Hypophysis. Anatomical and clinical sketch

1934 ◽  
Vol 30 (10) ◽  
pp. 1046-1046
Author(s):  
I. Galant
Keyword(s):  
Cultural Center ◽  
Soviet Culture

Syktyvkar! How many of us have heard this euphonious, alluring with its "mysterious obscurity" name of the center of the Komi region? Soviet culture has also brought Syktyvkar out of oblivion, making it a cultural center that makes us talk about it a lot, and this time it's our turn to talk about Syktyvkar, the medical Syktyvkar.

A forgotten testimony from the liberated Warsaw. Vasily Grossman on the Warsaw Ghetto Uprising

2020 ◽  
pp. 13-26
Author(s):  
Yu. A. Volokhova
Keyword(s):  
Russian Language ◽  
Soviet Culture ◽  
Warsaw Ghetto ◽  
Cultural Workers ◽  
Writing Strategy ◽  
The Russian Language

Prefacing the first ever publication of V. Grossman’s essay In memory of the Warsaw Ghetto Uprising [Pamyati vosstaniya v Varshavskom getto] (1948) in the Russian language, the article recollects the circumstances and reasons for the piece to have been kept from publication and defines its relevance in the author’s legacy. The work is analyzed in the context of the problems of a literary testimony. The researcher points out that Grossman wrote the story using a special writing strategy, where numerous meanings incompatible with official Soviet culture are incorporated by means of an uncontrollable symbolic subtext, decipherable with certain ‘keys’ created throughout the narrative. In this case, such a ‘key’ is provided by the character of the stocking knitter ofŁodź. The story and the editor’s corrections are reconstructed from an archived, typed manuscript. Also included in the publication and supplied with comments are V. Grossman’s answers to the questionnaire distributed by the Jewish Anti-Fascist Committee to several cultural workers in 1946 ahead of the first Victory Day anniversary. 

Revolution Rekindled

2019 ◽  
Author(s):  
Polly Jones
Keyword(s):  
Historical Novels ◽  
Soviet Culture ◽  
Complex Processes ◽  
Wide Range ◽  
New Meanings ◽  
Soviet Literature ◽  
Late Socialism ◽  
Revolutionary History ◽  
Gorbachev Era ◽  
Depth Interviews

A major late Soviet initiative, the ‘Fiery Revolutionaries’ (Plamennye revoliutsionery) series, was launched to rekindle popular enthusiasm for the revolution, eventually giving rise to over 150 biographies and historical novels authored by many key post-Stalinist writers. What new meanings did revolution take on as it was reimagined by writers including dissidents, leading historians, and popular historical novelists? How did their millions of readers engage with these highly varied texts? To what extent does this Brezhnev-era publishing phenomenon challenge the notion of late socialism as a time of ‘stagnation’, and how does it confirm it? Through exploring the complex processes of writing, editing, censorship, and reading of late Soviet literature, Revolution Rekindled highlights the dynamic negotiations that continued within Soviet culture well past the apparent turning point of 1968 through to the late Gorbachev era. It also complicates the opposition between ‘official’ and underground post-Stalinist culture by showing how Soviet writers and readers engaged with both, as they sought answers to key questions of revolutionary history, ethics, and ideology: it thus reveals the enormous breadth and vitality of the ‘historical turn’ amongst the late Soviet population. Revolution Rekindled is the first archival, oral history, and literary study of this unique late socialist publishing experiment, from its beginnings in the early 1960s to its collapse in the early 1990s. It draws on a wide range of previously untapped archives, uses in-depth interviews with Brezhnev-era writers, editors, and publishers, and assesses the generic and stylistic innovations within the series’ biographies and novels.

scholarly journals Practical Functioning of a Sustainable Urban Complex with a Park—The Case Study of Stavros Niarchos Foundation Cultural Center in Athens

