scholarly journals News and Announcements

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
David Sulz

Welcome to spring for many of our readers - except those of us in northern Alberta where winter, beautiful winter, just won’t let go this year. You can be sure that we will appreciate spring all the more when it finally takes hold.On a sad note, Andrea Deakin (for whom this publication is named), informed us that Jan Ormerod recently passed away.  The Guardian’s obituary of Sunday, February 3, 2013 reminds us that Jan Ormerod “brought a fresh vision to children's picturebooks with her luminous images, storytelling genius and understanding of how children behave” and that she was “admired for her ability to cut away all that was unnecessary in her stories.” (www.guardian.co.uk/books/2013/feb/03/jan-ormerod).Although too late for interested groups to participate in the voting this year, the Rocky Mountain Book Award winners will be announced on April 23, 2013. This is a readers’ choice award in its 13th year where groups of students in grades 4-7 read, then vote for, their favourite book from a shortlist of “exemplary Canadian literature” chosen by a committee of teachers, librarians, parents, and students. The award is sponsored in part by the Lethbridge (Alberta) school district and the University of Lethbridge. All the information about participating and pervious winners is at http://rmba.lethsd.ab.ca/index.htm (although the website design is a little challenging to use).As indicated in our last issue, the various 2013 awards from the Association for Library Service to Children division of the American Library Association have been announced. The 2013 Newbery Medal (contribution to American literature for children) winner was The One and Only Ivan by Katherine Applegate. The 2013 Caldecott Medal (picture book artist) winner wasThis Is Not My Hat, written and illustrated by Jon Klassen. For other medal winners as well as “honor book” recognition, see www.ala.org/alsc/awardsgrants/bookmedia.By the way, if keeping track of book awards is a favourite past-time, have a look at the Canadian Children’s Award Index posted by the Canadian Children’s Book Centre at www.bookcentre.ca/awards/canadian_awards_index. I hope you have lots of free time if you want to keep track of them all.On that note, have a wonderful spring and start setting aside piles of books for your summer reading pleasure.David Sulz, Communications EditorDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.

2014 ◽  
Vol 4 (1) ◽  
Author(s):  
David Sulz

Probably, you are enjoying the wonderful summer by reading books, books, and more books. We, too, are busy reading and enjoying summer so the news this time around is brief.In June, Barbro Lindgren was awarded the Astrid Lindgren Memorial award at the Stockholm Concert Hall. This award, founded in 2002 by the Swedish Arts Council, is the world’s largest award for children’s and young adult literature at 5 million SEK (about $700,000 CAD). If it sounds suspicious that a Swedish writer with the same surname as the Swedish award’s Swedish namesake has won, rest assured that it truly is open to the world. In fact, Barbro is the first Swede among the 14 recipients (12 other countries represented). The selection process begins 15 months before the award with nominations coming from very select nominating bodies in various countries.ALMA: http://www.alma.se/en/Nominating bodies: http://www.alma.se/en/Nominations/Nominating-bodies/Did you know about Ireland’s Laureate na nÓg (Children’s Literature Laureate)? Eoin Colfer, best known for his Artemis Fowl books, is the third laureate to hold the 2-year term. He will continue the project’s aims of introducing and raising the profile of high quality children’s literature in Ireland. According to Wikipedia, the only other Children’s Laureate equivalents are in the UK and the USA but it does look like Australia has one as well as Sweden in the non-English world (somebody should update wikipedia entry …).See: http://childrenslaureate.ie/Previous Laureate na nÓg: http://childrenslaureate.ie/laureate-na-nog/We are proud that our very own Coutts Education Library at the University of Alberta recently launched their newly renovated Canadian Children’s Book Centre (CCBC) collection. It is “one of 5 regional collections of Canadian children’s and young adult materials” with the others in Toronto, Vancouver (UBC), Winnipeg (UManitoba), and Halifax (Mt. Saint Vincent Univ.).Launch Photos and Blog post: http://blogs.library.ualberta.ca/ednews/index.php/2014/07/02/2765/CCBC collections: http://www.bookcentre.ca/library/regional_collections/Also in the Coutts education library’s CCBC, Deakin editor Robert Desmarais had an opportunity to interview Jill Bryant during the 2014 TD Canadian Children’s Book Week. See the  interview here (6:53 duration): https://www.youtube.com/watch?v=NtdX4fj-CB4And yet one more CCBC-related note, the call for submissions for the Spring 2015 edition of “Best Books for Kids & Teens (BBKT) is out. The deadline is October 1, 2014. http://www.bookcentre.ca/news/call_for_submissions_best_books_kids_teens_spring_2015It struck me recently that a main source of summer reading for many Canadians is the biannual Cross Country Checkup Book List episode on CBC radio. So, I wondered if there were suggestions this summer for our readers. While most of the recommendations are for adults, there are a few that recall childhood reads (e.g. “Anne of Green Gables,” and “Who has seen the wind”) and a few suggestions:- "I think every high school student should be given a copy of Chester Brown's Louis Riel" (recommended by guest Craig Taylor)- “Anything by Charles De Lint ...pretty much the creator of Urban fantasy and intertwines stories of street kids with Gaelic and Aboriginal mythology” (from listener D. Price)http://www.cbc.ca/checkup/book-lists/2014/07/03/june-29-2014-summer-book-list/Have a great summer reading in the yard, on the couch, at the beach, in the family car, on a hammock, or wherever your summer reading finds you.David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
David Sulz

