scholarly journals How Do You Care for a Very Sick Bear? by V. Bayer

2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Jenn Laskosky

Bayer, Vanessa. How Do You Care for a Very Sick Bear? Illustrated by Rosie Butcher. New York: Macmillan Publishing, 2019. Vanessa Bayer’s How Do You Care for a Very Sick Bear? provides young readers with advice on how to deal with and help their friends who are facing a difficult illness. The book offers suggestions and advice for young children, but also reminds them that even though their friend is sick, they are still their friend. Bayer’s story provides examples of the simple gestures that friends can make when helping each other. The illustrations by Rosie Butcher are bright, colourful, and simple. Butcher illustrates common activities that friends would do together, which makes them relatable to children even though the characters are bears. The illustrations take up most of the page and provide young readers with a lot to explore. The text throughout the book is simple and easy to read. Bayer’s story tackles a difficult topic, but she presents it in a way that is easy for children to understand. Her use of bears as her main characters helps to soften the impact of a difficult topic to approach with children. However, Bayer is also honest with her portrayal of illness, which offers children a realistic view of what to expect. This book can be very useful for children who have a friend facing a difficult illness. Additionally, it can be useful to parents when explaining illnesses to their children. With that in mind, I would recommend it for elementary school and public libraries. Highly Recommended: 4 out of 4 starsReviewer: Jenn Laskosky Jenn Laskosky is a masters student at the University of Alberta in the Library and Information Studies program. She has an interest in health sciences librarianship and international librarianship. Her passion for reading has continued to grow throughout her education.  

2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Tami Oliphant

Alter, Anna. A Photo for Greta. New York: Alfred A. Knopf, 2011.  Print. A Photo for Greta is a warm and appealing paean to paternal love. Alter’s personal memories of her father, a professional photographer, appear to be the source of inspiration for Greta’s story. Greta is a bunny whose father “travels all around the world taking pictures of very important people” which means he is away much of the time or he comes home from work after Greta has gone to bed. While her father is working, Greta often dresses up like the characters her father is photographing such as a ballet dancer or a circus performer. When her father decides to turn his lens on Greta, “It was the best day she could remember.” Two important themes are raised in the book:  how do kids cope when someone they love is away and they miss them? And, what makes parents, and particularly Dads, special? A list of activities found at the end of the book such as making a photo album of loved ones or interviewing parents about their lives can help children address these questions. Alter is both writer and illustrator. The soft-coloured and tender paintings are exquisite. Interspersed throughout the book are smaller illustrations and vignettes as well as arresting two-page spreads. Many of the illustrations are gently humorous such as the painting of Greta in full cowgirl regalia plucking a guitar and singing her solitary country song while her father is away photographing a country music band. The book is meant to be savoured and is aimed at readers between the ages of 4 to 7. The reassuring narrative, the exploration of a father and daughter relationship, and the sumptuous illustrations make A Photo for Greta a recommended purchase. Highly recommended: 4 of out 4 stars Reviewer: Tami OliphantTami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Tami Oliphant

Yoon, Salina. Who Do I See? New York: Random House, 2011. Print. Identifying five adorable animals and remembering five eye-catching colours are the challenges for toddlers and preschool children in Yoon’s book, Who Do I See?. The colourful illustrations are simple two dimensional cartoon drawings of familiar creatures including a fish, a tiger, a turtle, a ladybug, and a parrot. The illustrations of the animals are framed, and partially hidden, by cleverly placed cut out windows. The cut out windows allow readers to feel the shiny foil on the animal illustration such as scales on a fish, and, because the rest of the animal is hidden until the reader flips the page, children can try identifying the animal by thinking about common animal colours and shapes such as the black spots and red wings found on a ladybug. The text does not rhyme but playful repetition of the question and of the typical colours found on these animals will keep children engaged. The thick cardboard pages ensure that the book is not easily damaged. This interactive, guessing-game book will assist children in learning about different animals and different colours. Recommended: 3 out of 4 stars Reviewer: Tami Oliphant Tami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario. 


