Little Chicken Duck by T. Beiser

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Beiser.Tim. Little Chicken Duck. Illus. Bill Slavin. Toronto, ON: Tundra Books, 2013. Print. When a duckling refuses a frog’s invitation to jump into the water and paddle, the frog introduces her to the other birds and asks them to reassure her. One by one they confess the fears they faced when they were young. The owl mistook fireflies for goblins’ eyes, the lark was afraid to sing, and the robin hated getting wet. Each bird they meet tells a tale of overcoming their fears until the duckling is playing happily in the water. But what, the duckling wonders, made the frog afraid when he was a pollywog? The frog admits it was ducks.Little Chicken Duck is an amusing introduction to facing one’s fears. The rhymes are strong and designed to allow young voices to join in while an adult reads aloud, and Bill Slavin’s illustrations are, as always, bold, brightly coloured and inviting. The animals’ fears are portrayed with character and humour. My favourite, an American bald eagle, dramatically pronounces his fear of thunderstorms as if he were holding forth on centre stage: with his beak powerfully declaiming, his wing thrust out for emphasis and with pointed claws. A child may not catch all of what Slavin is portraying, but then something must be left to trigger an adult’s sense of humour as they read.Recommended stars: 3 out of 4 stars Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Dalrymple, Lisa. Skink on the Brink. Illus. Suzanne del Rizzo. Markham: Fitzhenry and Whiteside, 2013. Print.Stewie is a little skink, a member of an endangered species, and therefore very much “on the brink”. We meet young Stewie and his very blue tail as he enjoys life by a pond. Here in the forest he engages with other creatures, including a hungry weasel who pounces on him. The skink is safe, but his tail has popped off, leaving him free to escape the weasel’s clutches. Back grows the tail as beautiful as ever.However as Stewie grows he changes, and the beautiful blue tail is now a dull grey. Nothing feels right. Trying to escape the changes that are happening to him and mourning the loss of his blue tail, Stewie makes for a new pond. Here he meets a wise woodpecker who helps him to accept the changes in his colour as part of “growing up “. He sends Stewie back to his home pond, now more sure of himself and happy to be home.This gentle story of accepting the changes that growing up brings, and therefore accepting and loving yourself, is illustrated in lively pictures sculpted in modelling clay. The fine sense of texture and lively presentation complement the story well.Skink on the Brink won the SCBWI Crystal Kite Award (Canada) for 2014.Recommended: 3 out of 4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Bland, Nick. The Magnificent Tree. Illus. Stephen Michael King. Toronto: Scholastic Canada, 2013. Print.“Bonny and Pop were always bursting with ideas. Bonny’s ideas are clever yet simple, Pop’s are “big, brave and brilliant.” Nick Bland’s direct, down-to-earth text is constantly “set up” by Stephen King’s wildly inventive illustrations. Thus, when Bonny and Pop decide they wish to encourage the birds to stay nearby, they set about making a tree, each in their own way. Pop’s method is, as you may guess, big and brave, indeed his idea is so complex “it could not fit in his head all at once”. Bonny’s is simple- it basically fits into the palm of her hand. The results are fantastic, and simple, and “Just perfect.”This seems a simple story, but it has so much wit, gentleness and creativity in it, and so much to discover- both obvious and implied, that there are hours of pleasure in it.Each way of looking at life, Bonny’s or Pop’s, and each unique creation gives a text that is simple and clever and illustrations that are both bold and brave.This is the first time that the Australian author and illustrator have worked together.  May the partnership continue.Highly Recommended: 4 out of  4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Andrea Deakin

DiCamillo, Kate. Flora & Ulysses: The Illuminated. Illus. K. G. Campbell. Somerville: Candlewick Press, 2013. Print.The Tickhams have acquired a new, vigorous vacuum cleaner. It is far beyond Mrs. Tickham’s Control. Next door, Flora is reading about The Amazing Incandesto while skilfully ignoring her mother who, in any case, is up to her eyes writing romance novels. A powerful noise outside attracts Flora’s attention: Mrs. Tickham’s new cleaner is making directly for an innocent little squirrel. Flora is just in time to see the squirrel vacuumed up before it can react.Running gallantly to the squirrel’s relief Flora succeeds in saving the poor thin creature (well, half of its fur has been vacuumed away). Without hesitation she administers CPR and revives a remarkable creature: part squirrel (he is always hungry) and part Super Squirrel. The potentially fatal accident has left a squirrel gifted with: strength, the ability to fly, and a gift for poetry (if not spelling). Flora now has a friend, a companion, and a little trouble ahead.Relying on her favourite books “Terrible Things Can Happen to You” and “The Criminal Element”, Flora becomes involved with Ulysses the squirrel in a series of adventures that heal hearts, mend wounds, and expose truths. There are possibilities for trust, for friendship and for love - prompted by the affection of a unique squirrel plus Flora’s intelligence, perception and good heart. Many things are healed by them both, reconciliations are achieved and misunderstandings cleared.The squirrel sums up some of it in his poem to Flora:Nothingwould beeasier withoutyou, because you areeverything,all of it-sprinkles, quarks, giantdonuts, eggs sunny-side up-youare the ever-expandinguniverseto meFlora and Ulysses is a funny, sensitive, perceptive and thoroughly enjoyable book housing two unique heroes. It is one of Kate DiCamillo’s finest.Flora and Ulyssesis this year’s winner of the Newbery Medal.Highly Recommended: 4 out of 4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Andrea Deakin

