scholarly journals Munsch at Play Act Two: Eight More Stage Adaptations by I. Watts & R. Munsch

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Sarah Polkinghorne
Keyword(s):  
Public Services ◽  
University Of Alberta ◽  
Stage Adaptations ◽  
The University

Watts, Irene N., and Robert Munsch. Munsch at Play Act Two: Eight More Stage Adaptations. Illus. Michael Marchenko. Toronto: Annick, 2011. Print. Which child should inhabit the role of the protagonist Andrew (“No, no, no, no, no”) in “I Have to Go”? What could be used to make the “sound” in “Jonathan Cleaned Up — Then He Heard a Sound”? How could you dress the titular character of “David’s Father” so that everyone can tell he’s a giant? Munsch at Play Act Two will have your imagination firing with questions such as these. As with the original Munsch at Play, this volume gives readers/thespians eight of Robert Munsch’s tales transformed into stage plays for young performers. Readers familiar with Munsch’s live performances will recognize his distinct rhythmic and participatory elements within Watts’ adaptations. Readers will also enjoy Michael Martchenko’s kinetic illustrations, in his style so well-known from so many Munsch storybooks. Having said this, plays are to be performed on the stage, not just admired on the page. Irene N. Watts’ adaptations succeed for a variety of reasons. The stories have been thoughtfully selected and adapted to provide the variety that makes this sort of book worthwhile. There are stories that can be performed with a finite handful of players, such as “I Have to Go,” and there are stories whose castings can expand as much as you like, including “Pigs,” in which you may include “any number that the pigpen can accommodate.” Watts also includes detailed, approachable notes about staging. She tells readers about suitable spaces for staging each play, such as “works well as a theatre in the round” (“Show and Tell”). She also provides exhaustive lists of sets, costumes, and props for each play. Most stories require quite a few props, but these are often indicated as optional, and could be scavenged, made into a craft project, or conjured via imagination. Watts’ supporting documentation (lists, guidance, and recommendations) lessens the effort involved with getting each play “up on its feet.” This enables everyone involved to focus on the excitement of stories and vocal participation. It’s not likely that anybody will say “No, no, no, no, no” to Munsch at Play Act Two. Highly Recommended: 4 out of 4 starsReviewer: Sarah PolkinghorneSarah is a Public Services Librarian at the University of Alberta. She enjoys all sorts of books.

scholarly journals I Like Vegetables: A Touch-and-Feel Board Book by L. Siminovich

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Kim Frail
Keyword(s):  
Cross Section ◽  
Public Services ◽  
Picture Book ◽  
The Other ◽  
Learning Method ◽  
University Of Alberta ◽  
Young Readers ◽  
Dinner Table ◽  
Wood Grain ◽  
The University

Siminovich, Lorena. I Like Vegetables: A Touch-and-Feel Board Book. Somerville: Candlewick Press, 2011. Print.“I Like Vegetables” is a dream come true for any nutritionally conscience parent, children’s librarian or teacher. The brightly hued collage illustrations are intriguingly textured with patterns and “touch & feel” inlays. Silky peas and rough-skinned carrots invite young readers to learn about vegetables. The layout is quite clever as it leverages contrast and comparison as a learning method. On one side of the page vegetables are depicted as they would appear growing in the garden while on the other side they are in the home being prepared for the dinner table. In addition, the nature side of the page illustrates the concept of opposites. For example, there are “tall” and “short” cornstalks. Orange carrot roots are “below” the ground, while the feathery green tops are “above”. The indoor side of the page features close-ups of vegetables against a wood-grain background that evokes a cutting board. Here children get a different perspective on the harvested veggies. We see shelled peas, open cornhusks and a cross-section of a pumpkin. The concluding series of images features an “empty” gardener’s basket next to a basket “full” of colourful vegetables on a blue and white gingham picnic tablecloth inlay.  This is primarily a picture book with only the names of the vegetables and the two opposing concepts appearing on each page. The typeset is Helvetica and is large and easy to read.  It is a sturdy board book and the inlays could not be easily ripped out or damaged. It is therefore a welcome addition to any toddler’s library. Other titles in the “I Like” series by Siminovich include: “I Like Toys “, “I Like Bugs” and “I Like Fruit”. “I Like Vegetables” is sure to engage children from ages 1-3. Highly recommended: 4 out of 4 stars Reviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old. 

