Model of Tsunami Preparedness for Indonesian Tsunami Prone Areas Communities

2015 ◽  
Vol 10 (5) ◽  
pp. 957-965
Author(s):  
Any Nurhayaty ◽  
◽  
Supra Wimbarti ◽  
Radianta Triatmadja ◽  
Thomas D. Hastjarjo ◽  
...  

A tsunami disaster normally happens minutes to hours after an earthquake. Indonesia is prone to tsunamis that may be triggered by activity at plates’ boundaries surrounding the archipelago. In order to mitigate the risks and to prepare the people against the hazard a model that relates important variables influencing the degree of preparedness is required. Such model is not yet available for people with highly collectivistic culture such as Indonesia.The study is aimed primarily at establishing a new model of preparedness against tsunami based on an existing model by accommodating a sense of community variable which is missing in the existing model. The existing model was developed based on an individualistic culture of Kodiak Alaska. In Indonesia where the culture is highly collectivistic, such a variable may play important role in the tsunami preparedness model. The model was tested on Parangtritis and Banda Aceh communities of Indonesia. The results were compared with the existing model where the sense of community variable is absent. The inter-related dependence relationships of variables in the existing model are found to be largely similar to those in the proposed models of tsunami preparedness in Indonesia with two significant differences. First the sense of community is the most important variable that affects empowerment, whilst the influence of community participation on empowerment is much lower in Indonesia. Secondly the community participation has insignificant direct influence on the preparedness within the collectivistic community. Therefore it may be concluded that direct community development through preparedness education and information without considering the sense of community within the collectivistic community is not likely to give significant results to preparedness improvement.

2020 ◽  
Vol 8 (4) ◽  
pp. 506
Author(s):  
Eva Handayani ◽  
Alim Harun Pamungkas

This research is based on the lack of community participation in participating in community empowerment in the Sawahlunto, from this problem, the researchers resulted in the development of historical tourism is low. The purpose of this study is to see a picture of community empowerment, to see an overview of the development of historical tourism and the relationship between the two. This type of research is used in quantitative research with a correlational approach. The population in this study is the people living around historical tourist objects in Sawahlunto City in 2020, amounting to 40 people. Respondents in this study amounted to 40 people. The technique of collecting data is in the form of a questionnaire using a data collection tool in the form of a questionnaire. The data collection technique in this study used a percentage formula. The research results show: 1) community empowerment is still low, 2) historical tourism development is still low, 3) there is a significant relationship between community empowerment and the development of historical tourism in Sawahlunto City.Keywords: Empowerment, Development, Community


2018 ◽  
Vol 18 (2) ◽  
pp. 121-127
Author(s):  
Taufik Suryadi ◽  
Zulfitri Zulfitri ◽  
M. Iqbal Harmas

Abstrak. Kesiapsiagaan bencana merupakan salah satu faktor penting yang harus diketahui oleh seluruh lapisan masyarakat dalam hal manajemen bencana. Kurangnya pengetahuan akan kesiapsiagaan bencana akan berdampak langsung pada sikap seseorang dalam hal menanggapi bencana. Penelitian ini bertujuan untuk menilai perbandingan pengetahuan dan sikap kesiapsiagaan bencana pada kecamatan yang telah terkena dampak langsung dan yang tidak terkena dampak langsung bencana di kota Banda Aceh. Jenis penelitian ini adalah deskriptif dengan pendekatan cross sectional. Populasi dalam penelitian ini adalah masyarakat Kota Banda Aceh yang berdomisili di Kecamatan Kutaraja dan Lueng Bata dengan sampel sebanyak 100 orang. Pengumpulan data dilakukan dengan menggunakan kuesioner yang telah teruji validitas dan reliabilitasnya. Analisis data dilakukan secara univariat dan bivariat dengan menggunakan uji chi-square (p =0,05). Hasil penelitian menunjukkan bahwa masyarakat Kecamatan Kutaraja dan Lueng bata telah memiliki pengetahuan kesiapsiagaan bencana dengan baik adalah (49,0%) dan kurang baik (51,0%) dalam hal kesiapsiagaan bencana. Hasil uji chi-square menunjukkan bahwa ada hubungan bermakna antara pengetahuan masyarakat dengan sikap kesiapsiagaan bencana tentang kesiapsiagaan bencana (p=0,05). Kesimpulan penelitian ini adalah terdapat perbedaan tingkat pengetahuan dan sikap kesiapsiagaan pada masyarakat yang terkena dampak langsung dan dampak tidak langsung dari bencana tsunami pada responden penelitian di Kecamatan Kutaraja dan Lueng Bata. Kata Kunci: Kesiapsiagaan bencana, pengetahuan, sikap, masyarakat Abstract. Disaster preparedness is one of the important factors that should be recognized by all levels of society in terms of disaster management. Lack of knowledge on disaster preparedness will have a direct impact on one's attitude in responding to disasters. This study aims to assess the comparability of knowledge and attitude of disaster preparedness in sub-districts that have been directly affected and not directly affected by the disaster in the city of Banda Aceh. The type of this research is descriptive with the cross-sectional approach. The population in this study is the people of Banda Aceh who are domiciled in Kutaraja and Lueng Bata sub-district with a sample of 100 people. The data were collected by using questionnaires that have been tested for their validity and reliability. Data were analyzed by univariate and bivariate using chi-square test (p = 0,05). The results showed that the people of Kutaraja and Lueng Bata sub-districts had good knowledge of disaster preparedness (49.0%) and unfavorable (51.0%) in terms of disaster preparedness. The chi-square test shows that there is a significant correlation between community knowledge and disaster preparedness attitude on disaster preparedness (p = 0,05). The conclusions of this study are the different levels of knowledge and attitudes of preparedness in the communities directly affected and the indirect impact of the tsunami disaster on the research respondents in Kutaraja and Lueng Bata sub-district.Keywords: Disaster preparedness, knowledge, attitude, community 


