scholarly journals Many Wonderful Book Events to Announce

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Hanne Pearce

Greetings Everyone,   It has been a surprisingly rainy summer here in Edmonton and while gardens may be water-logged, many of us have taken the extra time indoors to read—I know I have. The news for this issue includes a few events and highlights some resources for teachers and parents making plans for the fall. Upcoming Events Thin Air: The Winnipeg International Writers Festival will be held September 22-30, 2019. The festival includes a school program to highlight writing for children. For more information see the website at https://thinairwinnipeg.ca/ Kingston Writers Fest runs Sep 25-29, 2019. The program includes Youth Programming. See the website for details at: https://www.kingstonwritersfest.ca/kids-teens/festival-field-trips/ The Festival of Literary Diversity (FOLD) Kids Book Fest will be held in Brampton, Ontario on Sep 27-29, 2019. Information is available on the festival website: http://thefoldcanada.org/kids/ Canadian Children’s Book Centre to start a YouTube Channel According to the CCBC Website: “Plans are underway for a YouTube channel to showcase videos and links to resources about Canadian books for children and youth. Currently the CCBC is collecting videos for the channel. If you have ready-made videos that relate to Canadian children’s books you can email [email protected] with a title, video length and video description and she’ll include it in her database of prospective videos. The project is being funded by the Canadian Council for the Arts with an anticipated launch in 2020.  Book Banks for Teachers and Parents With the new school year underway, I thought it would be worthwhile to highlight a couple book banks offered by the CCBC. The History Book Bank highlights children’s books by subject, and is broken down by centuries. The Social Justice Book Bank enables searching titles by wide variety of categories that include Indigenous, me too, diaspora and immigration, physical handicaps, mental health, etc. Both these book banks offer great ideas for reading based on subject matter.  Some readers may enjoy this interesting article in The New Yorker about Margaret and Hans Rey, the creators of the Curious George series.  To conclude, this issue of Deakin will be my last issue as the Communications Editor. For the past several years it has been a pleasure to serve on the editorial team of this journal. I have learned a great deal and I believe this journal provides great information about current children’s books and literature within the Canadian context. I wanted to thank our managing editor Robert Desmarais for his guidance and patience over the past few years. I also want to thank all the other editors on our team: Kim, Debbie, Allison, and Janice, and our reviewers and readers. I look forward to submitting book reviews in the future as my time permits.  Best wishes,  Hanne

Author(s):  
Laura B. Liu

Teacher candidates enrolled in a Civic Science for Elementary Schools course at a public university in a Midwestern state developed children's books on ecological diversity and sustainability. The children's books were analyzed qualitatively using constant comparative analyses that involved analyzing each book's images and text for evidence of key themes. Analyses demonstrated children's book creation as an instructional pedagogy and ecological diversity and sustainability as curricular content powerful to enhance ENL student engagement, identification, and learning in a new cultural, linguistic, and ecological setting. Book creation involves narrative and visual explanation of key concepts accessible to ENL learners. Ecological diversity and sustainability are values shared across regions and can enhance ENL student identification with a new school context, while valuing their knowledge funds. The public library emerged as a supportive glocal civic space to build pedagogical bridges among teacher candidates, elementary schools, and the shared community resource of children's books.


2021 ◽  
Vol 17 (4) ◽  
pp. 371-379
Author(s):  
Seok-Hee Joo ◽  
Eun-Yeong Shin

Purpose: It was intended to measure the sound intensity of children's sound books and to compare them with the standards of Korea and the International Standards Organization (ISO).Methods: The loudness of 15 children’s sound books was measured at a distance of 25 cm (child’s arm length), and 2.5 cm length of external auditory canal. Measurements taken three times with each book were performed, and the overall sound intensity of the sound books and the sound intensity of each button were measured and compared.Results: Compared with the Korean standard, all the buttons of all books exceeded the standard for the sound volume of the children’s book measured at a distance of 2.5 cm. When comparing the maximum sound intensity measured at a distance of 25 cm with 85 LAmax, a total of 168 buttons of these, 25 (14.88%) were recorded as exceeding the maximum loudness. According to the standards of the ISO, all buttons in all books were below the standard 85 LAeq.Conclusion: Several children’s books are loud enough to cause noise-induced hearing loss, especially when they are placed close to the ear. Strict standards for sound children’s books are required, and it is important to put a warning on the cover of the book. It is expected that the sound intensity of the children’s sound book presented in this study can be referenced when referring to the loudness during hearing rehabilitation in children.


