scholarly journals My Name is Parvana by D. Ellis

2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Kathy Inglis

Ellis, Deborah. My Name is Parvana. Toronto: Groundwood Books, 2012. Print. In this final book in the The Breadwinner series, we meet the indomitable Afghani protagonist, Parvana, again, at the age of 15. The story begins with Parvana being interrogated in an American military base after she is discovered in a bombed out school.  She refuses to acknowledge her captors and remains silent. The story unfolds through Parvana’s flashbacks as she endures the various methods employed to make her talk, including food and sleep deprivation.. We learn that Parvana’s family has left the refugee camp and started a school for girls. It seems their dreams have come true, but there is danger everywhere. New laws are in place to protect women’s rights, but old habits and beliefs, die hard. Threatening notes begin to arrive. Parvana is accosted in the streets.  Students and teachers are driven away by the threats, and without students the school will lose its funding.  The setbacks continue to pile up until at last we realize why Parvana is alone and imprisoned. Through careful crafting, Ellis creates a story that is heartrending without being horrific. Skillful use of flashbacks and foreshadowing soften the shock of atrocities by giving us clues before they occur. She shows respect for her young readers by giving enough detail for them to understand what is happening without becoming gory. Despite the incredible challenges she faces, Parvana finds hope, and new dream, in the end. This novel also provides a wonderful opportunity to discuss the use of voice in writing.  Some people would say Ellis, a white, Canadian woman, has no right to use an Afghani voice. Yet Ellis’ is an educated voice. She has spent time travelling in Afghanistan and interviewing Afghani children.  In an interview for Page Turners Book Club, Ellis asserts that she is giving voices to people who do not usually appear in books and providing information for children and teens who are “hungry to find out about how the world works and how they can create their own place in the world”. My Name is Parvana is an appropriate companion for Ellis’ non-fiction book Kids of Kabul: Living Bravely Through a Never-ending War and other information texts about children’s lives in Afghanistan.  While Ellis should not be the only voice for Afghani women and children, hers is certainly a powerful and effective one.  Her goal of building connections for young Canadians and creating a climate for understanding is laudable. Highly recommended: 4 out of 4 stars Reviewer:  Kathy Inglis Kathy Inglis is a teacher-librarian and kindergarten teacher at South Park Family School in Victoria, BC and a Masters student in the Teacher-Librarianship through Distance Learning Program at the University of Alberta. Her favourite part of the job is seeing the excited look on the faces of students who have found that perfect book.

2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Kathy Inglis

Horvath, Polly. One Year in Coal Harbour. Toronto: Groundwood Books, 2012. Print. In this sequel to the multiple award winning, Everything on a Waffle, Horvath’s signature quirky humour and insights into human nature emerge once more as we follow 12-year-old Primrose Squarp’s attempts at matchmaking, at finding a best friend, and at generally trying to make life turn out right. The lovable Evie and Bert, who took Primrose in when her parents were lost at sea, sensible Uncle Jack, the entrepreneur who returned to Coal Harbour to look after Primrose, and fiercely independent Miss Bowzer, Primrose’s confidant and owner of The Girl on the Red Swing where everything is served on a waffle, return from the first book to help Primrose navigate life as a ‘tween’ in Coal Harbour.  In one year, Primrose learns about defending what she cares about, letting people make their own choices, and accepting the flaws in herself as well as others.  Primrose faces some hard lessons but readers will be glad to know that everything turns out, if not perfectly, then as it should, in the end. Horvath broaches issues related to foster children, unfit parents, environmental protests, relationships, and grieving, with honesty and empathy, showing real respect for her young readers’ ability to understand the nuances of these situations. Her characters embody the quirkiness and wisdom of small town life, making them even more believable. Each chapter begins with “What Happened...” or “What Didn’t Happen...” leading the reader along through the traumatic events of Primrose’s year in Coal Harbour, and ends with a recipe Primrose collects for the local cookbook she is writing bringing the tale back to the comfort zone of mundane details.  With this marvelous glimpse of the world from the eyes of a 12-year-old girl, peppered with high hopes, frustration, insight and humour, Horvath has done it again. She has left me wanting more. Highly recommended: 4 out of 4 stars Reviewer: Kathy Inglis Kathy Inglis is a teacher-librarian and kindergarten teacher at South Park Family School in Victoria, BC and a Masters student in the Teacher-Librarianship through Distance Learning Program at the University of Alberta. Her favourite part of the job is seeing the excited look on the faces of students who have found that perfect book.