Author(s):  
Ismail Ismail ◽  
Salahuddin S ◽  
Amirulkamar Amirulkamar

Post-Tsunami Aceh has a significant impact on the people of Banda City, especially during and after rehabilitation and reconstruction has caused dependence and various kinds of social problems as a problem that arises so that social change occurs. The social change of the people of Banda Aceh City does not all lead to positive things, but also the changes refer to the negative direction. The social change in question is a change in the social value of the people of Banda Aceh due to assistance (cash for work) given to the community during the rehabilitation and reconstruction so that social changes occur. This study aims to examine and describe why social change occurred in the people of Banda Aceh after the tsunami using a qualitative approach. Data obtained through observation and interviews with various speakers. Determination of informants was done by purposive sampling with consideration of the informants were part of the community of Banda Aceh and people who survived the tsunami disaster. To analyze the research researchers used the theory of social change. The results showed that after the tsunami there had been a social change in the people of Banda Aceh City, there were positive changes, some were negative. Positive changes in the community feel that many help so that they can meet their needs in the short term, while the larger negative impacts, especially regarding social values such as the level of community participation in Banda Aceh in the construction of village development decrease, are evident from the fading of mutual cooperation inherent in community members and weak social responsibility resulting from dependence and individualistic attitudes


Curationis ◽  
1985 ◽  
Vol 8 (3) ◽  
Author(s):  
M.J. Viljoen

In recognition of the important role that community members can play in health systems the Department of National Health and Population Development, in collaboration with farm workers, has launched a community development project. Its aim is to improve the standard of living of the people through community participation in a community development programme.


2001 ◽  
Author(s):  
Nelson A. Portillo-Pena ◽  
Yolanda Suarez-Balcazar ◽  
Lucia Orellana-Demacela

2020 ◽  
Author(s):  
Andri Nirwana

Abstract: The phenomenon of the people who forcibly took covid's corpse 19 from the hospital to be taken care of by Fardhu Kifayah by his family and the community, became a conclusion that there was community doubt about the management of Tajhiz Mayat conducted by the hospital. Coupled with the circulation of the video of the Ruku movement 'in the corpse prayer conducted by unscrupulous parties at the Hospital, became added doubts from the public against the hospital. To solve this problem, this research uses a Descriptive Analysis approach, namely by formulating a question, namely How to arrange Covid 19's body in Banda Aceh and this question will be answered with several theories and data sets from the field. So it was concluded in a conclusion that answered the formulation of the problems mentioned. Theoretically the spread of covid 19 is very fast, the size of the virus is only 0.1 micrometer and is in body fluids, especially nasopharyngeal fluid and oropharyngeal fluids of infected people, fluids in the body of covid 19 bodies can get out through every gap of the body such as mouth, nose, eye and rectum, because it requires special techniques in its management. Fardhu kifayah to covid 19 bodies should be carried out by trained Ustad and trained health workers, so that the spread stopped. The results of this study concluded that the management of the Moslem bodies died at Zainal Abidin Hospital in Banda Aceh was in accordance with the Fatwa of the Aceh Ulama Council (MPU) and the bodies were handled by trained Ustad and health workers.