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Jenn Laskosky

Fergus, Maureen. You're in Good Paws. Illustrated by Kathryn Durst. Tundra-Random House Canada, 2019. Maureen Fergus’s You’re in Good Paws is about a young boy named Leo, whose parents accidently take him to an animal hospital to get his tonsils out. Leo is unsure about being at an animal hospital, but the animals do their best to make him feel comfortable and safe. Leo even ends up making friends with other animal patients. The illustrations, by Kathryn Durst, are bright and take up most of the space on the pages. The illustrations give children a lot to look at and explore. There are some hidden jokes throughout the book, which can be as entertaining for the adults as they are for the children. The text is very simple for children to follow and more difficult words, such as anesthesiologist, are explained in plain terms making it easy for children to understand. While the story of a young boy’s parents taking him to an animal hospital may seem silly, it puts a positive spin on going to the hospital. Leo’s adventure makes a hospital visit seem less scary and even puts a fun spin on having to get surgery. This book can be very useful for children who are unfamiliar with hospitals and have to have surgery or even just go in for a check-up. With that in mind, I would recommend it for elementary school and public libraries. Recommended: 3 out of 4 starsReviewer: Jenn Laskosky Jenn Laskosky is a graduate student at the University of Alberta in the Library and Information Studies program. She has an interest in health sciences librarianship and international librarianship. Her passion for reading has continued to grow throughout her education.  


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce

Watts, Irene N., Touched by Fire. Toronto: Tundra Books, 2013. Print.In the first decade of the 20th century, Miriam Markovitz and her family have fled their small town in the country to live in Kiev. She and her family are Jewish and the Tsar does not favor Jews. After narrowly escaping the pogroms, Miriam’s father Sam dreams of taking the whole family to America. Known as the “Golden Land”, in America Jews are free of persecution.     Over the next few years the family relocates to Berlin where Miriam’s parents and grandparents work hard to save enough money. The plan is for Sam to travel to New York ahead of the family. Miriam is fourteen years old when the first set of tickets to America arrives in the mail from her father. Leaving on the adventure of their lives, the Markovitz family must endure illnesses, family quarrels, and filth. For Miriam it seems crossing the ocean is the hardest thing she has very done, but she is destined to witness an even worse tragedy in her new country.     Touched By Fire is an enlightening story that brings to light many of the injustices Jews were forced to face, long before the anti-Semitism of the Nazis’ era. It is easy to form an attachment to the characters, and I found myself hoping and worrying for the Markovitz family. Miriam is especially vivid and comes out clearly as a strong and self-sacrificing heroine.These positive points aside, there were some peculiarities about this book that stood out in my mind. Firstly, Miriam’s journey is relatively tame, especially when you consider how graphic young adult literature has become. While there is a fair share of danger and hardship in the journey, Watts has left the harsher struggles to be faced by minor characters, leaving Miriam as merely a witness. I would also have liked more development of the characters Miriam met along the way. Leaving these characters underdeveloped reduced the impact of their struggles and made Miriam’s feelings about them somewhat flat. Finally, I must admit to some puzzlement as to why Watts chose to give the book the title Touched By Fire, as it refers strictly to the tragedy detailed in the conclusion, when most of the book’s focus is on Miriam’s journey and her maturation.In considering these criticisms alongside the overall story, I found myself divided as to how I felt about the book. I have to conclude that younger readers may not be drawn to these inconsistences and nuances, but would rather enjoy the story for the picture it paints of the time period. I have therefore given the book three out four stars. Touched by Fire is most suitable for children ages 9-13 and would be enjoyed by young readers that enjoy historical fiction.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Tami Oliphant

