scholarly journals José María Moreno Galván y el Museo de la Solidaridad Salvador Allende en Chile. Compromiso ético y estético. / José María Moreno Galván and the Salvador Allende Solidarity Museum in Chile. Ethical and aesthetic commitment.

2018 ◽  
Author(s):  
María Regina Pérez Castillo
Keyword(s):  
Latin American ◽  
Political Reality ◽  
Santiago De Chile ◽  
Salvador Allende ◽  
The Social ◽  
Andean Country ◽  
The Creation

En los años 70, el crítico de arte sevillano José María Moreno Galván participó en la Operación Verdad promovida por el presidente Salvador Allende en Chile, la cual buscaba mostrar de primera mano la realidad social y política que estaba viviendo el país andino, al tiempo de desmitificar las falsas especulaciones que se ocupó de alimentar la prensa tradicionalista europea. Fue entonces cuando Moreno Galván puso en marcha la creación de uno de los museos latinoamericanos más importantes de su historia: el Museo de la Solidaridad Salvador Allende situado en Santiago de Chile. José María Moreno Galván and the Salvador Allende Solidarity Museum in Chile. Ethical and aesthetic commitment.In the 1970s, the sevillian art critic José María Moreno Galván participated in the Operación Verdad, promoted by the president Salvador Allende in Chile, which sought to show first hand the social and political reality that the Andean country was living, while demystifying the false speculations that the traditional European press was feeding. It was then that Moreno Galván started the creation of one of the most important Latin American museums of its history: the Salvador Allende Solidarity Museum located in Santiago de Chile.

scholarly journals Urban Sprawl and Sustainable Urban Policies. A Review of the Cases of Lima, Mexico City and Santiago de Chile

2019 ◽  
Vol 11 (20) ◽  
pp. 5835 ◽  
Author(s):  
Daniel Coq-Huelva ◽  
Rosario Asián-Chaves
Keyword(s):  
Mexico City ◽  
Latin American ◽  
Urban Sprawl ◽  
Urban Governance ◽  
Ecological Modernization ◽  
Spatial Mobility ◽  
Santiago De Chile ◽  
The Social ◽  
Popular Classes ◽  
Path Dependent

In recent decades, urban processes have experienced deep transformations. One of them has been the growing importance of urban sprawl. This article reviews its main features and the policies related to the paradigm of sustainability in three Latin American Megalopolises: Mexico City, Lima, and Santiago de Chile. For this purpose, we have carried out an extensive compilation of the existing academic literature. Urban sprawl in those cities cannot be understood without considering the rising housing needs of popular classes, usually addressed through the sequence settlement-parceling-building-urbanization. Simultaneously high-income groups tend to create separated and gated commodities and there is increasing spatial mobility of the middle classes. Those processes tend to generate highly segregated and increasingly patched metropolitan areas. Sustainability is framed on models of urban governance based on ecological modernization. In this context, three main sustainable policies are analyzed: water supply, green areas provision, and transport. Conclusions stress: (1) Deep changes experienced and the path-dependent element observed in the social construction of sustainability (2) Consolidation of a model of socially segregated and ecologically differentiated urban polycentrism (3) Relevance of the different megalopolises as niches of experimentation and innovation in the construction of specific forms of sustainable transition.

The Siege of the Outsiders ALADI: The first Latin American design association and its discourse of resistance

2020 ◽  
Author(s):  
Juan-Camilo Buitrago-Trujillo
Keyword(s):  
Latin American ◽  
Western Europe ◽  
Social Role ◽  
The United States ◽  
Design History ◽  
Anglo Saxon ◽  
The Social ◽  
The Face ◽  
The Creation ◽  
Definition Of

Abstract This article on Latin American design history aims to contribute to studies in global design histories. The creation of ALADI (the Latin American Design Association), in 1978, involved the creation of a network between countries such as Mexico, Brazil, Argentina and Colombia and also the establishment of relationships between Latin American designers and international professional institutions such as the International Council of Societies of Industrial Design (ICSID). The article explains how these institutions boosted the influence of design practitioners in the region, how diverse positions regarding the social role of design within a regional context were debated, and how a certain definition of design was formulated. The asymmetrical relationships, between the periphery and the centre—between Latin America, western Europe and the United States—channelled into a discourse of resistance adopted by Latin American countries that aimed to reaffirm design as a tool for defending Latin American autonomy in the face of hegemonic onslaught, primarily by the Anglo-Saxon world. Based on exhaustive documentation and ethnographic work this article subscribes to the centre-periphery debates in design with a fundamental emphasis on the genealogy of the Latin American perception of the subject, a view so far not taken into account.

scholarly journals Ni Una Menos, czyli feminizm po argentyńsku

2021 ◽  
pp. 41-58
Author(s):  
Magdalena Lisińska
Keyword(s):  
Violence Against Women ◽  
Latin American ◽  
Social Perception ◽  
Social Conditions ◽  
Feminist Movement ◽  
Gender Based Violence ◽  
The Social ◽  
The Creation ◽  
Gender Based ◽  
The Impact

