Oddfellow's Orphanage by E.W. Martin

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Nicole Dalmer

Martin, Emily Winfield. Oddfellow's Orphanage. New York: Random House Children’s Books, 2012. Print. Emily Winfield Martin crafts a whimsical, imaginative read in her debut novel, Oddfellow’s Orphanage, that is sure to delight readers of all ages. As Delia, the newest member of the Oddfellow’s Orphanage quickly discovers, the members living at the orphanage are anything but ordinary. Under the guidance of Headmaster Oddfellow Bluebeard, her new family includes an onion-headed boy, a blue tattooed girl, a child-sized hedgehog, and a family of three dancing bears. While Delia is unable to speak and must instead write to communicate, she is immediately accepted into her new family. The oddities and peculiarities of each of the children residing at the orphanage are matched in the school classes they take, including Professor Flockheart’s F. T. Studies (fairy tales and folktales) and Professor Silas’ cryptozoology class. In this rather unorthodox orphanage, the school year passes with one quirky adventure after another. Each bizarre yet entertaining escapade allows the author to develop each character’s personality as well as friendships between the children, endearing the reader to each of the orphans. With Haircut Day, a grand picnic, a fieldtrip to see the Great Comet and an expedition to locate lake M.O.N.S.T.E.R.S. (Mysterious or Nonexistent Subjects Thoroughly Examined Really Scientifically), nothing is ever ordinary at Oddfellow’s Orphanage. While comical and curious, the story, at times, appears to unfold in isolated vignettes, with each chapter a discrete event, making for less-than-smooth plot continuity. Quite impressively, the author manages to pepper the story with an appropriate amount of bizarre and peculiar elements, never once does the plot appear to be overly outlandish. While the writing itself is sweet and simple with perfectly proportioned chapters, lending itself to a fantastic first reader or a read-aloud story, it is Martin’s illustrations that accentuate the writing and highlight the whimsy found within the pages. The soft, sepia-coloured pencil drawings that appear on nearly every page give off a vintage aesthetic and confer just the right amount of detail to the story, allowing the reader to invent and imagine the rest. With overarching themes of acceptance and perseverance, both girls and boys will fall in love with the charming and unique characters and the impressive illustrations. Highly recommended for elementary school libraries as well as public libraries. Highly recommended: 4 out of 4 starsReviewer: Nicole Dalmer Nicole Dalmer is a Public Services Librarian at H.T. Coutts Education & Physical Education Library at the University of Alberta. She is interested in health literacy, pinball, and finding the perfect cup of coffee to accompany a good read.

2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Sandy Campbell

Dewdney, Anna. Llama Llama Gram and Grandpa.  New York, NY:  Viking, 2015.  PrintThis is one of a series of Llama Llama books by author/illustrator Anna Dewdney.   In this volume, Llama Llama is staying away from home for the first night.  The rhymed story takes him from packing at home to being left at his grandparents and unpacking.  It is there that he discovers that his “fuzzy llama” is missing.  At bedtime he has a meltdown where “Llama’s lips begin to quiver./ Llama starts to shake and shiver./ Llama needs Fuzzy near,/but FUZZY LLAMA ISN’T HERE!”.  Grandpa Llama produces his own childhood toy and all is well.  The text works well as a read-aloud for the age 3-5 intended audience. While all of the creatures in the book are llamas, they are fully anthropomorphized.  The llamas drive cars, eat at a table with cutlery and grow carrots in a garden.  They are essentially people who look like llamas.  As a result young children will easily identify with the little llama missing his “fuzzy”.  Dewdney’s artwork is excellent.  The colours are bright and the characters engaging.  In addition to the very human facial expressions, Dewdney uses the llama’s ears to show emotion – up and perky when happy or excited, droopy when sad or lonely.This would be a good book to read with a child who is anxious about staying away from home.  It provides a starting point for talking with children about separation anxiety, though distress that Llama Llama feels is more related to his missing toy than about being away from his mother.   This book is highly recommended for public libraries, elementary schools and day cares.Highly recommended: 4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Debbie Feisst