Nielsen, Susin. The Reluctant Journal of Henry K. Larsen. Toronto: Tundra Books, 2012. Print. Susin Nielsen is the acclaimed author of Word Nerd and Dear George Clooney: Please Marry My Mother. She has won several writing awards and has consistently created compelling, charismatic, and fully drawn characters. In her new novel, The Reluctant Journal of Henry K. Larsen, Nielsen explores dark and uncomfortable themes such as mental illness, bullying, violence, tolerating differences, and the quiet desperation felt by those who must refashion their lives after a tragedy. For readers concerned that the novel will break their heart, it does. And then it fills that broken heart with joy. Through his affecting journal entries, readers come to know 13-year-old Henry K. Larsen. His therapist recommends that he write about his thoughts and feelings in the aftermath of “IT”—hence the ‘reluctant’ diary. However, Henry’s diary entries are laugh out loud funny on one page and provoke tears on the next. Henry has an extraordinary voice that is unlike any other narrator. He is angry, confused, saddened, shamed, and lost after “IT” happened. He has moved with his father to Vancouver to try to piece together a new life but in reality, his family barely manages to make it through the day. Henry is leery of other people, pushes them away, and he cannot find a place for himself or make sense of his emotions after “IT.” The last thing that Henry anticipates is that he will open up to anyone about “IT”—not to his wonderful new friends Farley and Alberta, to his therapist, or to his two new neighbours. However, incidents at school and at home force Henry to talk about Jesse and the “IT” that changed everyone’s lives forever. The Reluctant Journal of Henry K. Larsen is a quick and deeply satisfying read. This book is required reading. Despite the darker themes, the emotional payoff is not only gratifying, but inspiring. Highly Recommended: 4 out of 4 starsReviewer: Tami OliphantTami Oliphant works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Sandy Campbell

Weiner, Andrew.  Down by the River: A Family Fly Fishing Story. Harry N. Abrams, 2018.  This is a beautifully illustrated book that tells a simple story about a boy, Art, who goes on a fly-fishing trip with his mother and grandfather. The story recalls a time when Art’s grandfather taught his mother to fish.  April Chu has used a subdued palette for her two-page riverine landscapes, with lots of green and rich autumn colours in the environment. The book has a calm and peaceful feel about it that mirrors the contemplative nature of fly-fishing.  The text is simple and descriptive of a day spent on the river. The reading level is too difficult for the intended Kindergarten to Grade 2 audience, so an adult will need to read the book aloud, especially those sentences that could confuse young readers with difficult concepts or complicated jargon: “The line arced forward and the fly landed softly a few feet above the rock. It drifted with the current past the rock. There was a splash and the line went tight.”  The last three pages contain information about fly fishing, the clothing worn by fly fishers and where to get more information about the sport. The end pages are decorated with images of intricate flys with such fun and mysterious names as: “Ian’s Crunch Caddis,” “Black Fur Ant,” and “Purple Parachute Adams.” This book is a good introduction to fly fishing for younger children that also tells a charming story. Highly recommended for school and public libraries. Highly Recommended: 4 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Tami Oliphant

Shapiro, Sheryl, and Simon Shapiro. Better Together. Illus. Dušan Petričić. Toronto: Annick Press, 2011. Print. This concept book is infused with a cheerful, slightly mischievous spirit as the authors and illustrator explore a wide variety of, and a broad notion of, mixes. Kids might be familiar with many of the mixes—mixing cinnamon and sugar to spread on toast, mixing water and dirt to create mud, mixing blue and yellow to make green or mixing water and flour to create glue. Other mixes are more abstract—mixing up each team member’s different skills to make a great soccer team or mixing up musical instruments to make raucous music. Each mix is explained by a playful, rhyming poem that is easy-to-read and delightful to read aloud. The writers themselves decided to mix things up—the book is this husband-and-wife’s first collaborative effort and their obvious pleasure in wordplay is apparent. For example, the first poem, which explains what mixes are, contains the line “You stir and squoosh them, squish and moosh them” to create a brand new thing. The lively text is supported by the equally zippy illustrations. The first illustration is a highlight as Petričić shows how mixing the separate ingredients of ideas, paper, and drawings can produce a wonderful new thing: a picture book. The mix of vivid illustrations and energetic text has created a fun book that both kids and parents will enjoy. The book is recommended for children ages 4-7. Recommended: 3 out of 4 stars Reviewer: Tami Oliphant Tami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario. 