Bibliosphere ◽  
2017 ◽  
pp. 35-40
Author(s):  
E. V. Engalycheva

The article is devoted to the history of Siberian regional children's book publishing. The author has collected theoretic-practical opinions of historians, bibliologists, publishers and booksellers, librarians and bibliographers, psychologists and sociologists, which purpose is to generalize and reveal regularities of books' flow for children. V. G. Belinsky, L. N. Tolstoy, F. G. Tol’, N. V. Chekhov developed the first concepts of children's book. N. K. Krupskaya, V. A. Sukhomlinsky studied the «core» of the children book repertoire. V. G. Sopikov, B. S. Bondarsky reviewed children's literature of the 19th century in their bibliographic works. The author allocated some organizational components using formal-logical, comparative-historical and structural-typological methods. The first block is related to studying such definitions as «children's book», «children's literature», «editions for children», «a circle of childhood reading», «the repertoire of children's books», their typological signs. The presented concepts are investigated according to tasks, which children's editions solve. S. G. Antonova and S. A. Karaichentseva touched issues of children's literature typology in their publications. The second block of literature reveals the children's book development in Russia in various periods of its formation. I. E. Barenbaum, A. A. Grechikhin, A. A. Belovitskaya studied general fundamentals of the book's history, while A. Ivich, L. Kohn, I. Lupanova considered the history of children’s books. The third block is devoted to printing and art features of the children's book design, activity of universal and specialized publishing houses to distribute literature for children. The fourth block explains such category as «reader - library», considers techniques of work with children's book, offers methodical recommendations for teachers and tutors. Readers’ activity is examined as well. The author analyzes interests, factors, incentives and aims influencing childhood reading. Dissertation researches disclose the regional specifics of children's book publishing in 1980-2013, confirm the considered subject relevance. The historical, comparative, formal and logical analysis carried out by the author will be useful both the specialists in publishing and editorial affairs, researchers studying the history and development of the children's book, historians, and teachers in the educational process of such courses as «Publishing and Editing», «Children's Literature», «Book Science». The author concludes that the children's book has been studied in different periods of its development in the context of numerous aspects, directions and components, which makes it possible to reveal the special patterns of its existence.


2002 ◽  
Vol 7 (7) ◽  
pp. 404-407
Author(s):  
Deborah A. Crocker ◽  
Betty B. Long

Using Technology in Mathematics and integrating mathematics and literature have become more common in recent years than in the past. Integrating mathematics, technology, and literature is even more powerful than combining mathematics with technology or literature alone. Using technology enables students to explore problems and mathematical ideas beyond those that might typically be found at a given grade level. Additionally, combining mathematics and literature gives the mathematics a context and enhances the literature. Many children's books lend themselves to integrating mathematics and literature. One of our favorites is One Grain of Rice (Demi 1997). We used this book in one of Phyllis Wisniewski's eighthgrade mathematics classes at Kings Creek Elementary School in Lenoir, North Carolina.


2002 ◽  
Vol 103 (7/8) ◽  
pp. 267-272
Author(s):  
Michael Ryan

This article uses a narrative to describe the way in which one project, centred round the restoration of a collection of historic children’s books, developed into a much wider international project. It looks at the managerial issues and some of the technical issues concerned and draws a number of conclusions about how such projects can be developed. In particular it looks at the role of partnership, project management and the frequently under‐appreciated role of publicity and promotion. It examines the ways in which project partners need to agree criteria and methods of working, as well as the key role played by specialist staff and various supporting organisations.


2017 ◽  
Vol 15 (4) ◽  
pp. 27
Author(s):  
Stephanie Bange

My name is Stephanie, and I am a collector. What are my favorite things to collect? That’s easy—dolls! I bought my first Barbie when I was six years old. I was given a doll from Morocco at age seven. To this day, I continue to collect both Barbies and international dolls, but my third collection now numbers eight hundred dolls. During my first year as an elementary school librarian in 1979, I began to collect dolls based on characters from children’s books.I wanted to add some zip and zing to class visits at my school library. The previous school librarian had plugged boys and girls into listening stations with worksheets each time they came to the library. I felt my students were missing out by not hearing fantastic tales from exotic places and visiting magical worlds of wonder.Bottom line, I wanted them to experience the joy found within the covers of books. That’s when the first dolls from children’s books—Corduroy, Curious George, the Cat in the Hat, and Winnie-the-Pooh—found their way into my shopping basket and my storytelling repertoire.


