature influence each other as an ecosystem. Some of the environmental criticisms contained in kulah short story are criticisms of the deteriorating condition of the watershed which has resulted in many disasters such as floods, massive forest loss, and the dangers of waste which must be a concern for all parties. Efforts to prevent damage to nature must be taken in various ways including through the literary path. Environmental damage is the beginning for other disasters, therefore the effort to understand literature through natural perspectives becomes very important and crucial. Ecological’s point of view when reading literature are expected to be one of the educational solutions for readers in order to take part in protecting nature.

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era


Mäetagused ◽  
2021 ◽  
Vol 81 ◽  
pp. 45-64
Author(s):  
Eve Annuk ◽  

The article deals with the representation of nationalism in Lilli Suburg’s (1841–1923) short story “Liina” (1877). Lilli Suburg was a writer, journalist, pedagogue, and the first Estonian feminist. “Liina” is her most famous literary work, which also belongs among the most important works of early Estonian literature. “Liina” was published in two editions (1877, 1884) and was also translated into Finnish (1892). It is important in the context of Estonian national movement because it is a short story based on the central idea which emphasizes the importance of being Estonian. It became popular among readers and made the author famous. “Liina” is based on Suburg’s German-language diary, and it is an autobiographical short story about an Estonian peasant girl who struggles to remain Estonian. The national ideas represented in “Liina” emphasize the importance of remaining Estonian in an environment where social mobility rather implied Germanization. On the other hand, the national theme in “Liina” represents a gendered viewpoint. Suburg understood the woman as a national subject equal to the man and therefore the carrier of national ideas is a woman – the protagonist called Liina. The article deals with the representation of nationalism and gender in the short story and also with the context of the creation and reception of the work.


Neophilology ◽  
2020 ◽  
pp. 385-392
Author(s):  
Yuee Guan

We consider the problems of composing a literary text based on the material of texts by B.A. Uspenskiy. It is proved that as a compositional possibility in the formation of a work can be elicit one or many points of view from which the narration in the literary work is conducted on the concept of “polyphonic collegiality”, in the other words, it finds expression both “internal” (with respect to the work) and “external” points of view on how the point of view of collegiality in the text is understood and determined. Collegiality is one of the main characteristics of the Russian national spirit, which has a telling Impact not only on the creative thoughts of Russian writers, but also on the thinking of Russian theorists in the construction of literary theories. It is justified that the poetics of B.A. Uspenskiy's composition is a continuation and development of M.M. Bakhtin's theory, that M.M. Bakhtin's polyphony is only one of the components in the relation of various points of view in ideological terms. According to B.A. Uspenskiy, the composition of literary text is a multidimensional spatial “free and organic unity”, consisting of multifaceted points of view, possessing both their relative independence and interconnected among themselves.


2020 ◽  
Vol 15 (1) ◽  
pp. 10-16
Author(s):  
Melania Shinta Harendika ◽  
Azka Ashila

Sadia Shepard’s Foreign-Returned talks about the life of Pakistani immigrants in America, especially Hasan, who struggle to live a better life in the U.S. American values become the main focus in this study to see their influences in certain characters’ point of view of this short story. The data are selected conversations and the narrations in Sadia Shepard’s Foreign-Returned as well as traditional American values and the sociological data of Pakistani Diaspora in America in the 2000s. This research reveals that most of the characters, both first- and second-generation Pakistani immigrants, practice American values in certain ways. However, values are fluid. Not everyone in the U.S.A believes in American values; on the other hand, non-Americans are possible to practice American values. In brief, how much the American values influence the characters' minds and behavior does not depend on whether they are first- or second-generation immigrants.


Author(s):  
Volodymyr Antofiichuk

The paper deals with the story “Za hotar” (“Beyond the Boundary”) by Olha Kobylianska from the point of view of modernist sacral aesthetics, since, as it has been observed, its architectonic structure comprises the parable of the Good Samaritan. It is proven that the relationship between the parable and the story is displayed at different levels of the literary text. The plot of the story “Za hotar” has many obvious parallels with the Christ’s parable, down to the coincidences in the image of a merciless priest. The modernist sacral perspective of the literary work by Olha Kobylianska makes it possible not only to observe the presence of hidden signs of the New Testament parable, but also to interpret the possibility of a genre shift. This procedure allows denoting this literary work not as an essay, but as a short story, since the parable of the Good Samaritan has a characteristic feature of a short story (its main idea is represented in showing mercy by one of the Samaritans, who in biblical times were considered as people lacking any sympathy towards strangers). The work by Olha Kobylianska provides an extremely powerful and philosophically deep insight. The plot includes the death of a daughter. On the one hand, it is perceived as quite substantiated (the child ran outdoors undressed in winter), but in terms of the mystical perspective it becomes a symbol of Christian mercy, or even a Christian self-sacrifice. Thus, the literary work “Za hotar” by Olha Kobylianska is based on the architectonical ground of the parable about the Good Samaritan. From the realistic perspective it may be interpreted as an essay revealing the mental traditions, everyday life, ideological foundations of the Bukovynian village contemporary for the writer. Although it becomes a parable in the modernist sacral perspective, which hides the fundamental gospel basis behind a realistic plot.