2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Metthea Maddern

TenNapel, Doug. Cardboard. New York: Scholastic Graphix, 2012. Print. Following award winning Ghostopolis and Bad Island, acclaimed author and illustrator Doug TenNapel delivers another highly enjoyable graphic novel with Cardboard. The story begins with down-and-out dad, Mike, desperately needing a birthday present for his son Cam. With less than a dollar in his pocket, Mike happens upon a strange man who is selling cheap toys. Old Man Gideon is peculiar, but offers Mike a very special present for his son: a cardboard box. Not only does Mr. Gideon rave about what a stupendous present the box is, he explains that there are two rules that come with ownership of the box. Mike agrees to the conditions without paying much attention to them, and takes the box. At home, Cam tries to hide his disappointment with his birthday present, and agrees to work with his dad to turn the box into something better - a boxer. Later that night, Cam is awoken by his cardboard creation, a boxing champion named Bill, who has magically come to life! Rich kid and neighborhood bully, Marcus, can’t believe his eyes when he sees Bill mowing Cam’s lawn the next day, and wants Bill for himself. When Cam refuses to trade Bill for any of the expensive toys that Marcus offers, Marcus steals the remaining scraps of magic cardboard from Cam’s room and begins making cardboard creations of his own – evil ones. Soon Marcus has created so many monsters that he loses control of them, and in desperation turns to Cam for help. What follows is a fast-paced, action-packed adventure through the world of Marcus’ imagination. The boys form a bond as they struggle to escape and save each other from a variety of vicious monsters. Both Marcus and Mike are transformed by these experiences, resulting in an uplifting ending that offers readers hope. TenNapel deftly weaves together themes of friendship, poverty, bullying, and loss in this engaging and beautifully illustrated graphic novel. The cover itself is difficult to pass up, as the intense yellow eyes on the cover can’t help but elicit curiosity. The illustrations are well-suited to the story; they are highly animated and expressive, and the cardboard characters are delightfully cartoonish. The colors used throughout are an effective backdrop for the story and contribute to the overall setting and mood. I would recommend this book for upper elementary and middle school students and reluctant readers in particular. It is sure to capture the imaginations of all readers: What would you make if you had a box made of magic cardboard? ​ Highly Recommended: 4 out of 4 stars Reviewer: Metthea Maddern​ Matthea is a Masters student in the Teacher-Librarianship through Distance Learning Program at the University of Alberta.


2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Alanna King

de Lint, Charles. Wildlings Book 1: Under My Skin. Toronto: Razorbill Canada, 2012. Print. This Young Adult fantasy begins in present day Santa Feliz, California.  The story unfolds through two voices, Josh and Marina, who are best friends.  This school year, each character has become a Wildling, someone who shape shifts from human to animal form. As more and more local teens are becoming Wildlings overnight, government and corporate organizations move in to lock down the situation.  Josh’s quest is to make sure any external interest has good intentions, and Marina’s journey is more about acceptance and making sure that Wildlings are treated with respect. Both Josh and Marina are caught up in the movement as different factions of Wildlings compete for their attention.  Some come across as eco-warriors, while others explore the spiritual blessing nature of shape shifting and other natural gifts. Every single adult and teen group involved in the Wilding phenomenon has a different agenda, and neither Josh nor Marina can identify where they belong.  Instead, Josh is singled out as a natural leader, as his animal self, the mountain lion, is one of the oldest animal clans known.  Marina’s intentions of aiding the Wildling cause confuse her as she has to choose between the cause and her own dreams. The alternating voices in each chapter allow the reader to understand the perspectives more deeply. This novel is a familiar story of teens being misunderstood as they go through their quest for identity.  The shape shifter motif allows the author a way to explore questions of identity in sexuality, race and belief. As the shape shifter story is now a popular culture meme, this puts Under My Skin clearly in a fantasy category for beginners.  The book ends as Josh and Marina escape their first test of Wildling experimentation leaving room for the proposed sequel to take place. The story hints briefly at stirrings of sexuality and the violence is dramatic but not overdone. This novel’s realistic and modern setting will appeal to most any reader who is ready to dabble in the fantastic. Readers who are more experienced with the genre may find de Lint’s explanations of fantastical elements to be juvenile.   Recommended: 3 out of 4 stars Reviewer: Alanna King Alanna King is a Masters student in the Teacher-Librarianship through Distance Learning Program at the University of Alberta.