MacGregor, Roy. The Highest Number in the World. Illus. G. Despres. Toronto: Tundra Books, 2014. Print.It shouldn’t surprise you that Roy MacGregor writes a good children’s book about hockey especially if you read the Globe and Mail where he is a sports writer. Admittedly, I’m not a big fan of professional sport with little interest in stats, trades, and game results. However, Roy MacGregor always finds an interesting twist to set his stories apart.So it is with this book. On first glance, it seems to be about a hockey-prodigy; a 9-year-old girl idolizing a famous Canadian female hockey player so much she would give up playing because she has to wear #9 on her new team (not the #22 of her idol). How predictable and boring is that? BUT… her grandma sets her straight on why #9 is actually a better number to live “up” to (incidentally, “highest” in the title refers to height).The illustrations are fantastic - filled with witty references to the life of a Canadian, 9-year-old, hockey-loving girl such as drawings hung with hockey tape, embarrassing Velcro skates with toe-picks, sock-monkeys, and many more.A small quibble is the passive voice used in the first few pages; while chronologically correct, it detracts from the opening action just a little. Then again, hockey games themselves usually build up in intensity and excitement. The main reason for loving this book is the use of history to change perceptions. In a world so concerned with the desires of now, this book reminds us that the present is intimately shaped by the past (even if we don’t quite yet know how).    Highly recommended: 4 stars out of 4Reviewer: David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Allison Sivak

Lewis, J. P. Black Cat Bone: the Life of Blues Legend Robert Johnson. Illus. Gary Kelley. Mankato: Creative Editions, 2006. Print.Although this book is designed as a large-format picture book, Black Cat Bone is more likely to appeal to older children (middle school and adolescents) as a poetic text, with its rich illustrations and unusual narrative flow. The foreword of the book addresses a reader who knows some about blues musicians, as well as has some hint of the history of blues music in the United States. The language of the text is not trying to tell a linear story, but to be more evocative of a time, and of some of the historical context. The book actually has several texts: the address of the historical context that bookends the work, the bluesy poems which make up the majority of the text, excerpts from Johnson's own lyrics, and a footer running throughout the book, which provides aphoristic summaries of Johnson's story: “He was destined for legend not a field hand's work.” Each text tells a part of the interpretation of Johnson's story. With the images, it adds up to a faceted narrative of the man and his musical legacy. The illustrations alternate between impressionistic pastels in deep dark colours, reinforcing the air of mystery around Johnson's life as understood by popular culture. Kelley's other illustrative style is reminiscent of Indonesian shadow-puppets, dramatic and exaggerated in their execution. A particularly lovely example is show in full on the cover, a depiction of Johnson and the devil facing each other, each with a hand on the guitar. This image is reproduced in the text, split by the page turn in a clever design turn. Recommended: 3 stars out of 4Reviewer: Allison SivakAllison Sivak is the Assessment Librarian at the University of Alberta Libraries. She is currently pursuing her PhD in Library and Information Studies and Elementary Education, focusing on how the aesthetics of information design influence young people’s trust in the credibility of information content.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz

Card, Orson S. Pathfinder. New York: Simon Pulse, 2010. Print. Two warnings are in order before you read the first line. It is long (657 pages) and just the first in a series. Warnings are offered because the story is so completely engrossing that your sense of time will be altered. While you are in the story, time will speed up or slow down with the pace of the story and you will want to linger in some passages to figure out what is going on but speed through others to find out what will happen. When you are away from the story, your sole thought will be how to get back to it. Hours will pass in seeming minutes and minutes will linger for hours. And, as you approach the last few pages with the disappointment that comes when a great story ends but the satisfaction that all the loose ends will be tied up, a twist gets thrown in to make you desperate for the story to continue. These are the likely reactions for those who love science-fiction fantasy stories set in a future that is more like the past, with multiple story lines that converge and diverge, and characters who discover they have abilities that seem far-fetched yet somehow possible if only we knew a few secrets and had the will-power to practice them. This is a story about time travel and intrigue where people are not simply good or bad; in fact, each character is both with the ultimate judgment falling on the reader. The typeface splits the novel into two strands. In one, Ram and the expendables control a spaceship filled with sleeping human colonists that “make a daring leap into theoretical physics” to colonize another earth-like planet. The jump into the fold creates nineteen ships moving backward (yet forward) through time. In the other strand, thirteen-year-old Rigg is thrust from his life in the forest with his father’s dying order for him to find his mother and sister using a bag of nineteen jewels and the name of a banker in the city. Along the way, Rigg collects a trusty band of companions to help him. As expected, they have many adventures which are quite unexpected even for readers of similar novels. Fortunately, all that seemingly useless education from his father in the forest turns out to be very useful after all. The writing is fantastic without a word out of place, the characters are believable whether they are youths or adults, and the author is a master of creating new worlds and new words that are readily understandable. I saw hints of many favourite fantasy/science fiction/historic future adventure stories: Harry Potter, the Hobbit, Hitchhiker’s Guide to the Galaxy, and of course, Orson Scott Card’s own series starting with Ender’s Game. It would be impossible to put an appropriate age on this book as it can be enjoyed (or not) at many different levels – the writing is probably understandable for some starting in grade 5; the cover says “12 and up.” Highly recommended: 4 out of 4 stars Reviewer: David SulzDavid is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Darilyn Randall

Wild, Margaret. The Sloth Who Slowed Us Down. Illustrated by Vivienne To, Abrams Books for Young Readers, 2018. You’ll want to make a speedy trip to the nearest bookstore to pick up a copy of Margaret Wild’s The Sloth Who Slowed Us Down. Together with Vivienne To’s illustrations, this simple story about how a little sloth can be a big example could make anyone want to stop and smell the roses. Life seems to speed up every day, work needs to get done faster so we have time to quickly make dinner, quickly exercise, and then quickly move on to the next thing we feel like we need to speed through. In her newest children’s book, Wild’s descriptive prose directly mirrors Sloth as he teaches Amy’s family the importance of taking our time and enjoying living in the moment. Realistically, we are all very busy, moving from one task to the next without indulging in the little things, the happy moments and the details. Everyone from busy families to teachers to even grown-ups with grown-up jobs and responsibilities could benefit from giving this adoring story a read. The colourful but soft illustrations created by To provide new detail and add more expression to Wild’s story each time it’s read. Illustrations of Sloth make you want to snuggle him while you read this story and feel like a child again. Through her descriptive writing, Wild portrays Sloth’s actions quite clearly. She includes phrases, such as “Sloth had a long, leisurely bath. . .” that roll off the tongue in a way that makes you feel like you’re taking your time, but in the best sort of way.  Highly recommended: 4 out of 4 starsReviewer: Darilyn Randall Darilyn Randall is a fourth-year student at the University of Alberta completing her Bachelor of Elementary Education. She is interested in teaching in a Division 1 classroom where she can incorporate children’s literacy into cross-curricular activities.