Whamond, Dave. Oddrey. Toronto: Owlkids Books, 2012. Print Oddrey is different. "Her father said she danced to the beat of her own drum" - and a creative and colourful dance it is. Even her dog says, "Meow". When the children build snowmen Oddrey creates a colourful igloo. When the children have light bulbs of understanding, Oddrey has an elaborate chandelier. With Oddrey, all things are colourful, different and new. It is difficult, but inspiring, to sing in the rain when everyone else is miserably wet. It is hard to be cheery when others do not understand or appreciate you. "Sometimes Oddrey felt lonely." Everything changes when the good-natured Oddrey, cast against type as a very plain tree in "The Wizard of Oz", realizes that all is not going well and sets about helping the other students to remember their lines and dealing with a damaged stage set. Not only are her classmates grateful and accepting, they take a creative leaf from Oddrey's book and shine in their own way. This is a book to share, for there is so much to find in pictures that express, comment on, and enlarge the story. Lonely Oddrey works a complicated cat's cradle while lines of children strictly follow each other through the play station. After Oddrey's rescue, the same area is surrounded by children, hanging from the station, skidding down the slides in all kinds of inventive dress, walking on their hands, riding unicycles, all freed to be creative and adventurous, by a happy Oddrey. Dave Whamond's book is an engaging and witty celebration of creativity and an endorsement of being truly, and without fear, yourself. Oddrey's positive and sunny attitude enriches those around her and allows them to reach out and experiment too. Recommendation: 4 stars out of 4Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School; she later served as school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient, although she still cannot keep her nose out of good children's and YA fare.


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Andrea Deakin

Simard, Rémy . Gustave.  Illus. Pierre Pratt. Groundwood Books, 2014. Print.A young mouse has been playing with his friend, Gustav, just a little too far from home, and tragedy has struck. Pierre Pratt signals despair and disaster in the blackened pages and the first two words, “He’s gone.”  The grim grey streets echo a little mouse’s grief and fear, for it is a cat who has seized Gustav. “Run. Escape.” The mouse cries on his way home, worried about what his mother will say.Just a moment… black as the story seems, grim as the dark colours are that echo the mouse’s grief, look back. Look at the eyes of the two little mice as they cling. Are Gustav’s eyes those of a living mouse, or are they those of a toy?All is dark, only to become lighter as the mouse reaches home and tells his mother what has happened. She comforts him, and when he is calm, she takes him to a cupboard where there is another little stuffed mouse with Gustav’s button eyes. The little mouse looks, little mouse eyes to toy mouse’s button eyes. The young mouse finds that he can like his new toy.Rémy Simard’s tale expresses that deep affection for a toy that brings it alive in a special relationship -  think of Christopher Robin and Pooh. The loss of that toy may be devastating, but it can be relieved by an understanding adult and the coming of a new companion.A strong short tale completed by sensitive illustrations express first terror and then love and relief. That first childhood loss of a beloved companion, a teddy left on the bus, a doll abandoned at a picnic, whatever the scenario, here is the dark world of that loss and the warm comfort of a new companion.The tale may be seemingly too dark for many young children to read on their own. This is a book to share where re-assurance can make this expression of a first loss a story to appreciate.Recommended:   3 out of 4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2019 ◽  
Vol 9 (1) ◽  
pp. 1-16
Author(s):  
Nurna Ningsih ◽  
Arin Arianti