The article addresses the problem of violence against women in Argentina in the context of the rise of the feminist movement Ni Una Menos. The text is based on the hypothesis that the creation of Ni Una Menos has been a watershed in the social perception of violence against women in Argentina. The article outlines the characteristics of gender-based violence in Argentina –primarily its historical, cultural, and social conditions. It discusses actions taken by Ni Una Menoscollective as a mean of fighting for women’s empowerment. The text also covers the impact of Ni Una Menos campaigns, including the extent to which the collective influenced Latin American and global women’s rights movements.

Artistic-professional strategies in the music sector. The case of the jazz scene in Barcelona

2020 ◽  
pp. 145-163
Author(s):  
Marta Casals Balaguer
Keyword(s):  
Research Methods ◽  
Social Dimension ◽  
Artistic Identity ◽  
Professional Musicians ◽  
Main Research ◽  
Works Of Art ◽  
The Social ◽  
The Creation

This article aims to analyse the strategies that jazz musicians in Barcelona adopt to develop their artistic careers. It focuses on studying three main areas that influ-ence the construction of their artistic-professional strategies: a) the administrative dimension, characterized mainly by management and promotion tasks; b) the artistic-creative dimension, which includes the construction of artistic identity and the creation of works of art; and c) the social dimension within the collective, which groups together strategies related to the dynamics of cooperation and col-laboration between the circle of musicians. The applied methodology came from a qualitative perspective, and the main research methods were semi-structured inter-views conducted with active professional musicians in Barcelona and from partic-ipant observation.

Attention Sustainability Impact on Social Status in the Class

2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova
Keyword(s):  
Social Status ◽  
Communication Skills ◽  
School Dropout ◽  
Learning Material ◽  
Early School ◽  
The Social ◽  
The Creation ◽  
The Individual ◽  
The Way ◽  
Positive Environment

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.

Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni

2014 ◽  
Author(s):  
Dira Herawati
Keyword(s):  
Social Situation ◽  
Work Of Art ◽  
Social Phenomena ◽  
Aesthetic Object ◽  
Human Foot ◽  
Works Of Art ◽  
The Social ◽  
The Creation ◽  
Art Photography ◽  
Artistic Images

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images

CHARACTERIZATION OF RELIGIOUS STYLE AS A FUNCTIONAL STYLE IN LINGUISTICS

2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  
Keyword(s):  
Social Life ◽  
Religious Language ◽  
Religious Texts ◽  
World Outlook ◽  
The People ◽  
The Social ◽  
Functional Features ◽  
The Creation

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.

ПРИНЦИПИ ПІЗНАННЯ ПОБУТУВАННЯ ПЕРФОРМАНСУ

2020 ◽  
pp. 54-60
Author(s):  
Admink Admink ◽  
Жанна Шкляренко
Keyword(s):  
Social Media ◽  
Performance Art ◽  
Research Performance ◽  
Emotional States ◽  
Performance Study ◽  
Modern Culture ◽  
Cultural Phenomenon ◽  
The Social ◽  
The Creation ◽  
Dividing Line

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.

Boutiques and Prêt-à-porter in Santiago de Chile: A Formula for Women’s Modernity (1967–1973)

2020 ◽  
Author(s):  
Josefina Vidal M ◽  
Macarena García O ◽  
Pedro Álvarez C
Keyword(s):  
Capital City ◽  
Military Dictatorship ◽  
Haute Couture ◽  
Collective Work ◽  
Santiago De Chile ◽  
Salvador Allende ◽  
Consumer Segment ◽  
The Government ◽  
The 1960S ◽  
New Formula

Abstract In the second half of the 1960s, prêt-à-porter (ready-to-wear) fashion was established in Chile. As an alternative to haute couture (high fashion), prêt-à-porter brought an eagerness for modernisation that was reflected in the setting up of a network of women-led boutiques, which developed strongly between 1967 and 1973. This article first examines the precedents that allowed for the creation of a ‘local fashion system’ that promoted collective work around trades such as knitting and dressmaking. It also analyses the arrangement of a circuit of boutiques in the comuna of Providencia, a strategic sector of Santiago de Chile (the capital city) that fostered the dynamics of social gathering. Later, the article describes the profile of the designer-entrepreneurs whose work was attuned to a female consumer segment that aimed to access a new formula of the modernising bourgeoisie. It also reassesses the rise of a movement called Moda Autóctona, which distanced itself from European fashion and was supported by the government during the socialist regime of Salvador Allende. Lastly, it tackles the eventual dismantling of this network of women’s fashion stores as a result of the installation of a military dictatorship in Chile.

Sign in / Sign up

Export Citation Format

Share Document