scholarly journals All Star by J. Lonergan

2015 ◽  
Vol 4 (4) ◽  
Author(s):  
Jackie Heinrich
Keyword(s):  
New York ◽  
Young Adults ◽  
Low Income ◽  
Graphic Novels ◽  
Black And White ◽  
Rural Town ◽  
Income Family ◽  
Education Degree ◽  
The University ◽  
Baseball Fans

Lonergan, Jesse. All Star. New York: NBM Publishing, 2014. Print.It’s the bottom of the ninth, with two runners on and two outs, in the second to last regular season high school baseball game in a small rural town in Vermont called Elizabeth. Carl Carter, Elizabeth Monarch School’s all star player, steps up to the plate and hits a home run to win the game. The Elizabeth Monarchs are off to the playoffs and Carl is on top of the world. He is graduating this year and has everything going for him; a baseball scholarship to the University of Maine, a great group of friends, and the admiration of everyone in town. However, being the golden boy leads Carl to take advantage of people around him. Carl believes he can do what he wants, when we wants, without any consequences.Carl’s best friend Esden is not a baseball superstar or town hero. Esden comes from a very dysfunctional, low-income family and is perceived by many people as a bad boy. Nonetheless, Carl enjoys his company and impulsive personality. A party, drinking, and impaired driving cause Carl and Esden to make a serious mistake. Will they each get the consequence they deserve, and how will the repercussions affect their futures and friendship?This graphic story, set in 1998, is a powerful story about fairness and self-perception in young adults. The manga-inspired art and text placement captivate the reader from start to finish. The reader’s eyes are drawn naturally from panel to panel by the simplistic black and white illustrations. Lonergan’s talent of capturing delicate and extreme body language is apparent in every character sketch. This book appeals to baseball fans and adolescents that yearn for a compelling, character driven story. All Star was the winner of 2015 ALA Great Graphic Novels for Teens and was nominated for the 2015 YALSA Quick Picks for Reluctant Young Adults Readers. The story includes mature language and content which may not appeal to all readers.Recommended: 3 out of 4 starsReviewer: Jackie HeinrichJackie Heinrich is the teacher-librarian at Wiltse Elementary School in Penticton, BC.  She is currently working towards her Masters of Education Degree in Teacher Librarianship and enjoys helping students become lifelong readers.

scholarly journals The Enchantress by S. Michael

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
New York ◽  
Young Adults ◽  
Late Stage ◽  
Comic Books ◽  
Graphic Novels ◽  
Illustrated Books ◽  
Intrinsic Motivations ◽  
One Year ◽  
The University

Scott, Michael. The Enchantress, New York : Delacourte Press , 2012. Print. Michael Scott's sixth, and final, book in his Nicholas Flamel series crashes to its conclusion with The Enchantress. Credit is due to Scott for colourfully evoking and drawing together many of the very interesting figures and cultural artifacts from history and mythology but in conception his books can be overtaxing. Reading the glib dialogue between Shakespeare and Prometheus as their saucer-shaped air craft, a Vimāna, is piloted into the side of the Yggdrasil tree doesn't strain credulity - this is a fantasy adventure - so much as it tramples vigorously on any sense of cohesive aesthetics. While the essential conceit is fun and entertaining, at this frenetic late stage in the series, many portions of the text read like an over-thought riff on "who I would invite to have tea/mead/drink blood together if I could choose anyone - including anyone imaginary". The strength in this series comes from Scott's characterizations. The women in this series benefit particularly from Scott's ability to combine momentum and brevity with enthusiastically lively and rich depiction. Perenelle Flamel, Virginia Dare and Scatach have genuine presence and the narrative hinges on their impressive abilities and intrinsic motivations. Scott's principals could benefit from a little more corporeal vulnerability. All his characters have trained in their respective arts for millennia and the perils that they face seems less then perilous to such champions, no matter how high the stakes are alleged to be. Scott's carefully structured universes and their integral relationships have always been on a mysterious trajectory and the narrative revelation at conclusion of The Enchantress is resonant and satisfying. It has formulaic elements but Scott has established his characters soundly enough that their presence lends immediacy to the more epic, mythological structures that Scott is simultaneously pursuing. While the quality of pacing and aesthetic of this ambitious and lengthy series have fluctuated over the course of its six volumes, the conclusion is cohesive, action-packed and worth the journey. The Enchantress is the sixth and final book in Scott's The Secrets of the Immortal Nicholas Flamel series. Recommended with reservations:  2 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

scholarly journals The Flying Beaver Brothers and the Evil Penguin Plan by M. Eaton III