Flip by M. Bedford

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Debbie Feisst
Keyword(s):  
Young Adult ◽  
Public Services ◽  
Young Adult Fiction ◽  
University Of Alberta ◽  
The People ◽  
Award Winning ◽  
The Uk ◽  
Voice Calls ◽  
The University ◽  
Friday Night

Bedford, Martyn. Flip. Toronto: Doubleday Canada, 2011. Print. Martyn Bedford is a lecturer in creative writing at Leeds Trinity University College in the UK and is the award-winning author of five adult novels, including The Houdini Girl. Flip is his first foray into the genre of young adult fiction. Fourteen-year-old Alex Gray rushes home one December Friday night in an attempt to beat his curfew. Feeling a bit foggy upon waking the next morning, he realizes that not only is he in a strange bedroom but he does not recognize the clothes he is wearing. An unfamiliar voice calls for “Philip” to get ready for school, and when he descends the stairs to the breakfast table, he does not recognize the people seated, though they seem to recognize him. It’s now the middle of June. Upon looking into the mirror to wash his face, another boy stares back. Alex does not know if he has gone mad, or worse—if it is all real. Alex has no choice but to go through the day while trapped in another’s body, that of Philip Garamond. Nicknamed Flip, Philip is an athletic, sociable girl-magnet who goes to a posh school, and though he is Alex’s age, seems the complete opposite in every other way. For a while Alex even enjoys his new, fit body and the attention that comes with it. But where is Philip, and where is Alex’s body? Alex needs to figure out why his psyche has become trapped in Philip’s body and how he can get back into his own before it is too late. This is an excellent psychological thriller and not your average teen fare. The characters are realistic and the plot is action-packed, yet believable. Bedford dips into heavy topics like existentialism and concepts such as the soul and memory with adeptness. Body-swapping stories have no doubt been done before in teen fiction, but Bedford has given this tale a contemporary flair with a satisfying conclusion. Highly recommended: 4 out of 4 stars Reviewer: Debbie Feisst Debbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.

scholarly journals Simone in Australia by A. Cheng

2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Virginia Pow
Keyword(s):  
Elementary School ◽  
Social Science ◽  
Public Services ◽  
Young Girl ◽  
University Of Alberta ◽  
Australian Region ◽  
Similarities And Differences ◽  
The University ◽  
Reading To Children ◽  
Illustrated Book

Cheng, Ardis. Simone in Australia.  Paper Bear, 2016.Once in a while you find a book that your children will not stop asking you to read to them. Meet Simone in Australia.  This delightfully illustrated book by Ardis Cheng, a local Calgarian author currently residing in Melbourne Australia - leaves nothing out. On each of the pages of Simone’s adventure with Jack, there is a new visual delight.  The story takes us through the different flora and fauna of the Australian region Jack calls home; we meet spiders in Jack's house, adventure down to the beach and enjoy the tiny fairy penguins.  The illustrations of animals of Australia including the kookaburra, echidna and wombat are a favorite page in our house.  Simone, is a delightful young girl who is visiting her friend Jack. Throughout story Jack and Simone are given the challenge of explaining similarities and differences between Jack’s home and Simone’s.  The book does an amazing job of highlighting what travel is for.  To learn about new places and people.  Often in the story, Simone will mention what she used to and while Jack teaching her about his home.  This contrast is done very well, and makes sure to never state one is better -- just that they are different. Simone in Australia is also lovely way of explaining travel to children in a manner that allows them to understand how new and different can also be exciting, challenging and fun to share with a friend.  This is a beautifully illustrated book that is great to read to children and children just starting to read themselves. It would be great addition to any personal or elementary school library.Highly Recommended: 4 stars out of 4Reviewer: Virginia PowVirginia is a Public Services Librarian at the Humanities and Social Science Library at the University of Alberta.  When not reading to children, she enjoys being outdoors, running and stand up paddle boarding.

