scholarly journals Intellectual maturity and longevity: late-blooming composers and writers live longer than child prodigies

Aging ◽  
2017 ◽  
Vol 9 (5) ◽  
pp. 1433-1439 ◽  
Author(s):  
Maurits P.J. Hafkamp ◽  
Joris P.J. Slaets ◽  
David van Bodegom
2011 ◽  
Vol 4 (1) ◽  
pp. 90-110 ◽  
Author(s):  
Atef Alshaer

AbstractThis article focuses on Mahmoud Darwish's long and creative journey in the world of poetry in the context of the Palestinian struggle as represented in his great poem 'The dice player'. The Darwishian world as he portrays it in the 'The dice player' is populated with images of existence, resistance and creativity. Darwish's role in modern Arab poetry and culture is widely acknowledged and celebrated. His voice was unique, authentic and in tune with the music of many souls in Palestine, the Arab world and even worldwide. Indeed, Darwish contributed definitively to the construction of Palestinian identity, and the Palestinian people informed and featured prominently in Darwish's poetry. Darwish's 'dice player' is highly praised in Arabic poetry becaues it embodies emblems of intellectual maturity and identity that are personal and plural, worldly and local. It is crafted with an aesthetic balance that ripples with consciousness, art and humanity.


1993 ◽  
Vol 26 (4) ◽  
pp. 469-483 ◽  
Author(s):  
Ludmilla Jordanova

The production of big pictures is arguably the most significant sign of the intellectual maturity of a field. It suggests both that the field's broad contours, refined over several generations of scholarship, enjoy the approval of practitioners, and that audiences exist with an interest in or need for overviews. The situation is somewhat more complicated in the history of science, since the existence of big historical pictures precedes that of a well-defined scholarly field by about two centuries. Broadly conceived histories of science and medicine were being written in the eighteenth century, when such an all-encompassing vision was central to the claims about the progress of knowledge upon which Enlightenment ideologues set such store. The Plato to Nato style histories, characteristic of the earlier twentieth century, were written largely by isolated pioneers, and while these were used in teaching as the field was becoming professionalized, recent scholars have preferred to concentrate on a monographic style of research. Despite the existence of the series started by Wiley, and now published by Cambridge University Press, it is only in the last ten years or so that more conscious attempts have been made to generate a big-picture literature informed by new scholarship. It is noteworthy that most of this is addressed to students and general readers, although there is no logical reason why it should not tackle major theoretical issues of concern to scholars. My point about maturity still holds, then, since as a designated discipline the history of science is rather new; it is still feeling out its relationship with cognate disciplines. Big-picture histories have an important role to play in these explorations since they make findings and ideas widely available and thereby offer material through which ambitious interpretations can be debated, modified and transformed.


1956 ◽  
Vol 22 (8) ◽  
pp. 314-314 ◽  
Author(s):  
Herbert Feigl

1981 ◽  
Vol 49 (2) ◽  
pp. 451-454 ◽  
Author(s):  
R. Olukayode Jegede ◽  
E. Afolabi Bamgboye

A longitudinal study of 375 boys and 380 girls just beginning the seventh grade was started in November 1977. The sample, whose mean age was 13.06 yr. ( SD = 1.66), was representative of seventh grade students in Oyo State, one of the 19 states in Nigeria. Health, height, onset of menarche in girls, intellectual maturity, and certain social factors were most closely associated with self-concepts.


1969 ◽  
Vol 46 (3) ◽  
pp. 552-557
Author(s):  
Philip Anast

Results support the prediction that national blame and intellectual maturity are positively correlated. Five characteristics, including time spent daily seeking news, correlated with critical attitude of one's country.


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