Development of Fashion Design with Sustainable Design Elements

2021 ◽  
Vol 21 (3) ◽  
pp. 105-118
Author(s):  
Seohyeon Wi ◽  
◽  
Jaewoo Jung
2020 ◽  
Vol 16 (10) ◽  
pp. 57
Author(s):  
Yuru Ma ◽  
Xiangyang Bian

Chinese theme or style has a long history in international fashion design; it is a common theme for Chinese and western designers to pursue Oriental sentiment and express Oriental aesthetics. However, for contemporary Chinese theme fashion design, Chinese and western designers have different understanding and interpretation, and there are many differences in design techniques and effects. In this paper, we propose to research on contemporary Chinese theme fashion design based on the theory of aesthetic distance, and interpret the essence of Chinese theme fashion design from different aesthetic distances. In addition, the basic principles of contemporary Chinese theme clothing design are summarized through the analysis and comparison of Chinese and western design cases. The results show that Chinese theme design, to the West, represents “the other” and “exotic theme” in a modern way; while in the eyes of Chinese people, it is a contemporary embodiment of “retro theme”. The clothing design in modern Chinese fashion should, based on the design elements collected in an expansive and deep way, pursue the balance and integration of “conservative” and “avant-garde” elements and the harmony of “form” and “spirit”, abiding by the fundamental principle of “absorbing tradition” to “create the present”.


2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Hoe Ryung Lee ◽  
Jongsun Kim ◽  
Jisoo Ha

AbstractToday, fashionable menswear is appropriating traditionally feminine design elements on an unparalleled international scale. This phenomenon should not be interpreted purely as a subversive gender issue, but should also be viewed as an expression of personal style and taste. In order to properly describe this phenomenon, the term ‘crosssexual’ must be introduced to English fashion vocabulary. This paper examines the innovative design characteristics of contemporary crosssexual menswear emerging prominently in men’s suits since 2015 and also raises the necessity of coining a new term: ‘neo-crosssexual’. Ultimately, this paper reveals how neo-crosssexual fashion employs a great variety of innovative silhouettes and novel design elements—ranging from structural or decorative details to colors, fabrics, patterns, and accessories—all of which enable the wearer to express whatever image of themselves they desire. Previous studies have interpreted crosssexual fashion as men simply portraying themselves as effeminate by wearing such clothing, but this conclusion is reductive and reveals there is still an unconscious recognition of limiting binary associations. The richness of neo-crosssexual fashion design, rather, gives individuals freedom to choose a sartorial image devoid of binary constraints. Conventionally classified ‘feminine designs’ are now perceived as creative and functional means to fluidity. This positive cultural shift has led to an increasing number of men choosing to wear suits that incorporate ‘feminine’ design elements, freeing this traditional garment from its limited formal use and symbolic hegemonic power.


Buildings ◽  
2018 ◽  
Vol 8 (8) ◽  
pp. 102 ◽  
Author(s):  
Kheir Al-Kodmany

As cities cope with rapid population growth—adding 2.5 billion dwellers by 2050—and grapple with destructive sprawl, politicians, planners, and architects have become increasingly interested in the vertical city paradigm. Given the large-scale problems of skyscrapers, any improvements in their planning, design, and construction would be significant. This paper examines a new crop of skyscrapers that employs green design elements, including aerodynamic forms, greeneries, energy-saving systems, innovative renewable energy techniques, water-saving technologies, rainwater catchment systems, and the like. The examined projects illustrate foremost sustainable design features, strategies, and techniques that help to meet the functional requirements while resulting in attractive forms. They include towers that are completed, under-construction, on-hold, proposed and on the drawing boards. In an attempt to capture a wide-range of innovative ideas and concepts, this paper examines 30 major projects representing major world’s regions that have been active in constructing tall buildings including Southeast Asia and the Far East, the Middle East, Europe, and North America. The discussion section also engages the reader with additional buildings that have employed similar sustainable design. The paper concludes by identifying design approaches that could twin sustainability with iconicity, and highlights some of the shortfalls of intended sustainable design.


2019 ◽  
Vol 3 (4) ◽  
pp. 119
Author(s):  
Yuxue Zou

<p>China has a long history of Chinese civilization and profound traditional culture. The design elements contained in the Chinese civilization and traditional culture, with diverse forms, broad themes, long-lasting and rich connotations, are worthy cultural essences and cultural treasures and any other art forms are difficult to replace the historical status of this essence. The fashion design trend prevailing in the commodity world has been rooted in the soil of Chinese traditional cultureand constantly absorbs the creative essence of design elements, hoping to inject positive cultural connotation into the construction of value orientation in modern fashion design.</p>


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