Jason's Why by B. Goobie

2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Andrea Deakin

Goobie, Beth. Jason's Why.  Markham: Red Deer Press, 2012, PrintAs "Jason's Why" opens nine-year-old Jason is waiting as his mother carries his things down the stairs, waiting to be taken to a group home. His mother, in her "nice voice" has labelled him "a problem", claiming he is unmanageable when he screams and hits out, so now the social worker is coming to take him away. At the group home, mistrusting the adults, he hides food in case they do not feed him, watches the hands and feet of the adults in case they hit him, and picks fights with the boys at school so that they will respect him. Jason is living out what he has experienced, his frustration taken out in anger. All he truly wants is to be home with his mother and his little sister. He loves Linda and wants to protect her. The story is told in his own words, a simple direct vocabulary and short sentences which give a sense of his pent-up frustration. It is as he meets the calm disciplined approach of the adults now around him that he begins to calm down. He finds that he can relate more easily with them, and that his humour will encourage acceptance, at last, from the boys at school where his violence was self-defeating. Beth Goobie has an important message here. We feel that Jason's violence and frustration has been learned first hand from his family's violence, but the picture can be ameliorated by care, patience and genuine concern. Now for the difficulty, the book is written in the first person in a simple direct vocabulary and style. This is the voice of a poorly-educated nine-year-old. It brings us a believable hurting child, however I think it is a book that few children will pick up and read on their own, rather it is one to be shared and discussed in a class situation. Many nine-year-olds will be reading at a more advanced level and will be bored by the simple vocabulary and many will not relate easily to the circumstances of the story. There are also moments, too, when expressions or descriptions give away the adult voice behind Jason's story. When Joe explains how and why the staff restrain the boys when they become violent, or when Jason uses an expression like "a big bubble of mad" inside him you sense a narrator other than Jason. These are surely adult explanations of emotions hard for children to express. However the story will go a long way, with adult commentary, to explain to children, who may have an anguished child in their midst, exactly what is happening and what that child may have endured. Recommendation: 2 stars out of 4Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School; she later served as school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient, although she still cannot keep her nose out of good children's and YA fare.

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Beiser.Tim. Little Chicken Duck. Illus. Bill Slavin. Toronto, ON: Tundra Books, 2013. Print. When a duckling refuses a frog’s invitation to jump into the water and paddle, the frog introduces her to the other birds and asks them to reassure her. One by one they confess the fears they faced when they were young. The owl mistook fireflies for goblins’ eyes, the lark was afraid to sing, and the robin hated getting wet. Each bird they meet tells a tale of overcoming their fears until the duckling is playing happily in the water. But what, the duckling wonders, made the frog afraid when he was a pollywog? The frog admits it was ducks.Little Chicken Duck is an amusing introduction to facing one’s fears. The rhymes are strong and designed to allow young voices to join in while an adult reads aloud, and Bill Slavin’s illustrations are, as always, bold, brightly coloured and inviting. The animals’ fears are portrayed with character and humour. My favourite, an American bald eagle, dramatically pronounces his fear of thunderstorms as if he were holding forth on centre stage: with his beak powerfully declaiming, his wing thrust out for emphasis and with pointed claws. A child may not catch all of what Slavin is portraying, but then something must be left to trigger an adult’s sense of humour as they read.Recommended stars: 3 out of 4 stars Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Andrea Deakin