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
New York ◽  
Graphic Novels ◽  
Visual Navigation ◽  
Environmentally Conscious ◽  
Illustrated Books ◽  
Black And White ◽  
Developing Readers ◽  
One Year ◽  
The University ◽  
Early Reader

Eaton, Maxwell, III. The Flying Beaver Brothers and the Evil Penguin Plan. New York: Alfred A. Knopf, 2012. Print.The Flying Beaver Brothers and the Evil Penguin Plan is a new contribution to the tremendously popular genre of comics for developing readers (Captain Underpants, Wimpy Kid and their ilk).Eaton's artwork is very clean with little line variation, giving the pages a very open and spacious quality, which enables visual navigation. The simple colour scheme - clear, bright blues and gray tones - is a welcome variation on the standard black and white comic and this restrained palette supports the clean, cartoon-y style, further facilitating ease of reading by avoiding complexity and over-design.The Beaver Brothers' training for a beaver community surfing competition is interrupted when they stumble upon a secretive penguin community. The penguins have hatched a scheme to alter the natural wilderness the beavers call home to their own penguin specifications. The bumbling and mildly dysfunctional beavers must thwart their plan before it is too late.The narrative in The Flying Beaver Brothers is almost completely conveyed through imagery and dialogue – no lengthy, wordy asides impede the plot - and this gives the story a rewardingly quick pace and congenial accessibility. The beaver brothers are likeable doofuses and the penguins, though diabolical, are very cute (as penguins can be expected to be).Compared to other early reader comics, The Flying Beaver Brothers lacks the slightly outré humour and scatological content that seems intrinsic to this genre's appeal. It’s nice to think that readers would appreciate an occasional break from the diaper and underpants jokes and narratives that hinge on public humiliation to enjoy this easy going and earnestly environmentally conscious beaver brother’s adventure.Recommended: 3 out of 4 stars Reviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

The Dark and Hollow Places by C. Ryan

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
New York ◽  
Young Adults ◽  
Graphic Novels ◽  
Small Community ◽  
Descriptive Complexity ◽  
Illustrated Books ◽  
Emotional Relationships ◽  
Living Dead ◽  
One Year ◽  
The University

Ryan, Carrie.  The Dark and Hollow Places, New York: Delacorte Press, 2011. Print.The statement "You don't understand!" is quite probably true when you are a teenage survivor in a post-apocalyptic zombie dystopia. Carrie Ryan does occasionally employ some very typical teenage truisms in her efforts to make the reader comprehend and feel all the varieties of potential duress zombie apocalypses might create in young adults. ("You don't understand!" is actually part of one of the few, fraught exchanges.) But if the dialogue can be a bit stilted there is very little of it and that seems to be part of Ryan's intent. Her characters are isolated and traumatized. They struggle against their well-founded sense of nihilism as they shake off their stoicism. Annah, the protagonist, finds herself inexorably drawn into emotional relationships despite knowing the living dead are everywhere, waiting to feast on the living, and that many in the dwindling herds of the healthy are not to be trusted.The devolving world Annah negotiates is conveyed through her interior dialogue, which is entirely steeped in her myopic self-loathing, until she is drawn into a small community of other survivors who, despite their shortcomings, represent the last vestiges of humanity who are still ethically-grounded and emotionally alive. Ryan lavishes much attention on the stark details and doesn't shrink from describing the lurid nuances of her world's unceasing violent and melancholy perils. The pacing can be a bit laborious; Ryan favours the stricken, suspenseful crawl of internalized dread over the rush of descriptive action. The Dark and Hollow Places is a zombie dystopia about the feelings of its survivors and Ryan places her principals in situations that create wrenching dilemmas which lead to unpredictable outcomes. More the pity that Annah and her friends never become particularly interesting. Their motivations are clearly mapped and all their damage laid before us but they fail to cohere in the imagination as multifaceted individuals. There is not enough descriptive complexity beyond the essential narrative mechanics to make the characters convincingly quicken to life. The Dark and Hollow Places is the final book in Ryan's Forest of Hands and Teeth trilogy. Recommended with reservations:  2 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

scholarly journals Orchards by H. Thompson

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
John Huck
Keyword(s):  
New York ◽  
English Literature ◽  
Spoken Word ◽  
American Girl ◽  
Her Family ◽  
University Of Alberta ◽  
Black And White ◽  
The Media ◽  
The University