2019 ◽  
Vol 14 (1-2) ◽  
pp. 219-229
Author(s):  
Radosvet Kolarov

This article investigates the hermeneutic position of one text in relation to another one. More precisely, it is the case when one of the texts clarifies the meaning of another, amplifies the emphases of the other text, raises it to a higher power. A literary work with such explanatory intention is designated in the article with the term “semantic amplifier”. Its action is demonstrated by an analysis of two literary works of Dostoevsky: the novel “The Idiot” and the long short story “The Meek One”. The term “dissipative motif network” is introduced in order to designate a network of motifs, whose links stand significantly wide apart and refer to different narrative situations. The connections among the variants of the motifs are not obvious or graphic; they are so to speak dotted, implicit and require deciphering. In “The Idiot” the links of the motif network are such as marking oneself with a sign of the cross in front of an icon, deadly paleness, jumping, and blood. However, those are also the links of the motif chain that constitutes the suicide of the character in “The Meek One”. Nevertheless, when a reader goes through the lens of “The Idiot”, the linkage among these motifs in the long short story seems to be accelerated. What is separated in time and is indirectly connected, it becomes tightened and assembled. The dissipative motif network so to speak gathers up into one indivisible gesture in which this cause and effect merge together into one single trajectory of the jump, the end of which is the death of the character. It is as if what happens in “The Meek One” is latently set in advance in “The Idiot”. A jump from the stairs and a leaping from the roof are variants of the very important for Dostoevsky motif “threshold situation”, which is crossing the threshold in a literal and in a figurative sense; an act which marks a turning point in a plot when decisions are taken, characters go through a crisis and cross the border of incompatible events. When “The Meek One” is read in the sense of framework of “The Idiot”, the story has the function of a semantic amplifier: the jump from a low height turns into a jump from a great height; the almost unconscious ritual of bowing in front of the icon turns into jumping with an icon held in both hands, the deadly paleness understood figuratively turns into the real paleness of a dead body. Thus, in the process that is aimed at creating its artistic conception, a literary work enters into the depths of another literary work, deciphers its innermost messages, enunciates and articulates them with its own voice.


2021 ◽  
Vol 2 (1) ◽  
pp. 47-58
Author(s):  
Rannu Sanderan ◽  
Yohanes Krismantyo Susanta

Abstract; This article discusses the meaning of wings according to the book of Ruth in an authentic purpose.  By using the narrative methods, in more deeply, this research is intend to examine the basic motive why Ruth uses the word of wings in order to ask Boaz to spread his wings on Ruth. On the other hand, Ruth did not belong to God’s covenant nation. The perspective of the theory of narrative criticism used in this research is to look at the biblical narrative by referring to the analysis of the book of Ruth and its parts of the book as a complete literary work. The aim of this method is focusing on the storyteller or narrator, plot and scene, as well as repetition and keywords, characters, atmosphere, and point of view. The narrative analysis in the results of this paper not based on the author but merely on the text. So that readers can find out the values ​​and theological views conveyed through the text. The result of research on the meaning of wings in this text is Yahweh's own wing (2:12) as a place for Ruth to take refuge. In fact, Ruth was already under God's wing, because she had previously had a strong belief in becoming the covenant people of Yahweh.  Hoped that this study can make a theological contribution in studying the God’s sovereignty towards all nations. Abstrak; Artikel ini membahas tentang makna sayap dalam dalam kitab Rut sesuai konteks yang otentik. Dengan metode naratif, riset ini hendak mengkaji secara lebih dalam motif dasariah, mengapa Rut memakai kata sayap dalam rangka meminta kesudian Boas agar mau mengembangkan sayapnya atas Rut. Padahal Rut tidak tergolong bangsa perjanjian Allah. Perspektif teori kritik naratif yang digunakan dalam penelitian ini hendak melihat narasi Alkitab dengan mengacu pada analisa terhadap kitab Rut dan bagian-bagian kitab sebagai sebuah karya sastera yang utuh. Metode ini hendak mengarahkan fokus pada pencerita atau narrator, alur/plot serta adegan, juga pengulangan dan kata kunci, tokoh, suasana, dan sudut pandang. Setelah dikerucutkan lebih tajam, maka analisa naratif dalam hasil tulisan ini bukan pada penggubahnya tetapi ada teks. Sehingga pembaca dapat mengetahui nilai-nilai dan pandangan teologi yang disampaikan melalui teks yang diselidiki. Hasil penelitian tentang makna sayap dalam teks ini adalah sayap Yahweh sendiri (2:12) sebagai tempat bagi Rut untuk berlindung. Sejatinya, Rut sudah berada di bawah sayap Tuhan, karenya ia sebelumnya telah memiliki keyakinan kuat akan masuk menjadi umat perjanjian Yahweh. Diharapkan agar studi kepustakaan ini memberi sumbangsih teologis dalam mengkaji kedaulatan Allah bagi seluruh bangsa.