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
Sandy Campbell

Durango, Julia, and Katie Belle Trupiano.  Dream Away.  New York:  Simon & Schuster Books for Young Readers, 2011.  Print. This is a delightful picture book with a gentle rhyme designed to lull children to sleep.  Reminiscent of “Moonbeam on a Cat’s Ear”, the father and child dream of sailing through the cosmos in an “old paper boat”.  They have a magical crew of a knight, a winged horse, two winged cats (pixies) and a dog.  As they wander through the heavens they are chased by the animals of the constellations.  Eventually, even the clouds and the moon fall asleep.  The rhymes are predictable - moon/balloon, seas/breeze, float/boat – the iambic pentameter rhythm is strong and regular, so pre-readers will quickly memorize the story and want to “read” along. While the colours in the illustrations are strong, all of the figures are soft-edged and rounded, giving everything a cuddly appearance.  The images often add content to the story.  For example, when the text reads, “We played with a bear, an archer, a hare.  A dragon gave chase, but the crew won the race”, the images show us a constellation bear throwing a ball of light and the boy on the edge of the boat, ready to swing at it with his baseball bat.  As they “glide down a glimmering slide”, we see the boy holding on to the winged horse’s tail, while the horse tows the boat down the Milky Way.  The moon is a balloon tied to the back of the boat.  In the final pages of the book, we see that most of the things in the story, the planets, cats, dog, winged horse and baseball bat are all objects in the boy’s room and he is wearing a paper hat shaped like the boat. This is a lovely, peaceful lullaby that is highly recommended for public libraries and small children’s rooms everywhere. Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Allison Sivak

Borden, Louise. Big Brothers Don't Take Naps. Illus.Emma Dodd. New York: Margaret K. McElderry Books, 2011. Print.A sweet, playful look at what older siblings do for their adoring youngers. The book is large-format, and Dodd often draws the children actual-size, which can make for an immersive feel of being in the page. The drawings are fairly simple ink drawings, which emphasize the emotions of the characters well, and they use much colour. The design also plays with fonts and text layout, making space for the adult reader to be a bit more playful in the reading – for example, the rocket ship countdown. As well as naming all the things big brothers can do, the story hints at a family secret: a new baby sister is coming, so Nicholas can himself now be a big brother. The book is a warm, positive story that children up to Kindergarten age will love.Recommended: 3 out of 4 starsReviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Emily Paulsen

Gino, Alex. George. New York: Scholastic Press, 2015. Print.George is a bright, funny, and somewhat shy girl. Her main problem? Everyone thinks she’s a boy. She looks like a boy, she was born with all the parts of a boy, but she knows that she is a girl. She believes that she will have to hide her true self forever until the chance to play Charlotte in the school’s production of Charlotte’s Web arises and, with the support of her best friend Kelly, changes everything.There are few characters in George that perform with complete virtuosity or complete viciousness. Instead, Gino presents a cast that reflects our own society: some are confused, some say the wrong things, some are cruel, some supportive, and some just worry about George’s safety as she moves into a frequently victimized population. Gino’s prose throughout the novel refers to George as “her.” This pronoun choice in addition to the powerful insight that readers gain from seeing into the mind of George, make it clear that George simply is a girl. Gino does excellent work to create this connection and understanding between George and the reader so that the reader can feel how wrong it is when George is treated as if she’s a boy. The incessant gendering of everyday life is apparent and absurd when it is forced upon George. People, being such visual animals, often focus on the appearance of transgender individuals or can find it difficult to reconcile seeing a “boy” and being told that they are actually a girl inside. But because George’s story has taken the form of the written word, we are not so distracted by what we see and we can instead be more open to understanding.Not just for those questioning their own gender identity, this novel works to inform and inspire empathy for all readers. It is an absolute necessity for a collection that strives for diverse representation.Highly recommended: 4 out of 4 starsReviewer: Emily PaulsenEmily Paulsen is recent graduate from the School of Library and Information Studies Master’s program at the University of Alberta. She is born and raised in Edmonton and enjoys travelling, food, and photography.


Sign in / Sign up

Export Citation Format

Share Document