Thompson, Holly. Orchards, New York: Delacorte Press, 2011. Print. Orchards is a poetic novel written by Holly Thompson. It tells the story of Kana Goldberg, an American girl, half-Jewish and half-Japanese, who is sent to spend the summer with her mother’s family in Japan working on their mikan farm. (Mikan is a type of Japanese orange.) A school-mate, Ruth, has committed suicide and Kana is a member of the group of girls who had excluded and locked horns with the girl over a boy, not realizing at the time that she suffered from bi-polar disease and that she was reaching out to the boy for support. The book is less about Kana accepting responsibility for her involvement in the confrontation with Ruth than it is about mending relationships and the process of Kana overcoming her anger and feelings of guilt. The book challenges us to set aside our own pre-conceived notions about bullying and consider the idea that everyone is vulnerable to depression, and that what gets sensationalized in the media as bullying is not always a black and white case of cruelty, but is sometimes a case of misunderstanding that escalates in dramatic fashion when emotions are mixed in. Kana’s fixation on Ruth and the pressure of a community that blames her and the other girls constitute an invisible burden that puts her at risk of the unthinkable, too. “Suicide can spread like a virus,” Kana’s grandmother warns. Kana’s ‘exile’ to a strange country turns out to be a chance to ground herself amongst her family, make peace with the presence of death in life, find confidence in who she is, and learn how to make a difference in the world of the living. Readers expecting a remorseful narrative may feel unsatisfied, but because the book reads quickly and the language is pleasurable, they may also decide to re-read it for a second impression. The reason it reads quickly is that Thompson has chosen to tell the story in a kind of free-flowing verse. Stanzas of varying lengths define sentence-like sequences, with the breaks between stanzas replacing the conventional sentence demarcators of full stops and capitalized first words. Line breaks play the role of commas, controlling the flow without impeding it. These syntactic arrangements complement the imagistic and uncluttered style of the writing, giving an inward, contemplative feel to the story. Because it is a subtle book, it would be most suitable for an older teen who is perceptive and has literary sensibilities. Recommended: 3 out of 4 starsReviewer: John HuckJohn Huck is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years.

scholarly journals I Must Have Bobo! by E. Rosenthal

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
New York ◽  
Graphic Novels ◽  
Spatial Dynamics ◽  
Illustrated Books ◽  
The Family ◽  
Visual Text ◽  
One Year ◽  
Page Design ◽  
The University ◽  
Adult Reader

Rosenthal, Eileen. I Must Have Bobo! Illus. Marc Rosenthal. New York: Atheneum Books, 2010. Print. Perhaps I was expecting something more giddily nostalgia-smitten because I initially found the page layouts of I Must Have Bobo! too sparse. I came to realize the effectiveness of I Must Have Bobo! lies in its light aesthetic touch and refusal to indulge in hectic retro-pastiche. The page design could occasionally benefit from more balance between the negative space of the page and the illustrations’ carefully considered spatial dynamics and measured use of colour but it’s hard to begrudge more attention being drawn to the lovely, warm ivory paper on which the book is printed.While an adult reader may be tempted, as I was, to lazily conflate complexity with quality, a clean minimalist visual text can assist younger children in accessing a narrative more autonomously. As my children (two and four years of age) quickly familiarized themselves with I Must Have Bobo! the book’s charm and immediacy became apparent.I Must Have Bobo! restricts its text to dialogue and as children learn the text they can indulge in the gleeful pleasure of repeating the protagonist Willy’s simple but emphatic words. Even a very young child can become engaged in Willy’s endless efforts to keep his beloved stuffed monkey Bobo away from Earl, the family cat who is equally attached to Bobo for his own mysterious reasons. Earl appropriates Bobo at every opportunity and the book centres on Willy’s efforts to retain and relocate Bobo as he migrates around the house with Earl.An astute and playful book that maintains a respectful adherence to children’s sensibilities and narrative interests, “I Must Have Bobo!” is understatedly, intuitively appropriate for very early to late pre-school readers.Highly recommended:  4 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

scholarly journals Steampunk! ed. by K. Link and G. J. Grant

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
Young Adults ◽  
Graphic Novels ◽  
Public Awareness ◽  
Literary Genre ◽  
Illustrated Books ◽  
The Rich ◽  
One Year ◽  
The University ◽  
Do So