Huget, Jennifer LaRue. The Best Birthday Party Ever. Illus. LeUyen Pham. New York: Schwartz & Wade Books, 2011. Print. “My birthday is 5 months, 3 weeks, 2 days, and 8 hours away.  Today I started to plan my party.” And so the planning begins for the 5-year-old soon-to-be birthday girl in this charming picture book.  She has to start planning early if she wants the best birthday party ever.  She is going to invite all 57 of her friends including the mailman and the invitations will be sprinkled with fairy dust.  She will have 9 thousand balloons, streamers and napkins: all in pink.  On the menu is a 17-layer cake, each layer a different flavour, with 6 zillion candles on top.  Not only will there be: a magician, camel rides and a Ferris wheel, but each lucky guest will receive a hamster as a party favour. In a kid-friendly countdown style towards the big day, our sweet party planner gets more and more excited as her birthday approaches and the plans get more and more grandiose.  Only after her mother comments that this birthday party is “getting out of hand” does she agree to skip the sparkly necklaces.  The day finally arrives and while it may not be the party she dreamed of, she is appreciative and enjoys her day so much that she immediately begins plans for her next birthday. This beautifully illustrated read-aloud captures the excitement of a child as she looks forward to her special day and will appeal to lower elementary grades as well as preschoolers.  The whimsical mostly-pink drawings may be initially off-putting to boys but they are certain to relate and enjoy the story. Highly recommended: 4 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction. 


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Leslie Aitken

Stein, David E. Interrupting Chicken and the Elephant of Surprise. Candlewick Press in Association with Penguin Random House Canada, 2018. In this, his second picture book starring Interrupting Chicken, Stein begins with a delightful pun: Chicken declares that every good story has “an elephant of surprise.” Papa tries to convince her that she has misheard her teacher, that every good story has “…an element of surprise.” To demonstrate, he attempts to read aloud classic folk and fairy tales: The Ugly Duckling; Little Mermaid; Rapunzel. Chicken, of course, interrupts. The Ugly Duckling gazes at his reflection and sees “…an Elephant.” The prince ascends the tower on a rope of hair to discover that his love is “…an ELEPHANT!”. Papa is dogged; he keeps trying. Chicken is relentless; she keeps interrupting. The story hour goes on with appealing silliness until Papa graciously allows it to end, not surprisingly, with elephants. A former Caldecott Honor winner, Stein creates not only this amusing storyline, but its illustration as well. He employs a variety of artistic techniques to great effect. The basic narrative, (including Chicken’s interruptions of Papa’s readings) is presented in cartoon style and bold crayon; the classic readings are highlighted with line drawings and water colour. Thus the theme of “interruption” is both conveyed and sustained by the art work. There are a few provisos about sharing this book with primary school children: a child will more fully enjoy the inappropriateness—and silliness—of Chicken’s outbursts if he or she is familiar with the plotlines of the classic tales that Papa attempts to read. The wise parent, or teacher, or librarian will ensure this familiarity in the most obvious and enjoyable way: sharing the stories. There is a further consideration: the hilarity of Chicken’s behaviour arises because she either cannot, or will not, acknowledge the literary concept of a “surprise element.” Children who, themselves, can grasp that concept will laugh harder than children who cannot. Depending on the age and maturity of the child listener, a little didacticism on the part of the adult reader may be appropriate. With these requirements satisfied, this book is a winner. Recommended: 3 out of 4 stars Reviewer: Leslie Aitken Leslie Aitken’s long career in librarianship included selection of children’s literature for school, public, special, and academic libraries. She is a former Curriculum Librarian of the University of Alberta.


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Tami Oliphant

Alter, Anna. A Photo for Greta. New York: Alfred A. Knopf, 2011.  Print. A Photo for Greta is a warm and appealing paean to paternal love. Alter’s personal memories of her father, a professional photographer, appear to be the source of inspiration for Greta’s story. Greta is a bunny whose father “travels all around the world taking pictures of very important people” which means he is away much of the time or he comes home from work after Greta has gone to bed. While her father is working, Greta often dresses up like the characters her father is photographing such as a ballet dancer or a circus performer. When her father decides to turn his lens on Greta, “It was the best day she could remember.” Two important themes are raised in the book:  how do kids cope when someone they love is away and they miss them? And, what makes parents, and particularly Dads, special? A list of activities found at the end of the book such as making a photo album of loved ones or interviewing parents about their lives can help children address these questions. Alter is both writer and illustrator. The soft-coloured and tender paintings are exquisite. Interspersed throughout the book are smaller illustrations and vignettes as well as arresting two-page spreads. Many of the illustrations are gently humorous such as the painting of Greta in full cowgirl regalia plucking a guitar and singing her solitary country song while her father is away photographing a country music band. The book is meant to be savoured and is aimed at readers between the ages of 4 to 7. The reassuring narrative, the exploration of a father and daughter relationship, and the sumptuous illustrations make A Photo for Greta a recommended purchase. Highly recommended: 4 of out 4 stars Reviewer: Tami OliphantTami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Tami Oliphant

