scholarly journals Name, Logico-grammar and Ostensive Definition - A Defense for Linguistico-solipsism -

2014 ◽  
Vol 38 (null) ◽  
pp. 347-382
Author(s):  
한대석
Keyword(s):  
Synthese ◽  
1986 ◽  
Vol 69 (1) ◽  
pp. 41-49 ◽  
Author(s):  
James F. Harris

1995 ◽  
Vol 3 (1) ◽  
pp. 75-109 ◽  
Author(s):  
Ralph D. Ellis

Tmagists' hold that inferential thinking is built up from combinations of sensory and sensorimotor images in various patterns and modalities, and that the images are a more basic mental and neurophysiological operation than the logical thinking and conceptualization that are built up front them. 'Computationalists' hold just the opposite view — that images result from previous inferential processing which is more basic than the images. Suppose we define inference as the kind of thought process that we actually undergo when we do logical thinking, and not in the trivial sense in which any natural phenomenon which receives an 'input' from another then 'responds' to this 'input' (as for example when a ball responds to being hit by flying off at a certain angle). And suppose we define an 'image ' as any instance of imagining what it would be like to entertain some conscious state which we are not undergoing at the time — as for example when we imagine what it would be like to see something, to ride a roller coaster or to have a headache. I. e., 'images ' can be kinaesthetic and proprioceptive s well as sensory. Then it can be shown that inferential thinking is built up from patterns of images, including importantly the imaging of rhythm patterns corresponding to logical syntax. Furthermore, the acquisition of these inference rules can also be traced to a process of trying to imagine scenarios which might serve as counterexamples to the rules, and this kind of 'imagining ' can also be explained in terms of both sensory and proprioceptive images. The reason for this is twofold: First, even the apparently 'imageless ' concepts used to imagine such scenarios (e.g., the concept 'president') consist in each case of a feeling of preparedness to entertain a pattern of images which would be appropriate to provide a directly or indirectly ostensive definition of the concept in question, and this feeling of preparedness can be sensed proprioceptively. Secondly, a concept, even if it is not experienced as involving imagery, may nonetheless occur as an element of a larger pattern whose rhythm can be imaged. This paper defends an expanded version of the imagist approach, suggesting an important pragmatic role for the proprioceptive sensing of rhythm patterns in the acquisition and use of inference skills.


2015 ◽  
Vol 44 (2) ◽  
pp. 255-275 ◽  
Author(s):  
ROY CARR-HILL

AbstractData from household surveys have increasingly been used as a basis for social policy. They are generally inappropriate for obtaining information about the poorest, and therefore for policies concerned with tackling poverty and deprivation. They omit certain groups by design: the homeless; those in institutions; and mobile, nomadic or pastoralist populations. In addition, in practice, they typically under-represent those in fragile, disjointed or multiple occupancy households, those in urban slums and those in areas deemed as insecure. These sub-groups constitute a pretty comprehensive, ostensive definition of the ‘poorest’.The sources of worldwide estimates of the missing populations are briefly described, with those for the UK discussed in greater detail, paying attention to their likely income and wealth. At least 250 million of the poorest of the poor are omitted worldwide; and in the UK about half a million of the poorest are missing from survey sample frames.In the UK, these ‘missing’ population sub-groups bias the analysis of income inequalities and affect the validity of formulae that have been developed for the geographical allocation of resources to health and social care.


2018 ◽  
Vol 9 (1) ◽  
pp. 31-49
Author(s):  
Urszula Idziak-Smoczyńska

Abstract:In this article we perform a juxtaposition of Wittgenstein’s confession with the art of drama. Our aim is to transpose the private language argument criticizing the ostensive definition of internal objects (beetle in a box thought experiment) onto confession and the art of drama performance. The play (possibly called “game”) of the actor is not an expression of his soul interior, but an autonomous necessity in the most decisive meaning – which means: the only thing to be done. Correspondingly, confession doesn’t express any interior misery – it is an acting (the double sense of this word will be further developed), the only possible acting within these conditions, the only possible response to one’s condition – a condition of mutilation where human misery appears very distinctly. Confession creates neither a relation of power (as Foucault was demonstrating in his late writings) nor a form of emotional exhibitionism but a language game consisting on words judging oneself, immune to interpretation, explanation, and vanity coming from their expression. Irreplaceable words become the agent of salvation.1 This article is the effect of great encounters that helped me – a non-Wittgensteinian – to “see” Wittgenstein perhaps more than understand his philosophy. I should first address many thanks to Dr. Ilse Somavilla who welcomed me on the beautiful roof of the Brenner Archives in Innsbruck together with its director Prof. Ulrike Tanzer (Thank you!). It is through Ilse Somavilla’s writings and archive editing work that I could engage myself and follow her on a path of reading Wittgenstein with a sensibility for religion and art. I owe also a lot of thankfulness to Prof. Alois Pichler for long lasting, repeated hospitality in the Wittgenstein Archives at the Bergen University and great patience for my plans of developing research plans about Wittgenstein in the Polish Galicia. The ability to visit these two places, Norway and Austria, have left inside myself a Wittgensteinian imagery that creates the scenography of my philosophical attempt inside this article. My research would not be possible without receiving the scholarship of the Republic of Austria OEAD for which I also express my deep gratitude. I am also very grateful to Kasia Mala for her linguistic revision of my article. And finally, what triggered this Winn-gensteinian performance were unforgettable dinners with Maja, my Mother Agata, and my son Światopełek – to say they were inspiring is not enough…


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