2021 ◽  
Vol 13 (9) ◽  
pp. 5071
Author(s):  
Beata Makowska
Keyword(s):  
Urban Space ◽  
Public Spaces ◽  
Green Spaces ◽  
Cultural Center ◽  
Urban Green ◽  
Urban Green Spaces ◽  
Urban Complex

Intensive urban development has created a shortage of urban green areas. The need to economically plan and use urban green spaces has fueled the redefinition of public spaces and parks so as to provide the residents with both recreation and relaxation facilities, as well as a forum for contact with culture. This paper discusses the case of the Stavros Niarchos Foundation Cultural Center (SNFCC) in the Kallithea district on the outskirts of Athens, near the Mediterranean Sea. It fills a gap in the research on the aspects of the practical functioning of such facilities. The methodology used in the research included an analysis of the literature, the SNFCC’s reports, and an in situ survey. The cultural center hosts a number of events aimed at promoting Greece’s natural and cultural heritage. The paper includes a detailed analysis of the events organized by the SNFCC in the period 2017–2020 and their immense impact on residents. The aim of the study is to show that the creation of the SNFCC with the park areas has functioned as a factor contributing to the improvement of the quality of urban space and the quality of life of the city’s inhabitants. The paper’s conclusions indicate that the sustainable SNFCC project, which fulfils the urban ecology criteria, has been very well received by the visitors—citizens and tourists alike. A program-centered innovation introduced by the SN Park has added great value to their lives. The project contributes to economic and cultural growth, as well as the protection and promotion of heritage.

Exporting Soviet Culture: The Case of Agitprop Theater

Slavic Review ◽  
2003 ◽  
Vol 62 (2) ◽  
pp. 324-342 ◽  
Author(s):  
Lynn Mally
Keyword(s):  
Soviet Union ◽  
Socialist Realism ◽  
Popular Front ◽  
Political Strategy ◽  
Soviet Culture ◽  
Cultural Policies ◽  
New Methods ◽  
The Soviet Union ◽  
Theatrical Performance ◽  
Global Influence

In this article Lynn Mally examines the efforts of a Comintern affiliate called MORT (Mezhdunarodnoe ob“edinenie revoliutsionnykh teatrov) to export models of Soviet theatrical performance outside the Soviet Union. Beginning with the first Five-Year Plan, MORT was initially very successful in promoting Soviet agitprop techniques abroad. But once agitprop methods fell into disgrace in the Soviet Union, MORT abruptly changed its tactics. It suddenly encouraged leftist theater groups to move toward the new methods of socialist realism. Nonetheless, many leftist theater circles continued to produce agitprop works, as shown by performances at the Moscow Olympiad for Revolutionary Theater in 1933. The unusual tenacity of this theatrical form offers an opportunity to question the global influence of the Soviet cultural policies promoted by the Comintern. From 1932 until 1935, many foreign theater groups ignored MORT's cultural directives. Once the Popular Front began, national communist parties saw artistic work as an important tool for building alliances outside the working class. This decisive shift in political strategy finally undermined the ethos and methods of agitprop theater.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

A Study on the Performance of Stratified Air Conditioning Design in Assembly Halls – A Case Study at the Dazhi Cultural Center in Taiwan

2013 ◽  
Vol 368-370 ◽  
pp. 599-602 ◽  
Author(s):  
Ian Hung ◽  
Hsien Te Lin ◽  
Yu Chung Wang
Keyword(s):  
Fluid Dynamics ◽  
Computational Fluid Dynamics ◽  
Indoor Air ◽  
Air Conditioning ◽  
Cfd Simulation ◽  
Indoor Temperature ◽  
Cultural Center ◽  
Computational Fluid Dynamics Cfd

This study focuses on the performance of air conditioning design at the Dazhi Cultural Center and uses a computational fluid dynamics (CFD) simulation to discuss the differences in wind velocity and ambient indoor temperature between all-zone air conditioning design and stratified air conditioning design. The results have strong implications for air conditioning design and can improve the indoor air quality of assembly halls.

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