Shapiro, Sheryl, and Simon Shapiro. Better Together. Illus. Dušan Petričić. Toronto: Annick Press, 2011. Print. This concept book is infused with a cheerful, slightly mischievous spirit as the authors and illustrator explore a wide variety of, and a broad notion of, mixes. Kids might be familiar with many of the mixes—mixing cinnamon and sugar to spread on toast, mixing water and dirt to create mud, mixing blue and yellow to make green or mixing water and flour to create glue. Other mixes are more abstract—mixing up each team member’s different skills to make a great soccer team or mixing up musical instruments to make raucous music. Each mix is explained by a playful, rhyming poem that is easy-to-read and delightful to read aloud. The writers themselves decided to mix things up—the book is this husband-and-wife’s first collaborative effort and their obvious pleasure in wordplay is apparent. For example, the first poem, which explains what mixes are, contains the line “You stir and squoosh them, squish and moosh them” to create a brand new thing. The lively text is supported by the equally zippy illustrations. The first illustration is a highlight as Petričić shows how mixing the separate ingredients of ideas, paper, and drawings can produce a wonderful new thing: a picture book. The mix of vivid illustrations and energetic text has created a fun book that both kids and parents will enjoy. The book is recommended for children ages 4-7. Recommended: 3 out of 4 stars Reviewer: Tami Oliphant Tami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario. 


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Tami Oliphant

Yoon, Salina. Who Do I See? New York: Random House, 2011. Print. Identifying five adorable animals and remembering five eye-catching colours are the challenges for toddlers and preschool children in Yoon’s book, Who Do I See?. The colourful illustrations are simple two dimensional cartoon drawings of familiar creatures including a fish, a tiger, a turtle, a ladybug, and a parrot. The illustrations of the animals are framed, and partially hidden, by cleverly placed cut out windows. The cut out windows allow readers to feel the shiny foil on the animal illustration such as scales on a fish, and, because the rest of the animal is hidden until the reader flips the page, children can try identifying the animal by thinking about common animal colours and shapes such as the black spots and red wings found on a ladybug. The text does not rhyme but playful repetition of the question and of the typical colours found on these animals will keep children engaged. The thick cardboard pages ensure that the book is not easily damaged. This interactive, guessing-game book will assist children in learning about different animals and different colours. Recommended: 3 out of 4 stars Reviewer: Tami Oliphant Tami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario. 


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Sandy Campbell

Hainnu, Rebecca.  The Spirit of the Sea. Illus. Hwei Lim. Iqualuit, NU:  Inhabit Media, Inc., 2014.  Print.This volume is another of Inhabit Media’s fine productions of Inuit legends.  It tells an old story, which exists in many variations. This version comes from Rebecca Hainnu, who lives in Clyde River, Nunavut.  While Hainnu’s previous works have been non-fiction including children’s books on mathematics and tundra plants, she does a fine job of storytelling, as well.   Arnaq is a beautiful young woman who is tricked into marrying a fulmar (a kind of bird) when he appears in human form.  When her father tries to rescue her, he ends up sacrificing her to the fulmars to save his own life. She sinks to the bottom and becomes the Spirit of the Sea.  As Nuliajuq, she controls the sea animals and hunters must appease her to have good hunting and calm seas.Throughout the volume, text appears on one page and an image on the facing page.  The text, which is appropriate for upper elementary readers and above, is meant to be read aloud and generally has the sound of a traditional storyteller’s voice.  However, there are occasional modern phrases that are incongruous and break the flow.   “Eventually, Arnaq succumbed to complete depression”.  The text contains some Inuktitut words, which are italicized and listed in the pronunciation guide at the end of the volume.The watercolours by Hwei Lim are beautiful and ethereal.  The colours are mainly blues and browns, reflecting the marine environment.  The underwater image of Arnaq looking up at the bottom of a boat is particularly effective.The Spirit of the Sea is highly recommended for elementary school libraries, public libraries and libraries specializing in Canadian Indigenous materials. Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Sandy Campbell