2013 ◽  
Vol 2 (4) ◽  
Author(s):  
David Sulz

Tsiang, Sarah. Warriors and Wailers: One Hundred Ancient Jobs You Might Have Relished or Reviled. Illus. M. Newbigging. Toronto: Annick Press, 2012. Print.   I did not confirm that there really are 100 jobs in this colourful and well-illustrated little book but there certainly are many, and a wide variety. The index does list the title’s “wailer” but not “warrior.” In fact, there are several warrior-ish jobs such as watchtower guard, female warrior, military service-conscripted, Shaolin warrior monk, and even a few illegal warrior-like positions (e.g., assassin, pirate admiral, and rebel leader). This book is one in a series of “jobs in history” books by Annick Press but is not merely a formulaic adaptation. These really are ancient Chinese jobs and many probably did not exist elsewhere (e.g., pearl maker, jade worker, lacquer worker, acupuncturist, or bone diviner). It also seems the jobs are arranged in an appropriate order, reflecting decreasing rank and honour from the Emperor and imperial jobs, through scholars and servants, to peasant farmers, then artisans and craftspeople, and finally, merchants who did not grow or make anything (with some illegal jobs at the end). The short introductions to the Chinese dynastic method of counting years, education, rank and honour, religion and schools of thought are really helpful in providing context to a culture that is quite different for most readers.  If I could suggest one addition, it would be a consideration of how we know today about jobs that existed between the Han and Tang dynasties (206 BCE to 907 CE) more than 1000 years ago. The answers (presumably a combination of the ancients’ meticulous record keeping and desire for meaningful artistic ornament, combined with conscientious preservation, and modern skills in the humanities and social sciences) would shed further light on interesting jobs, careers, and intellectual pursuits for today’s students. There may be a few, minor short-comings. One is a subtle, underlying theme suggesting more individual choice of careers than there actually was. Another is some job “descriptions” refer to something that maybe happened only once in history – not really an everyday job. Also, the examples of Chinese script, while illustrative, seem to be just a little off in terms of balance or correct stroke order. But these are minor. Overall, this book is a wonderful introduction to Ancient China that should stimulate further exploration into the fascinating study of History. Recommended:  4 out of 4 starsReviewer: David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2013 ◽  
Vol 3 (1) ◽  
Author(s):  
David Sulz

Morstad, Julie. how to. Simply Read books, 2013. Print. Anyone who is a fan of creative and lateral thinking will love this book. The simple text and illustrations evoke complex connections and imagination. The title gives away that it is a “how to…” book but the things to do and learn are not your usual “… make cookies” or “… build a birdhouse.” I love that the text problems are answered by text-less illustrations. For example, “how to make new friends” is answered by an image of a child making sidewalk chalk drawings of various creatures (including people) and “how to wash your socks” is accompanied by a group of children stomping in a puddle of clean-looking water. While a few “how to’s” are answered with several possibilities, most have only one. This might be considered a weakness or, on further reflection, the multiple-answer examples suggest a pattern so the reader will search for their own variations.I’ll admit to some discomfort with the choice to make all the “how to” phrases unpunctuated and in lower case letters because I believe proper writing is learned through example. However, it is a tiny quibble about an inspirational book. I will be sure to feel the breeze and appreciate the face wash on my bike ride home in the rain.Recommended:  4 out of 4 starsReviewer: David SulzDavid is a Public Services Librarian at University of Alberta and liaison librarian to Economics, Religious Studies, and Social Work. He has university studies in Library Studies, History, Elementary Education, Japanese, and Economics;  he formerly taught in schools and museums. His interests include physical activity, music, home improvements, and above all, things Japanese.