Link, Kelly, and Gavin J. Grant, eds. Steampunk! An Anthology of Fantastically Rich and Strange Stories. Somerville: Candlewick Press, 2011. Print. It's interesting to consider the steampunk trend in contrast with the steampunk genre. If one defines steampunk strictly as a trend then it would be easy to assume that it has reached and surpassed its pinnacle as a popular trend (and certainly a hipster one) after having reached a plateau of modest public awareness. All the gears, brass and buckles associated with its afficionados have been lightly mocked and the world has moved on. It might be easy to forget that, as a literary genre, steampunk has a genuine durability. Steampunk been around sparking writers’ and artists’ creative imaginations for some time and it seems probable that it will continue to do so as the more clichéd charms of the trend’s most recent manifestations fade. The diversity and quality of the stories included in Steampunk! are an indication of the rich and entertaining possibilities inherent in the genre. The stories range in subject from post-feminist-western-train-heist-with-time-travel (Last Ride of the Glory Girls, by Libba Bray) to Edwardian-romance-with-robots (Everything Amiable and Obliging, by Holly Black) and mechanical-Dickensian-doppelgangers (Clockwork Fagin, by Cory Doctorow). All these stories are mischievous and riveting action-packed fun. Co-editor, Kelly Link (The Summer People) and M.T. Anderson's (The Oracle Engine) contributions - utterly different from the previously mentioned stories and from each other - adeptly employ calculated pacing and succeed in being subtly sinister and thought-provoking. There are even two compelling, and again, completely different, graphic novels thrown into the mix (Seven Days Beset by Demons, by Shawn Cheng and Finishing School, by Kathleen Jennings). Steampunk is a genre infatuated with the novelty of conflating ideas and aesthetics from different periods of history, curiosity about technology and a precocious desire to upend conventional narrative and characterization. Steampunk! An Anthology of Fantastically Rich and Strange Stories benefits from the astute and mindful curation by its editors, avoids seeming over-thought and stilted, and succeeds in illustrating how steampunk as a genre is very amendable to imaginative and (mildly) transgressive literature for young adults. I'm at great pains to avoid the word "mash-up" but that is a bit of what steampunk is; a unconstrained, tart and pulpy mash of genres. Steampunk! is an exuberant and convincing sampling and a reminder not to dismiss the genre along with the fashion aviator’s goggles. Highly Recommended:  4 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

scholarly journals Fortunately, The Milk by N. Gaiman

2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce
Keyword(s):  
Social Sciences ◽  
New York ◽  
Public Service ◽  
Support Staff ◽  
Adult Readers ◽  
University Of Alberta ◽  
Black And White ◽  
Corner Store ◽  
Long Time ◽  
The University

Gaiman, Neil, Fortunately, The Milk. Illus. Skottie Young. New York: HarperCollins, 2013. Print.Mum has left to present a paper on lizards at a conference leaving a young boy and his sister at home with Dad for a few days. In addition to frozen meals she leaves Dad a long list of things to do and remember, including the fact that they were running low on milk. On the second day of Mum’s absence the children are dismayed to realize that the refrigerator is now void of milk. Dad heads out to the corner store to remedy this unfortunate disruption to their breakfast, only to be gone an exceptionally long time. When Dad finally returns, he recounts the most unbelievable adventure he had on his way home with the milk, including an encounter with space aliens, pirates and a time travelling stegosaurus named “Dr. Steg”.I am familiar with Neil Gaiman’s works for adult readers and this was the first book I have read by him intended for children. I was delighted to see that his imaginative style shines as bright, or dare I say even brighter, in this juvenile genre.  The narrator tells the story in a very candid style and I particularly enjoyed the places where the children interrupt their father to dispute the details of his story.The black and white illustrations on nearly every page of the book have an edgy hand-drawn quality to them that complement the lighthearted nature of the story. Skottie Young has conveyed exceptional detail in his drawings, focusing not only on the zany cast of characters but also with the depth using background images. I enjoyed how his artistry weaved and wrapped itself around the text on the page.Fortunately, The Milk is an adventure tale born out of the commonplace that shows one can find adventure even in a simple jaunt down to the corner store. As an adventure story it has a narrative momentum that will appeal to those who enjoy movement and action. Readers like myself, who enjoy action alongside breaks of description and character development, may find these aspects a bit lacking. Overall, this is a fun story that when accompanied by the illustrations would make it easy to read together with the whole family, as even younger children would manage to follow along.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.