scholarly journals Orchards by H. Thompson

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
John Huck
Keyword(s):  
New York ◽  
English Literature ◽  
Spoken Word ◽  
American Girl ◽  
Her Family ◽  
University Of Alberta ◽  
Black And White ◽  
The Media ◽  
The University

Thompson, Holly. Orchards, New York: Delacorte Press, 2011. Print. Orchards is a poetic novel written by Holly Thompson. It tells the story of Kana Goldberg, an American girl, half-Jewish and half-Japanese, who is sent to spend the summer with her mother’s family in Japan working on their mikan farm. (Mikan is a type of Japanese orange.) A school-mate, Ruth, has committed suicide and Kana is a member of the group of girls who had excluded and locked horns with the girl over a boy, not realizing at the time that she suffered from bi-polar disease and that she was reaching out to the boy for support. The book is less about Kana accepting responsibility for her involvement in the confrontation with Ruth than it is about mending relationships and the process of Kana overcoming her anger and feelings of guilt. The book challenges us to set aside our own pre-conceived notions about bullying and consider the idea that everyone is vulnerable to depression, and that what gets sensationalized in the media as bullying is not always a black and white case of cruelty, but is sometimes a case of misunderstanding that escalates in dramatic fashion when emotions are mixed in. Kana’s fixation on Ruth and the pressure of a community that blames her and the other girls constitute an invisible burden that puts her at risk of the unthinkable, too. “Suicide can spread like a virus,” Kana’s grandmother warns. Kana’s ‘exile’ to a strange country turns out to be a chance to ground herself amongst her family, make peace with the presence of death in life, find confidence in who she is, and learn how to make a difference in the world of the living. Readers expecting a remorseful narrative may feel unsatisfied, but because the book reads quickly and the language is pleasurable, they may also decide to re-read it for a second impression. The reason it reads quickly is that Thompson has chosen to tell the story in a kind of free-flowing verse. Stanzas of varying lengths define sentence-like sequences, with the breaks between stanzas replacing the conventional sentence demarcators of full stops and capitalized first words. Line breaks play the role of commas, controlling the flow without impeding it. These syntactic arrangements complement the imagistic and uncluttered style of the writing, giving an inward, contemplative feel to the story. Because it is a subtle book, it would be most suitable for an older teen who is perceptive and has literary sensibilities. Recommended: 3 out of 4 starsReviewer: John HuckJohn Huck is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years.

scholarly journals The Never Weres by F. Smyth

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sarah Polkinghorne
Keyword(s):  
Science Fiction ◽  
Public Services ◽  
Daily Lives ◽  
Human Relationships ◽  
University Of Alberta ◽  
Positive Message ◽  
Visual Style ◽  
The University ◽  
Practical Implications ◽  
Better Than

Smyth, Fiona. The Never Weres. Toronto: Annick Press, 2011. Print. What would life be like for humanity’s final generation, those who would always be the youngest people on Earth, born just before a “barren virus” has rendered humans infertile? This question underpins the pre-teen sci-fi mystery The Never Weres, the first graphic novel from Toronto-based Fiona Smyth, veteran painter, cartoonist, and illustrator. Smyth’s exploration of the daily lives of teenagers Xian, Mia, and Jesse is a fresh extrapolation of the dystopian “world without children,” popularly identified with P.D. James’ Children of Men. Smyth interweaves her heroes’ world — from which parents are variously absent — with classic science fiction tropes such as robotics, genetics, and virtual online communities. Most pressingly, the ethical and practical implications of human cloning are central to the mystery as it unfolds. Smyth handles the issue evenly and rightly represents it as controversial. By focusing on a missing girl’s possible involvement with long-ago experiments, Smyth effectively provokes reflection about cloning’s impacts on human relationships. However, she has simplified the relevant ideas to the extent that readers may not be challenged much by them. The layouts of The Never Weres are at times confusing and may hinder readers’ progress. The book’s visual style conveys Smyth’s vision of a bleak, crowded, deteriorating Toronto somewhat better than it captures her spirited protagonists. Overall, despite some weaknesses, The Never Weres wraps a worthwhile science-positive message within an engaging mystery adventure. Recommended with reservations: 2 out of 4 stars Reviewer: Sarah PolkinghorneSarah is a Public Services Librarian at the University of Alberta. She enjoys all sorts of books. 