2020 ◽  
Vol 6 (2) ◽  
pp. 593-599
Author(s):  
Heni

A literary work is a form of the author's imagination written with a background in various fields of life. The characters in a literary story also have the same problems as humans in real life. The author, in writing a story, is motivated by the conditions and environment that exist around him and affects him. The story in a novel, short story, or poetry reflects various aspects of human life. Literary works will present a story that can be viewed from various points of view, including from a psychological perspective. We can examine each character from a psychological point of view. How the character's psychological condition will appear from a story that can be examined by looking at the character's behavior, how he relates to other characters, and how he deals with problems in his life. George Eliot's Silas Marner novel is an interesting story which can be examined from a psychological point of view, namely the psychology of existentialism. Silas Marner's character in this novel will be analyzed from a psychological perspective. How Silas Marner's character in self-existence will appear in the psychology of existentialism.


TOTOBUANG ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 243
Author(s):  
Faradika Darman

Environmental issues are important to talk about. Talking about the environment is talking about human, because it sustains of human life. If the environment damaged, human life will be disturbed and being extinct. Many things can be done to reduce the damage that occurs in the environment. One of them is  changing the humans view through the literary works. Aku, Hutan Jati, dan Indoensia is an example of green literature tries to reflect the love of the environment and show the problems in it. The poetry is important to review because literary work with ecocriticism is limited. This study was a part of literary utilization and real step for ecological crises solving through the formation of human ecological morals and ethics. The poem was reviewed by the theory of literary ecology. The research method used hermeneutic. The results show that Aku, Hutan Jati, dan Indonesiawas a reflection of human caring for the environment, especially teak forests with ecology’s words highlighted by the love of the environment and expressed anxiety in responding to the environmental damage was the logging of teak forests. Ecological poetry is expected to provide awareness and enlightenment that can make people aware of the importance of preserving nature and the environment.Permasalahan lingkungan menjadi hal yang penting untuk dibicarakan. Jika berbicara tentang lingkungan berarti berbicara tentang manusia karena lingkungan yang menopang kehidupan manusia. Jika lingkungan rusak, maka kehidupan manusia akan terganggu bahkan dapat menyebabkan kepunahan umat manusia. Banyak hal yang dapat dilakukan untuk membantu mengurangi kerusakan yang terjadi pada lingkungan. Salah satunya adalah mengubah pandangan kepada manusia melalui karya sastra. Puisi Aku, Hutan Jati, dan Indonesia adalah satu contoh sastra hijau yang merefleksikan kecintaan terhadap lingkungan dan memperlihatkan berbagai persoalan di dalamnya. Puisi ini penting dikaji mengingat terbatasnya kajian dan karya sastra berperspektif ekologi. Kajian ini sebagai bentuk pemanfaatan karya sastra dan langka untuk penanganan krisis ekologi melalui pembentukan moral dan mengubah pola pikir manusia. Puisi tersebut ditelaah dengan memanfaatkan teori ekologi sastra. Metode penelitian yang digunakan adalah metode hermeneutika. Hasil penelitian menunjukkan bahwa puisi Aku, Hutan Jati, dan Indonesia adalah refleksi kecintaan manusia terhadap lingkungan khususnya hutan jati dengan menonjolkan diksi ekologi yang berlandaskan rasa cinta terhadap lingkungan dan mengungkapkan kegelisahan dalam menyikapi adanya kerusakan lingkungan yaitu penebangan hutan jati. Puisi-puisi bernuansa ekologi diharapkan dapat memberikan penyadaran dan pencerahan yang dapat menyadarkan manusia akan pentingnya menjaga dan melestarikan alam dan lingkungan.


KIRYOKU ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 83
Author(s):  
Yuliani Rahmah

(Amae and Omoiyari’s form in Fuminsho's Short story) This article describes the embodiment of bushido values in a literary work. The value discussed is one of the Bushido element called Jin (means compassion) especially the form of amae and omoiyari. With literature research method,this article explain amae and omoiyari’s attitude which describes in a Japanese short story entitled Fuminsho. As a result it is known that despite the genre of science fiction, the short story of fuminsho contains amae and omoiyari which is shown by the relationship between the role of main characters and the other characters in the short story.Keywords : Short-story; Amae ; Omoiyari


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