Durango, Julia, and Katie Belle Trupiano.  Dream Away.  New York:  Simon & Schuster Books for Young Readers, 2011.  Print. This is a delightful picture book with a gentle rhyme designed to lull children to sleep.  Reminiscent of “Moonbeam on a Cat’s Ear”, the father and child dream of sailing through the cosmos in an “old paper boat”.  They have a magical crew of a knight, a winged horse, two winged cats (pixies) and a dog.  As they wander through the heavens they are chased by the animals of the constellations.  Eventually, even the clouds and the moon fall asleep.  The rhymes are predictable - moon/balloon, seas/breeze, float/boat – the iambic pentameter rhythm is strong and regular, so pre-readers will quickly memorize the story and want to “read” along. While the colours in the illustrations are strong, all of the figures are soft-edged and rounded, giving everything a cuddly appearance.  The images often add content to the story.  For example, when the text reads, “We played with a bear, an archer, a hare.  A dragon gave chase, but the crew won the race”, the images show us a constellation bear throwing a ball of light and the boy on the edge of the boat, ready to swing at it with his baseball bat.  As they “glide down a glimmering slide”, we see the boy holding on to the winged horse’s tail, while the horse tows the boat down the Milky Way.  The moon is a balloon tied to the back of the boat.  In the final pages of the book, we see that most of the things in the story, the planets, cats, dog, winged horse and baseball bat are all objects in the boy’s room and he is wearing a paper hat shaped like the boat. This is a lovely, peaceful lullaby that is highly recommended for public libraries and small children’s rooms everywhere. Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Sandy Campbell

Kalluk, Celina.  Sweetest Kulu. Illus. Alexandria Neonakis.  Iqaluit, NU:  Inhabit Media Inc., 2014.  Print.“Kulu” is an Inuktitut term of endearment for babies and small children.  In this work, traditional throat singer and author, Celina Kalluk, shows all of the gifts that nature brings to a newborn baby.  The images show the baby cradled and adored by many creatures.  Each creature brings a character trait as a gift for the baby.  “Caribou chose patience for you, cutest Kulu.  He gave you the ability to look to the stars, so that you will always know where you are and may gently lead the way”.  With each gift, Kalluk uses a different adjective to describe the baby – happy Kulu, admired Kulu, beloved Kulu. Illustrator, Alexandria Neonakis has created an image for each animal in rich and deep colours.  The images spread over two facing pages with text over-printed. Each image is gentle and tender.  The baby is shown nestled between the front hooves of a musk-ox, curled up against a polar bear or snuggled up in the paws of an Arctic hare.  The baby is reflected in the water when the Arctic char brings a gift of tenderness.This book is a beautiful representation of a mother’s love for her baby reflected in the traditional Inuit connection to the land and nature.  It is a calming and peaceful book, which will become a bedtime read-aloud favourite. Highly recommended for elementary school libraries, public libraries and babies’ rooms everywhere.Highly Recommended:   4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Jenn Laskosky

Bayer, Vanessa. How Do You Care for a Very Sick Bear? Illustrated by Rosie Butcher. New York: Macmillan Publishing, 2019. Vanessa Bayer’s How Do You Care for a Very Sick Bear? provides young readers with advice on how to deal with and help their friends who are facing a difficult illness. The book offers suggestions and advice for young children, but also reminds them that even though their friend is sick, they are still their friend. Bayer’s story provides examples of the simple gestures that friends can make when helping each other. The illustrations by Rosie Butcher are bright, colourful, and simple. Butcher illustrates common activities that friends would do together, which makes them relatable to children even though the characters are bears. The illustrations take up most of the page and provide young readers with a lot to explore. The text throughout the book is simple and easy to read. Bayer’s story tackles a difficult topic, but she presents it in a way that is easy for children to understand. Her use of bears as her main characters helps to soften the impact of a difficult topic to approach with children. However, Bayer is also honest with her portrayal of illness, which offers children a realistic view of what to expect. This book can be very useful for children who have a friend facing a difficult illness. Additionally, it can be useful to parents when explaining illnesses to their children. With that in mind, I would recommend it for elementary school and public libraries. Highly Recommended: 4 out of 4 starsReviewer: Jenn Laskosky Jenn Laskosky is a masters student at the University of Alberta in the Library and Information Studies program. She has an interest in health sciences librarianship and international librarianship. Her passion for reading has continued to grow throughout her education.  


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