Rrralph by L. Ehlert

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Kim Frail
Keyword(s):  
New York ◽  
Public Services ◽  
Tree Bark ◽  
Large Format ◽  
University Of Alberta ◽  
Black And White ◽  
Word Play ◽  
Story Time ◽  
The University ◽  
At Home

Ehlert, Lois. Rrralph. New York: Beach Lane Books, 2011. Print. “Would you like to meet a talking dog?” According to the author’s note, this book was based on jokes that her brother told his grandchildren. The humour translates well into the story as the narrator uses a series of onomatopoeic word-play to explain how Ralph the dog “talks”.  For example, when asked where he is, Ralph answers that he is on the “Roof” of the dog house. When asked what is on a tree, he replies “Bark, Bark, Bark”. The story even includes a somewhat scary encounter between Ralph and a “Wolf! Wolf!” This book will definitely be a story-time favourite for younger children. The large format and brightly coloured pages make it ideal for displaying to groups. The super-size font alternates on each page between black and white, creating high contrasts. The illustrations were created from: “zippers, wood, buttons, twine, metal, tree bark, screws, hand-painted and home-made papers, and textile fragments”. This creates layers of interesting textures and gives the book a “home-spun” appeal. It would also provide an interesting opportunity for educators or parents to talk about making art from found or recycled objects, or the benefits of recycling in general.  The highlight of the illustrations is Ralph’s multi-coloured textile collar and metal-heart shaped dog tag, which will remind readers of real beloved family pets. His zipper smile is pretty endearing as well. Other books by Lois Ehlert include: “Lots of Spots”, “Boo to You!” and “Chicka Chicka Boom Boom”. According to the publisher Rrralph is recommended for ages 2-6. Highly recommended: four out of four starsReviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her two-year old.

scholarly journals A Bedtime Yarn by N. Winstanley

2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Janice Kung
Keyword(s):  
Public Services ◽  
Picture Book ◽  
Health Sciences ◽  
The Other ◽  
University Of Alberta ◽  
Children's Book ◽  
Good Book ◽  
Falling Asleep ◽  
Unique Experience ◽  
The University

Winstanley, Nicola. A Bedtime Yarn, illustrated by Olivia Chin Mueller, Tundra Books, 2017.This picture book explores the dreams of Frankie, a little bear who has trouble falling asleep at night. To help him sleep, his mother provides a ball of yarn for him to hold while she works on the other end, knitting a special surprise for Frankie. Each ball of yarn is a different colour with its own story that takes the young bear on incredible adventures. For instance, a sea-green yarn invokes a dream that takes him deep into underwater caverns and a brown yarn reminds him of cake as a result of his upcoming birthday celebrations. Every colour depicts a new dream and unique experience. The story concludes with Frankie’s mother surprising him with a multi-coloured blanket that was made from all the different colours of yarn that he held.   Beautiful artwork illustrated by Olivia Chin Mueller accompanies the story, including strands of coloured yarn that surround the images. The author creatively used colour as the starting off point for representing the wide variety of dreams that the little bear encounters. This children’s book teaches readers about different colours and the imaginative element of dreams. This book is suitable for children from Kindergarten to Grade 2.     Recommended: 3 out of 4 starsReviewer: Janice KungJanice Kung is a Public Services Librarian at the University of Alberta, John W. Scott Health Sciences Library. She obtained her undergraduate degree in commerce and completed her MLIS degree in 2013. She believes that the best thing to beat the winter blues is to cuddle up on a couch and lose oneself in a good book.