Author(s):  
L. ZIMAKOVA ◽  
V. KRAMARENKO

The article is devoted to the study of trends in the development of modern children’s books, its impact on the formation of creativity as one of the main competencies. The basis for the development of the visual and plot components of the children’s book in the middle of the 20th century and their influence on the formation of the psycho-emotional component of the young generation of those times are retrospectively covered. Possibilities of modern book publishing for authors-writers are presented. Perspective directions of publishing business development both abroad and in Ukraine are covered. The study revealed qualitative changes in the content, artistic, and architectural content of modern children's books, which are reflected in the latest plots, visual images, design, and creative approaches to putting out books. With the help of certain modern children’s books, we have proved the effectiveness of pedagogical methods of forming preschoolers’ ability to be creative in various life situations, their readiness for non-standard, original solutions, ability to be independent and choose freely, curiosity, development of imagination, courage, flexibility, mobility, etc. These are so-called “quiet books” for children which are popular nowadays. The story is told exclusively by means of illustrative material, which has its own unique author’s visual language and non-standard presentation. It develops children’s imagination and forms their tastes, non-standard thinking, ability to improvise, and encourages preschoolers’ to play. Books with an interactive narrative are of great interest to children. These are toy books, which stimulate children to create games or to become an author of a book with the help of an interesting story and illustrative material. It is offered to consider a modern children’s book not only as an information source but also as a means of stimulating preschoolers’ artistic and play activities. It is emphasized that the modern children’s book is a symbiosis of three artistic practices and might be used as artistic and game material in the educational process of PEI. The influence of books on the preschoolers’ psycho-emotional, personal-behavioral, artistic-activity development, as well as their creativity formation, is clarified practically.


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Robert Desmarais

Dear Deakin Readers,I hope you enjoyed a restful and happy holiday! Our editorial team met recently to develop a publishing plan for the coming year and we would like to communicate some important news. To keep everyone in the loop about our editorial plans and related activities, we will update our readers with an annual report, which we intend to publish at the end of each volume year. Thus, our first report will be published later this summer. On the matter of peer-reviewed issues, the editorial team will continue to solicit articles for review, so please consider contacting us if you are interested in writing a practitioner-themed scholarly article about children’s books (e.g., building a children’s science library; developing a young adult publishing program; writing picture books about children with disabilities; etc.). We intend to publish our second peer-reviewed article later this year, following on the success of our first peer-reviewed article in last year’s health issue (Vol. 4, No. 2).Finally, the April publication (Vol. 4, No. 4) will be a special double issue reserved for University of Alberta graduate students who are studying children’s literature, resource selection, and evaluation of children’s books in the Faculty of Education. We look forward to reading their thoughtful opinions and recommendations! In the meantime, we have recommended many good books to help you ward off the winter doldrums. Enjoy!Best wishes,Robert Desmarais, Managing Editor


2021 ◽  
pp. 227-237
Author(s):  
Maureen White

Translated children’s books can play an important role in helping children develop an understanding of other people. Outstanding picture books in this specialized genre affirm the fact that each person is unique, but there are universal themes and feelings that every person possesses, regardless of culture or language. A comparison of the past six years of Caldecott Award Winners and outstanding translated children’s books provides insights into their similarities and differences. While the Caldecott books all seem to be big, bright, and beautiful, the translated picture books selected for study seem to be diverse in style, medium, and bookmanship.


Ars Aeterna ◽  
2021 ◽  
Vol 13 (3) ◽  
pp. 30-41
Author(s):  
Gabriella Petres Csizmadia

Abstract The study presents the reader with an intermedial interpretation of the storybook Mimi & Liza written by Katarína Kerekesová – Katarína Moláková – Alexandra Salmela (2013). The storybook follows the story of the friendship of two little girls, Mimi, who sees the world proliferating in mad colours, and the blind Liza, who is immersed in inner seeing. The two girls are presented as each other’s opposites through the semiotics of two counterpointing colour schemes. The analysis is based on Mitchell’s conception of media (Mitchell, 1994), that is, it sets out by acknowledging the intermedial state of the culture of children’s books, and then it follows the unfolding of the visual elements up through the investigation of expressive visual effects created by the text’s rhetoric. The visualization happening with the help of language is the condition of the common worldview of the blind and seeing characters as well as the guiding principle and goal of the volume; therefore besides the visual representation characteristic of children’s books, an emphasized role is given to the validation of the ekphrastic perspective in the analyzed work. The ekphrases of the text are presented as intermedial references (Rajewsky, 2010) based on Irina O. Rajewsky’s interpretation of intermediality. A unique feature of the interpretation is that the ekphrases of the volume read as sort of imaginary/imagination ekphrases which create the special, children’s book version of ekphrasis. It is characteristic for this imagination ekphrases that the order of the imaginary image and its linguistic description create an undecidable symbiosis. These images, however, can also be interpreted as inverted ekphrases, since they function not merely as descriptions of imagination ekphrases, but also as the visual world representations of linguistic imagination. Through several examples the study introduces and analyzes the mechanisms of the visualization happening with the help of language as well as the scenery painted with words.


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