The objective of the research is to know the student’s mastery in using YouTube as teaching media while the students learn to be a peer teacher in TEYL. TEYL is Teaching English for Young Learner is one of the subjects that is taught for sixth semester students of English Department in Veteran Bangun Nusantara University of Sukoharjo. Students learnt to teach their friends as if their friends were young learner students by using many kinds of teaching Medias. Youtube video is the most favorite teaching media because it is easy to get by downloading it or just see it. Qualitative method was used in the study. The subject of the study was 6th semester students of English Department. The collecting data of the study were used observation, interview, and documentation. The observation was used in order to know students’ teaching mastery about YouTube as a teaching media. The interview used to know the students feel, inspiration of using YouTube, and the application of YouTube in class. The documentation itself were divided into three. First was video recording, second was note taking and third was pictures. While the data of the research was the script based on the video recording. Based on the research, the students used YouTube as teaching media with different treatment. 1. Collecting some videos in a PowerPoint the way to serve it to the other students, 2. YouTube video was combined with some written explanation in a PowerPoint, 3. the other students only used a video then played it as a teaching medium, 4. Students downloaded songs video from YouTube but it does not play in class but the students use the song by changing the lyric. Then the students sang it with the variation lyric they already made.


2020 ◽  
Vol 1 (1) ◽  
Author(s):  
Khairul Azmy

This paper examines the reasons behind the philosophy of the Indonesian government’s decision on abolishing English tuition in primary school. The Indonesian government has recently omitted English as compulsory tuition since English has been excluded in the curriculum at the primary level. The findings show that people have misinterpreted about whether English at the primary level is a compulsory, local-content or extracurricular tuition. In addition, it is found that teaching English at a young age is not practically efficient in Indonesia due to lack competence of teachers, unrelated syllabus and uninteresting teaching methods. Furthermore, the misconception of younger foreign language learners and cultural discrepancy are the other key findings in the issue provided. Ultimately, the implications of this article have given new insights on the issue of abolishing English tuition, whether it is effective or significant for primary students in Indonesia at this moment and condition.


Author(s):  
Usfah Vindy Arti

The purpose of this study is describing the use of internet based resources method in teaching English listening skills for primary school students in Ban Raisooksan School, Loei, Thailand. In this research the researcher describes the activities of teaching English listening skills by using internet based resources method. The data resources are from teacher and students in Ban Raisooksan School, Loei, Thailand. The students are from 5th grade (P5 students) and the total of the students are 8 students. The data were collected through observation and semi-structured interviews between teacher and students. The researcher go through six weekly listening activities using Internet based resources and assignments. Based on the study, this paper concludes that the use of internet based resources method would significantly improve the virtual teaching and learning. Through writing this article, the author hopes to improve the awareness of the internet based resources method by the teachers. The teachers will use the internet based resources method to carry on teaching in the classroom and help the students learn virtually.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Andrea Deakin

Goobie, Beth. Jason's Why.  Markham: Red Deer Press, 2012, PrintAs "Jason's Why" opens nine-year-old Jason is waiting as his mother carries his things down the stairs, waiting to be taken to a group home. His mother, in her "nice voice" has labelled him "a problem", claiming he is unmanageable when he screams and hits out, so now the social worker is coming to take him away. At the group home, mistrusting the adults, he hides food in case they do not feed him, watches the hands and feet of the adults in case they hit him, and picks fights with the boys at school so that they will respect him. Jason is living out what he has experienced, his frustration taken out in anger. All he truly wants is to be home with his mother and his little sister. He loves Linda and wants to protect her. The story is told in his own words, a simple direct vocabulary and short sentences which give a sense of his pent-up frustration. It is as he meets the calm disciplined approach of the adults now around him that he begins to calm down. He finds that he can relate more easily with them, and that his humour will encourage acceptance, at last, from the boys at school where his violence was self-defeating. Beth Goobie has an important message here. We feel that Jason's violence and frustration has been learned first hand from his family's violence, but the picture can be ameliorated by care, patience and genuine concern. Now for the difficulty, the book is written in the first person in a simple direct vocabulary and style. This is the voice of a poorly-educated nine-year-old. It brings us a believable hurting child, however I think it is a book that few children will pick up and read on their own, rather it is one to be shared and discussed in a class situation. Many nine-year-olds will be reading at a more advanced level and will be bored by the simple vocabulary and many will not relate easily to the circumstances of the story. There are also moments, too, when expressions or descriptions give away the adult voice behind Jason's story. When Joe explains how and why the staff restrain the boys when they become violent, or when Jason uses an expression like "a big bubble of mad" inside him you sense a narrator other than Jason. These are surely adult explanations of emotions hard for children to express. However the story will go a long way, with adult commentary, to explain to children, who may have an anguished child in their midst, exactly what is happening and what that child may have endured. Recommendation: 2 stars out of 4Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School; she later served as school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient, although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.


Sign in / Sign up

Export Citation Format

Share Document