2021 ◽  
Vol 10 (1) ◽  
pp. 15
Author(s):  
Susandro Susandro ◽  
Rika Wirandi ◽  
Hatmi Negria Taruan

Dalupa art emerged from the creative process of the people of West Aceh which can be stretched into three stages. First, Dalupa was originally a folk tale or folklore that was narrated from generation to generation. Second, the Dalupa then manifests (a person wearing the costume of a Dalupa character) so that it can be witnessed in person. At this stage, the Dalupa character does not manifest itself in the form of theater or dance. Its presence is only intended to entertain or enliven an event, such as weddings, processions, campaigns and so on. Third, the Dalupa character is presented by considering the dramatic element; arrangement of a series of events that tell the beginning of the appearance to the end of the Dalupa story. This study aims to record and describe how the process of creating the Dalupa art, as mentioned in the third stage. The method used is qualitative with the dramaturgy approach. This study shows the results that the art of Dalupa presents a story about the origin of the appearance of Dalupa with the manifestation of organized events. On this basis, it can be concluded that Dalupa art can be categorized as dramatic or theater art.Keywords: dalupa, creation process, dramatic, dramaturgy.AbstrakKesenian Dalupa muncul dari proses kreatif masyarakat Aceh Barat yang dapat direntangkan menjadi tiga tahap. Pertama, Dalupa mulanya merupakan cerita rakyat atau folklor yang dinarasikan secara turun-temurun. Kedua, Dalupa kemudian mewujud (seseorang yang mengenakan kostum tokoh Dalupa) sehingga dapat disaksikan secara langsung. Pada tahap ini, tokoh Dalupa mewujud tidaklah dalam bentuk kesenian teater atau tari. Kehadirannya hanya bertujuan untuk menghibur atau meramaikan suatu acara, seperti pernikahan, arak-arakan, kampanye dan sebagainya. Ketiga, tokoh Dalupa dihadirkan dengan mempertimbangkan unsur dramatika; penataan rangkaian peristiwa yang menceritakan awal kemunculan hingga akhir kisah Dalupa. Penelitian ini bertujuan mencatat serta memaparkan bagaimana proses penciptaan kesenian Dalupa, sebagaimana disebut pada tahap ketiga. Metode yang dilaksanakan yaitu kualitatif dengan pendekatan dramaturgi. Penelitian ini menunjukkan hasil bahwa kesenian Dalupa menyajikan cerita tentang asal mula kemunculan Dalupa dengan perwujudan peristiwa-peristiwa yang tertata. Atas dasar tersebut, dapat dismpulkan bahwa kesenian Dalupa dapat dikategorikan sebagai seni dramatik atau teater.  Kata Kunci: dalupa, proses penciptaan, dramatika, dramaturgi. Authors: Susandro : Institut Seni Budaya Indonesia Aceh Rika Wirandi : Institut Seni Budaya Indonesia Aceh Hatmi Negria Taruan : Institut Seni Budaya Indonesia Aceh References:Barba, Eugenio. (2010). On Directing and Dramaturgy: Burning the House. New York: Routledge.Harymawan. (1993). Dramaturgi. Bandung: Rosdakarya.Herman, RN. (2016). Dalupa: Teater Tradisional Pantai Barat. Buletin Tuhoe edisi XVII. Banda Aceh: JKMA Aceh.Koster, G.L. (1998). Kacamata Hitam Pak Mahmud Wahid Atau Bagaimanakah Meneliti Puitika Sebuah Sastra Lisan?, dalam Pudentia MPSS (Ed.), Metodologi Kajian Tradisi Lisan. Jakarta: Yayasan Obor Indonesia dan Yayasan Asosiasi Tradisi Lisan.Moleong, Lexy J. (2005). Metodologi Penelitian Kualitatif, Ed. Revisi cetakan keduapuluhsatu. Bandung: Rosdakarya.Pramayoza, Dede. (2013). Dramaturgi Sandiwara: Potret Teater Populer Dalam Masyarakat Poskolonial. Yogyakarta: Penerbit Ombak.Soedarsono, R.M. (2001). Metodologi Penelitian Seni Pertunjukan dan Seni Rupa. Bandung: MSPI (Masyarakat Seni Pertunjukan Indonesia).SSDR. (2019). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.Stokes, Jane. (2007). How to do Media and Kultural Studies: Panduan Untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya. Terj. Santi Indra Astuti. Yogyakarta: Bentang.Taruan, H.N. (2020). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.  Wirandi, R. (2020). “Dramaturgi Kesenian Tradisional Dalupa”. Hasil Dokumentasi Pribadi: _________  2020, Aceh Barat.