Author(s):  
Jennifer Branch-Mueller ◽  
Joanne De Groot

This paper explores the development of the Teacher-Librarianship by Distance Learning Program at the University of Alberta in Edmonton, Alberta, Canada. It explores the development of the program from 1997 onwards, discusses the challenges and opportunities of Learning Management Systems, and explores key changes in the program over time. One key change has been the impact of technological changes and advances on teaching and learning. Participatory Culture and Connectivism are explained and the implications for this program are discussed. The authors understandings of teaching and learning in online environments have changed over the past 15 years. Key lessons learned and future plans are also highlighted.


2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Metthea Maddern

Nytra, David. The Secret of the Stone Frog. Somerville: TOON Books, 2012. Print. The Secret of the Stone Frog is the first graphic novel for children from newcomer David Nytra. This book seems to be steeped in various traditions from children’s literature, making it at once new, yet familiar. Anthropomorphic animals, delightful and peculiar worlds, and adventure in a dream are just a few of the traditions that Nytra draws from. Siblings Leah and Alan wake up one morning and are surprised to find themselves in the middle of an enchanted forest. As they are wondering how to get home, a stone frog speaks up and offers to be their guide. On their journey home, the brother and sister travel through a strange and spectacular world, not unlike Alice in Wonderland, where they encounter fantastic creatures at every turn. First they come across a garden with giant bees, then an orchard with enormous cherries where they meet some lions that play croquet and keep giant rabbits as pets. The lions, who are dressed as dandies, are both friendly and familiar; you feel like you know them from somewhere but you’re not quite sure where, and you wish you could spend some more time with them. Later in their travels, Leah and Alan encounter walking deep-sea creatures dressed in Victorian hats and suits, oddly proportioned humans, and buildings that seem to be fluid and alive. Upon returning home, Leah announces that their parents have decided she is old enough to have her own room, leaving the reader wondering if this was a final journey into a fantasy world, or a first journey that was meant to prepare Alan to go back on his own. Not surprisingly, readers are drawn into the fantasy world right from the very first panel. Nytra’s black and white pen and ink drawings are stunning. Finely rendered, busy backgrounds contrast with the simple shapes and faces of the children and the frogs. Further contrast is noticeable between things that are depicted realistically and those that are more cartoonish. Nytra masterfully uses black and white to enhance the feeling of the story; some panels are light and whimsical while others are dark and frightening. Simple dialogue makes this book accessible for young readers in grades two and three, although older children that are fond of fantasy are also likely to enjoy this charming book. Some illustrations may frighten young children. Recommended: 3 out of 4 stars Reviewer: Metthea Maddern Matthea is a Masters student in the Teacher-Librarianship through Distance Learning Program at the University of Alberta.


2014 ◽  
Vol 7 (2) ◽  
pp. 33-40
Author(s):  
Wren Kauffman

In this interview, 12-year-old Wren Kauffman shares his earliest memories of "not feel[ing] right" in his body and how he conveyed this powerful sentiment to his parents. Wren and his mother Wendy discuss the transgender journey their family has gone on, which initially started by contacting the Institute for Sexual Minority Studies and Services at the University of Alberta. Wren recounts how he told friends and classmates that he was transgender, talks about the support and openness he has received from teachers, friends, and schools, and of the critical importance of acceptance. Issues such as bullying, gender-neutral spaces, and diversity are also discussed. In addition, Wendy emphasizes the key role education plays in the inclusion of transgender children: "If we can start from a place of education, and explain that there is a really wide kind of variety of different ways that people can be born, that’s going to help society and people in general understand that transgender people are in the world."