It’s Our Nature by R. Orozoco

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Jorden Smith
Keyword(s):  
Social Sciences ◽  
Character Education ◽  
Public Services ◽  
University Of Alberta ◽  
Humanities And Social Sciences ◽  
The University ◽  
Excellent Resource

Orozoco, Rebeca. It’s Our Nature. Illus. Menena Cottin. Toronto: Tundra Books, 2012. Print.Informative and educational, with beautiful minimalist illustrations, this book is an excellent resource for character education. The author correlates animal behaviours with values and behaviours children are learning: altruism, community, communication, generosity, responsibility, trust, commitment, solidarity, brotherhood, and tolerance.The connection implicit in the text, that animals and humans bear many similar valued traits, beautifully underlies this book. At first glance, it seems perfect for a budding biologist, but upon further exploration, it would be a wonderful book for any child. Reading the preface is a necessity to really understand the purpose of the book and the underlying message.  Due to its location directly opposite the publication information, I mistook it for a dedication and skipped in on my first read.The deceivingly simple artwork is fantastic and is a perfect partner for the abundant text. The inside cover is a vibrant orange but the artist uses muted tones in the illustrations. The font and text is a little dense. While I appreciate whitespace created by grouping the text together, it does not really increase the readability in this case.  Recommended: 3 out of 4 starsReviewer: Jorden SmithJorden is a Public Services Librarian in Rutherford Humanities and Social Sciences Library at the University of Alberta.  She is an avid fiction reader and subscribes to Hemingway’s belief that “there is no friend as loyal as a book.”

scholarly journals Welcome, Baby by B. Reid

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Kim Frail
Keyword(s):  
Young Children ◽  
Public Services ◽  
Living Room ◽  
Racially Diverse ◽  
Text And Image ◽  
University Of Alberta ◽  
Large Window ◽  
The Family ◽  
Rhyme Scheme ◽  
The University

Reid, Barbara. Welcome, Baby. Toronto: Scholastic Canada, 2013. Print.As with Reid's other books, the focus of Welcome Baby is the author's superb hand-sculpted plasticine illustrations. They are all bright, colourful and contain small charming details such as: framed family photos, the stubble on a new father's unshaven face, and a baby's missing sock and tiny bare foot. The story is addressed to a new baby and presents the joys of welcoming the new arrival into the family. There are images of babies snuggling with Moms and Dads, interacting with grandparents, playing with siblings and friends and enjoying the great outdoors in all four seasons.The characters are racially diverse and household scenes are very realistic. A father and baby nap in the couch amidst a sea of toys and clothes strewn about the living room carpet. The narrative features a simple rhyme scheme that would appeal to young children. There are usually only 5-7 words per page and it alternates between text and image. The colour of the textual pages alternates between yellow and blue to create interest without overwhelming the images on the opposite side.  The meaning of the text corresponds well to the images and conveys playful metaphors. For example, in one image we see rain and clouds through a large window. In the foreground a baby flashes a joyful smile while holding her father's finger. He is wearing a sports jersey. The text reads: "You will be our sunshine, We'll be your biggest fans."  This book is ideal for the nursery or preschool library. It would make a fantastic gift for parents-to-be and could also be read to a sibling before the birth to allow them to share in the excitement and anticipation.Highly Recommended: 4 out of 4 starsReviewer: Kim FrailKim is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta. Children’s literature is a big part of her world at work and at home. She also enjoys gardening, renovating and keeping up with her kids.

scholarly journals Correcting Miscarriages of Justice: The Role of the Criminal Cases Review Commission - The Bowker Lecture, September 28, 1999

1969 ◽  
pp. 365
Author(s):  
L. H. Leigh
Keyword(s):  
United Kingdom ◽  
Criminal Cases ◽  
University Of Alberta ◽  
The United Kingdom ◽  
Lecture Series ◽  
The University

This article explains the origins and operation of the Criminal Cases Review Commission of the United Kingdom. The Commission was created in1997 to investigate and respond to possible miscarriages of justice. The article explains how the Commission works and its jurisdiction. As well, the author describes the strengths and weaknesses of the workings of the Commission. This article was originally delivered as a lecture at the University of Alberta on September 28, 1999 as part of the Bowker Lecture series.

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