2002 ◽  
Vol 27 (2) ◽  
pp. 23-28
Author(s):  
Fiona Gardner

This article explores the effectiveness of an innovative and exciting project called ‘Shared Action’, a community development approach to child protection in Bendigo, Victoria. Shared Action was a three-year project which started in January 1997. It began by encouraging a sense of community ownership. A shared vision was developed with key goals leading to a wide range of community activities. A sense of hope and cooperation grew along with social networks, the capacity to resolve conflict constructively and a shared sense of community responsibility.


2017 ◽  
Vol 2 (2) ◽  
Author(s):  
Khotimatus Sholikhah ◽  
Sulhatul Habibah ◽  
Khoirotun Ni'mah

Indonesia Society is currently faced with a moral crisis, whether it occurs in young children, adults up to the parents. Morale is greatly needed by the community, in the form of religious humanist communities that are far from the attitude of rebellion, criminality, and selfishness. However, the reality as it is still far from the expectations of society. This is due to many things one of which is a lack of awareness in education, parenting parents are not good, and the bad environment. This is contrary to the notion of humanistic education. Humanistic Education upholds human values capable mencipkan dynamic society there is no issue that destroys human dignity. In this case, the author want to learn about the development of the religious humanist education in the community. The point of this study was Tegalrejo Datinawong district, Tripe regency, Lamongan. Community development humanist religious: first, the people who develop humanity values (honesty, compassion, fairness and mutual respect) and remain in a religious framework in accordance with religious values (habluhablum, hablu minal nature and habluminallah), Second, deciding religious humanist communities were starting from community leaders or leaders who were in the village Tegalrejo, among other village leaders, clerics, religious teacher/cleric as a motivator. Third, measures to develop human society among other religious communities develop positive values, teach moral message to the community, until finally awakened humanist and religious communities.


2015 ◽  
Vol 10 (1) ◽  
Author(s):  
Mutia Silvia Rose

Partisipasi masyarakat adalah perwujudan dari masyarakat di dalam negara demokrasi, dimana pemerintahan yang di dasarkan kepada rakyat merupakan tujuan utama kehidupan berpolitik, baik dalam kebijakan maupun dalam tujuan pemerintahan. Perda Label Batik Pekalongan merupakan peraturan daerah yang mengatur tentang suatu tanda yang menunjukkan identitas dan ciri batik buatan Pekalongan yang terdiri dari tiga jenis yaitu batik tulis, batik cap atau batik kombinasi tulis dan cap. Tujuan dibentuknya Perda tersebut adalah agar masyarakat dan konsumen Batik Pekalongan tidak dirugikan akibat dari salah dalam membedakan jenis batik. Hasil penelitian ini menunjukan bahwa partisipasi masyarakat dalam pembentukan Perda tentang penggunaan label batik Pekalongan masih bersifat elitis, karena yang mendominasi mengikuti public hearing hanya pengusaha kelas atas yaitu seseorang atau kelompok orang yang memproduksi seni batik dalam bentuk tulis, cap dan kombinasi dalam jumlah besar, sudah mempunyai nama merek yang terkenal, dan pemasarannya sudah sangat luas baik di dalam negeri maupun di luar negeri. Partisipasi masyarakat dalam pembentukan perda tentang label batik pekalongan yang masih bersifat elitis dapat berpengaruh karakteristik produk hukum yang di hasilkan yaitu lebih menguntungkan pengusaha batik kelas atas, karena dalam pembuatan label batik Pekalongan merugikan dalam segi ekonomis bagi  pengusaha kelas menengah dan bawah.<br /><br />Community participation is the embodiment of the people in a democracy, where the government is based on the people as the ultimate goal of political life, both in policy and administration purposes. Label the Perda Batik Pekalongan local regulation of Batik Pekalongan Label is a sign which indicates the identity and characteristics of batik from Pekalongan which consists of three types of batik, batik or batik and stamp combination. Purpose of the establishment of the regulation is that the public and consumers are not harmed Batik Pekalongan result of incorrect in distinguishing the types of batik. The result of this research indicates that participation in the formation of legislation on the use of Pekalongan batik label still elitist, because that dominate following the public hearing only top-class entrepreneurs is a person or group of people who produce batik art in written form, stamp and combinations in bulk, already has a well-known brand names, and marketing has been very widely both domestically and abroad. Public participation in the formation of regulations about labeling Pekalongan batik is still elitist may influence the characteristics of a legal product that produced batik entrepreneurs are more favorable upper classes, as in the manufacture of Pekalongan batik label in terms of economic harm to employers middle and lower classes.<br /><br />


Sign in / Sign up

Export Citation Format

Share Document