2020 ◽  
Vol 39 (10) ◽  
pp. 760-760
Author(s):  
Nancy House

Donald Macpherson was born in Edmonton, Alberta, Canada, on 6 October 1941. He passed on 20 August 2020. Though he was a proud Canadian till the end, he clung to his Scottish culture and became a fixture with his bagpipes at many events throughout the Dallas–Fort Worth area. He attended the University of Alberta, initially studying music and fine arts and earning a bachelor's degree in 1964 with a minor in math and chemistry. He graduated with a master's degree in isotope geochemistry and geophysics from the University of Alberta in 1965. Don walked into the “best job in the world” as a geophysicist at Mobil Oil Canada in 1965. There, he was responsible for seismic acquisition crews, processing, and interpretation of geophysical data.


2012 ◽  
Vol 2 (3) ◽  
Author(s):  
Ortensia Norton

Seeger, Laura Vaccaro. Green. New York: Roaring Brook Press, 2012. Print. The book, Green reminds us that green is a pervasive colour in the world. Like her book, Black, White, Day, Night: A Book of Opposites, the die cuts will astonish you as two leaves turn into fish on the next page, making you anxious to flip the pages quickly to view the next image. But refrain from flipping too quickly or you will miss the beauty of the acrylic paintings on each page. Only gather a couple children around you as you read, or they will fight over who gets to have it in their arms. With only 38 words, the illustrations need to be looked at carefully. Allow time for their eyes to take in all the details. Be prepared to stop and go back to the previous page because they will realize that somehow they missed something important. Don’t be surprised if the children grab for the lime, reach down to smell the flower, or are scared by the tiger. They will rub the pages; they will feel the texture and might be disappointed that the page is smooth. Younger students will enjoy the predictability of the word ‘green’ on each page. It won’t take them long to recite the book with you, with only two or three syllables per page. Older students will be inspired by the art work and could use the book as an exemplar for an art project. Other students could pick a different colour and find words and pictures to describe the different hues of their chosen colour. Green could be used in science class, to discuss how each hue is created. I would love to see Ms. Seeger create a whole series of colour books!! Highly Recommended: 4 out of 4 Stars Reviewer: Ortensia Norton Ortensia Norton is a Teacher Librarian with Edmonton Public Schools. She is currently enrolled in the TL-DL program through the University of Alberta. She thinks that her jobs as mom and librarian are the best jobs in the world because you get to see the delight on children's faces when they fall in love with a book.


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Sandy Campbell

Mingan:  my village. Illus. Rogé. Trans. Solange Messier.  Markham, ON:  Fifth House Publishers, 2014.  Print.This is one of the most unusual Canadian Indigenous children’s books to have been published recently.  It is an art book composed of fifteen of illustrator Rogé's portraits of Innu children from the village of Mingan (“Ekuantshit” in the Innu-aimun language) on the North Shore of the Gulf of St. Lawrence.  The images are accompanied by fifteen poems written by the children.  Each of the portraits covers an 8.5 X 14’ page and is an almost life-sized likeness painted from a photograph.  The images are mainly sepia tones with some orange, blue and red highlights.  These portraits will allow children elsewhere in the world to see what an Innu child looks like. The poems are the result of a poetry writing workshop led by Laurel Morali and Rita Mestokosho at Mingan.  They are also published in the back of the book in Innu-aimun.  The works are simple, unsophisticated and present a child’s view of the world.  Nature and grandparents figure prominently in the works.   For example:                        In the wind's light, the pain of the heart                        The blue river                        When I listen                        I have a memory of my grandfather                        He tells me he is well                        This comforts me                        I know he protects me                        That he watches me                        I cry when he is not beside me                                                                       Sabrina                       Overall this is a striking work that could fit both in to art collections and children’s libraries as well as those collecting Canadian Indigenous materials. Highly recommended: 4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


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