Illustrated Human Embryology — Volume 1: Embryogenesis By H. Tuchmann-Duplessis, G. David, and P. Haegel (Paris). Springer Verlag, New York; Chapman & Hall, London; Masson & C.ie, Paris 1972. Paperback; 21 × 25 cm; 110 pages including numerous black-and-white and colored illustrations. Index. - Reproduction in Mammals Volume 1: Germ Cells and Fertilization Volume 2: Embryonic and Fetal Development Volume 3: Hormones in Reproduction Edited by C.R. Austin and R.V. Short (Cambridge, England). Cambridge University Press, Cambridge 1972. Paperbacks; 13.5 × 21.5; 136 + 158 + 148 pages including numerous illustrations. Subject index. Price: £ 1.30 each volume (approximately US $4). - Down-Syndrom. Mongolismus – Bibliographica Genetica Medica, Vol. 1 By G. Koch (Erlangen-Nürnberg). Druckerei J. Hogl, Erlangen 1973. A production of the Institute of Human Genetics and Anthropology of the University of Erlangen-Nürnberg. Paperback; 14.5 × 20.5 cm; 283 pages; 1750 bibliographical entries. - Die Sturge-Weber'sche Krankheit — Bibliographica Genetica Medica, Vol. 2 By G. Koch (Erlangen-Nürnberg). Druckerei J. Hogl, Erlangen 1973. A production of the Institute of Human Genetics and Anthropology of the University of Erlangen-Niirnberg. Paperback; 14.5 × 20.5 cm; 112 pages; 1081 bibliographical entries.

1973 ◽  
Vol 22 (1) ◽  
pp. 169-169
Keyword(s):  
New York ◽  
Germ Cells ◽  
Fetal Development ◽  
Human Genetics ◽  
Cambridge University ◽  
Black And White ◽  
Embryonic And Fetal Development ◽  
The University ◽  
Human Embryology

Junonia by K. Henkes

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Matilda Roche
Keyword(s):  
New York ◽  
Young Adults ◽  
Graphic Novels ◽  
Natural World ◽  
Human Condition ◽  
Self Awareness ◽  
Older Children ◽  
Illustrated Books ◽  
Children's Book ◽  
The Individual

Henkes, Kevin. Junonia. New York: Greenwillow Books, 2011. Print. Henkes’ carefully considered novel for young adults, Junonia, showcases his ability to convey depth of emotion very clearly and intuitively. Going against the truism that children’s book illustrations have to represent the characters, the beautiful and restrained illustrations evoke the archetypal woodcut illustrations of vintage children’s books without descending into nostalgic kitsch. Both word and illustration contribute to Henkes’ candid and clear-eyed depictions of the natural world and the exterior manifestations of the characters’ inner lives. The story unfolds as Alice Rice returns with her parents to Sanibel Island in Florida for their annual winter holiday and to celebrate her tenth birthday. Henkes has a deft narrative grasp of the unknowability of the individual, both to themselves and others; an aspect of the human condition that young people experience particularly acutely. In Henkes’ books for younger readers, there are gentle and empathetic adults present to help children negotiate the complexity of the world and their own feelings. However, Junonia is for older children and its protagonist is beginning the process of learning to navigate and master her own feelings and expectations. While supportive adults are present, they can only offer Alice a limited degree of benevolent protection from the realities of the passage of time and the vagaries of human emotions. While the subject of the book is transition to, and reconciliation with, a more adult-level of self-awareness, the book never seems maudlin and retains a very lucid and almost austere tone. Junonia is an immersive and lovely introduction to literature created with the intent to closely follow the interior monologues of its characters. One could imagine moving on to Mrs Dalloway rather effortlessly. Highly recommended: 4 out of 4 starsReviewer: Matilda RocheMatilda spends her days lavishing attention on the University of Alberta’s metadata but children’s illustrated books, literature for young adults and graphic novels also make her heart sing. Her reviews benefit from the critical influence of a four year old daughter and a one year old son – both geniuses. Matilda’s super power is the ability to read comic books aloud.

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