2012 ◽  
Vol 1 (4) ◽  
Author(s):  
Debbie Feisst

Shireen, Nadia. Good Little Wolf. New York: Alfred A Knopf. 2011. Print. Good Little Wolf is British illustrator Nadia Shireen’s picture book debut, and a successful one at that. Shireen, who earned an MA in Children’s Book Illustration from Angela Ruskin University in Cambridge, originally planned a career in law but thankfully pursued her passion for illustration and now, authorship. The story begins with the narrator ensuring a group of youngsters, including a red-hooded girl and a (soother) suckling pig are all comfortable. Rolf is a good little wolf. He is helpful to his friends, the elderly Mrs. Boggins and Little Pig, eats his vegetables and enjoys baking.  One day Rolf meets a Big Bad Wolf, who is clearly surprised by Rolf’s goodness; young children will delight at the Big Bad Wolf sniffing Rolf’s butt to confirm that he is, indeed, a wolf. A few tests are in order to determine his wolf-ness and Rolf fails miserably – until the Big Bad Wolf shows up with Mrs. Boggins and a fork. Suddenly Rolf shows his fierce side and the Big Bad Wolf is going to reform – or so it seems. The quirky illustrations and fresh take on a traditional tale will delight the 4-8 crowd, though parents may need to do some explaining after the final twist when we learn the identity of the narrator . I look forward to Shireen’s next book and won’t have to wait long – “Hey, Presto!” is due out this summer. Recommended: 3 out of 4 stars Reviewer: Debbie FeisstDebbie is a Public Services Librarian at the H.T. Coutts Education Library at the University of Alberta.  When not renovating, she enjoys travel, fitness and young adult fiction.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Sandy Campbell

Kigjugalik Webster, Deborah.  Akilak’s Adventure.  Inhabit Media, 2016.This is a first children’s book from Deborah Kigjugalik Webster, who grew up in Baker Lake, Nunavut.  It is a story of a little Inuit girl navigating the tundra by herself to reach her uncle’s camp.  As the child walks, she is joined by a caribou, who mysteriously knows her grandmother’s saying, “Your destination did not run away, you will reach it soon.”  The conversation between the two is about people changing into animals, but Akilak in the end decides to remain a person.   The story is deceptively simple.  On the surface, children will understand it as a little girl’s adventure.  However, it encompasses several important aspects of Inuit culture:  the relationship between grandparent and child, the importance of extended family support, the prominence of animals and the stories of people taking the shape of animals, the distance of travel across the tundra and the related concept of taulittuq or the sense of moving but not getting closer to your destination.Charlene Chua’s artwork is charming. Each two pages are an image with text overprinted on one page, often shaped to fit around parts of the image.  The images are simple and cartoon-like, but good representations of the tundra and its creatures.  While this is mainly a picture book with an intended audience of children ages 5 to 7, the reading level is upper elementary, so younger children will definitely need an adult to read it to them.Akilak’s Adventure would be an excellent addition to public libraries and elementary school libraries.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
David Sulz

Kozlowski, Michal. Louis the Tiger Who Came from the Sea. Illus. Sholto Walker. Toronto: Annick Press, 2011. Print. If you are a logical thinker, as many adults are, this book just does not make sense. How could a tiger be mistaken for a carrot or a pumpkin? What do white chin-patches and nose-tickling whiskers have to do with the name Louis? Why would you put on swimsuits and snorkeling gear to nudge a bucket of breakfast cereal into a sleeping tiger’s belly with a push-broom? And, above all, what self-respecting parents would parade their family dressed up as a narwhal, dolphin, blowfish, and 6-tentacled octopus to lure a tiger back to the ocean so it can swim into the orange sunset? On the other hand, if you can appreciate whacky logic and enjoy engaging illustrations with thoughtful background details and telling facial expressions, you will find yourself reading this story over and over until it eventually almost makes sense. If you figure out why 24 words are printed in larger type and bright colours, let me know!  Recommended age from press release: 4-7 years. Recommended: 3 out of 4 stars Reviewer: David Sulz David is a librarian at the University of Alberta working mostly with scholars in Economics, Religious Studies, and Social Work. His university studies included: Library Studies, History, Elementary Education, Japanese, and Economics. On the education front, he taught various grades and subjects for several years in schools as well as museums. His interest in Japan and things Japanese stands above his other diverse interests. 


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