Whamond, Dave. Oddrey. Toronto: Owlkids Books, 2012. Print Oddrey is different. "Her father said she danced to the beat of her own drum" - and a creative and colourful dance it is. Even her dog says, "Meow". When the children build snowmen Oddrey creates a colourful igloo. When the children have light bulbs of understanding, Oddrey has an elaborate chandelier. With Oddrey, all things are colourful, different and new. It is difficult, but inspiring, to sing in the rain when everyone else is miserably wet. It is hard to be cheery when others do not understand or appreciate you. "Sometimes Oddrey felt lonely." Everything changes when the good-natured Oddrey, cast against type as a very plain tree in "The Wizard of Oz", realizes that all is not going well and sets about helping the other students to remember their lines and dealing with a damaged stage set. Not only are her classmates grateful and accepting, they take a creative leaf from Oddrey's book and shine in their own way. This is a book to share, for there is so much to find in pictures that express, comment on, and enlarge the story. Lonely Oddrey works a complicated cat's cradle while lines of children strictly follow each other through the play station. After Oddrey's rescue, the same area is surrounded by children, hanging from the station, skidding down the slides in all kinds of inventive dress, walking on their hands, riding unicycles, all freed to be creative and adventurous, by a happy Oddrey. Dave Whamond's book is an engaging and witty celebration of creativity and an endorsement of being truly, and without fear, yourself. Oddrey's positive and sunny attitude enriches those around her and allows them to reach out and experiment too. Recommendation: 4 stars out of 4Reviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School; she later served as school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient, although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Dalrymple, Lisa. Skink on the Brink. Illus. Suzanne del Rizzo. Markham: Fitzhenry and Whiteside, 2013. Print.Stewie is a little skink, a member of an endangered species, and therefore very much “on the brink”. We meet young Stewie and his very blue tail as he enjoys life by a pond. Here in the forest he engages with other creatures, including a hungry weasel who pounces on him. The skink is safe, but his tail has popped off, leaving him free to escape the weasel’s clutches. Back grows the tail as beautiful as ever.However as Stewie grows he changes, and the beautiful blue tail is now a dull grey. Nothing feels right. Trying to escape the changes that are happening to him and mourning the loss of his blue tail, Stewie makes for a new pond. Here he meets a wise woodpecker who helps him to accept the changes in his colour as part of “growing up “. He sends Stewie back to his home pond, now more sure of himself and happy to be home.This gentle story of accepting the changes that growing up brings, and therefore accepting and loving yourself, is illustrated in lively pictures sculpted in modelling clay. The fine sense of texture and lively presentation complement the story well.Skink on the Brink won the SCBWI Crystal Kite Award (Canada) for 2014.Recommended: 3 out of 4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 4 (1) ◽  
Author(s):  
Andrea Deakin

Bland, Nick. The Magnificent Tree. Illus. Stephen Michael King. Toronto: Scholastic Canada, 2013. Print.“Bonny and Pop were always bursting with ideas. Bonny’s ideas are clever yet simple, Pop’s are “big, brave and brilliant.” Nick Bland’s direct, down-to-earth text is constantly “set up” by Stephen King’s wildly inventive illustrations. Thus, when Bonny and Pop decide they wish to encourage the birds to stay nearby, they set about making a tree, each in their own way. Pop’s method is, as you may guess, big and brave, indeed his idea is so complex “it could not fit in his head all at once”. Bonny’s is simple- it basically fits into the palm of her hand. The results are fantastic, and simple, and “Just perfect.”This seems a simple story, but it has so much wit, gentleness and creativity in it, and so much to discover- both obvious and implied, that there are hours of pleasure in it.Each way of looking at life, Bonny’s or Pop’s, and each unique creation gives a text that is simple and clever and illustrations that are both bold and brave.This is the first time that the Australian author and illustrator have worked together.  May the partnership continue.Highly Recommended: 4 out of  4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Andrea Deakin

DiCamillo, Kate. Flora & Ulysses: The Illuminated. Illus. K. G. Campbell. Somerville: Candlewick Press, 2013. Print.The Tickhams have acquired a new, vigorous vacuum cleaner. It is far beyond Mrs. Tickham’s Control. Next door, Flora is reading about The Amazing Incandesto while skilfully ignoring her mother who, in any case, is up to her eyes writing romance novels. A powerful noise outside attracts Flora’s attention: Mrs. Tickham’s new cleaner is making directly for an innocent little squirrel. Flora is just in time to see the squirrel vacuumed up before it can react.Running gallantly to the squirrel’s relief Flora succeeds in saving the poor thin creature (well, half of its fur has been vacuumed away). Without hesitation she administers CPR and revives a remarkable creature: part squirrel (he is always hungry) and part Super Squirrel. The potentially fatal accident has left a squirrel gifted with: strength, the ability to fly, and a gift for poetry (if not spelling). Flora now has a friend, a companion, and a little trouble ahead.Relying on her favourite books “Terrible Things Can Happen to You” and “The Criminal Element”, Flora becomes involved with Ulysses the squirrel in a series of adventures that heal hearts, mend wounds, and expose truths. There are possibilities for trust, for friendship and for love - prompted by the affection of a unique squirrel plus Flora’s intelligence, perception and good heart. Many things are healed by them both, reconciliations are achieved and misunderstandings cleared.The squirrel sums up some of it in his poem to Flora:Nothingwould beeasier withoutyou, because you areeverything,all of it-sprinkles, quarks, giantdonuts, eggs sunny-side up-youare the ever-expandinguniverseto meFlora and Ulysses is a funny, sensitive, perceptive and thoroughly enjoyable book housing two unique heroes. It is one of Kate DiCamillo’s finest.Flora and Ulyssesis this year’s winner of the Newbery Medal.Highly Recommended: 4 out of 4 starsReviewer: Andrea DeakinAndrea has been involved with books since she was class librarian in Primary School, Student Librarian in Grammar School, student librarian for the Education Faculty when she was a student, and school librarian in schools both in England and in Canada, except for the first two years in Canada where she arrived in 1959. When she retired from teaching ( English and History) she was invited to review in February 1971, and continued to review for press, radio, and finally on the Internet (Deakin Newsletter from Okanagan College) until she retired in 2011. Forty years seemed sufficient- although she still cannot keep her nose out of good children's and YA fare.


2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Rosa Jaitin

This article covers several stages of the work of Pichon-Rivière. In the 1950s he introduced the hypothesis of "the link as a four way relationship" (of reciprocal love and hate) between the baby and the mother. Clinical work with psychosis and psychosomatic disorders prompted him to examine how mental illness arises; its areas of expression, the degree of symbolisation, and the different fields of clinical observation. From the 1960s onwards, his experience with groups and families led him to explore a second path leading to "the voices of the link"—the voice of the internal family sub-group, and the place of the social and cultural voice where the link develops. This brought him to the definition of the link as a "bi-corporal and tri-personal structure". The author brings together the different levels of the analysis of the link, using as a clinical example the process of a psychoanalytic couple therapy with second generation descendants of a genocide within the limits of the transferential and countertransferential field. Body language (the core of the transgenerational link) and the couple's absences and presence during sessions create a rhythm that gives rise to an illusion, ultimately transforming the intersubjective link between the partners in the couple and with the analyst.


Author(s):  
Е.Н. Юдина

интернет-пространство стало частью реального мира современных студентов. В наши дни особенно актуальна проблема активизации использования интернета как дополнительного ресурса в образовательном процессе. В статье приводятся результаты небольшого социологического исследования, посвященного использованию интернета в преподавании социологических дисциплин. Internet space has become a part of the real world of modern students. The problem of increasing the use of the Internet as an additional resource in the educational process is now particularly topical. The article contains the results of a small sociological study on the use of the Internet in teaching sociological disciplines.


Author(s):  
Mats Alvesson ◽  
Yiannis Gabriel ◽  
Roland Paulsen

Against a generalized loss of meaning in society, social scientists find it hard to undertake relevant research that addresses problems facing our world. Science has turned from a vocation aimed at improving the lot of humanity to a careerist game dominated by publishing hits in starred journals. Instrumental rewards replace the passion for discovery and the intrinsic quest for knowledge. Competition among academics and academic institutions, such as journals, universities, and professional bodies, is not intrinsically harmful. Competition in the social sciences, however, is currently resulting in large quantities of formulaic publications, increasing specialization, faddishness, opportunism, and a general ironing out of originality and relevance. Academic authorship and the voice of individual scholars is wiped out as most papers are co-authored by several researchers, each a specialist in his or her area. The result is a devaluation of scholarship and a privileging of technical expertise in narrow disciplinary areas.


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