scholarly journals The Pursuit of the Ideal and the Reality of the Art-Object: Intertextuality, Antilogike, and Self-awareness in the Works of D. G. Rossetti

2021 ◽  
Vol 9 (2) ◽  
pp. 828-840
Author(s):  
Anna ASIATIDOU
Keyword(s):  
2019 ◽  
Vol 12 (1) ◽  
pp. 62-102
Author(s):  
Ghazzal Dabiri

Abstract This paper addresses Farid al-Din ʿAttār’s views on social and kingly ethics as espoused in the Elāhi-nāma. It offers a holistic reading of its stories, which are suffused with the tenets of Sufism, to illustrate the myriad ways that the Elāhi-nāma adopts and adapts the characteristics and tropes of practical ethics and Sufi hagiographies to advance its views. Indeed, the Elāhi-nāma promotes the ideal Sufi king and society by encouraging its members—saints, kings, and common folk—to be responsible, as individuals, for nurturing their souls, each other, and a love for the divine. It accomplishes this through a number of tale types, such as the saint or ruler who stumbles his or her way into self-awareness, the Sufi master or ruler who falters and is in need of guidance, or the hagiographical portraits of kings-as-Sufi lovers. In order to provide the appropriate context for the arguments herein, the paper explores several prominent themes and tropes from practical ethics and hagiographies and discusses Ebn ʿArabi’s al-Tadbirāt al-elāhiyya fi eslāh al-mamlaka al-ensāniyya for current notions on the responsibility of individuals and kings.


Author(s):  
Jelena Marinkov

In this paper, we have analyzed the manifestations of poetic self-consciousness in the poetry of Stevan Raičković in the poem cycle Razgovor sa ilovačom and in the poem from the poetry collection Verses, Iz mraka te, pesmo, zovem, iz ničega. By semantically shaping the motif of the loam, the poetic complementarity between the poem and the cycle was established-the ideal of the poem as sculpture and the meta-lyrical reflection of the poet, evoked by observing the transformation of his own character into a bust. The poem Iz mraka te, pesmo, zovem, iz ničega evokes a symbolic attempt to sculpt the poem, based on visual imagination. Explicit autopoiesis is manifested in this poem-the poetic self-consciousness tries to view the poetic text as a matter that can be manually shaped, and in the end reaches a conclusion about the incompatibility of the means of expression and the assumed result. In the cycle Razgovor sa ilovačom, the means by which the poem is supposed to be materialized also appears to be incompatible with poetic contents, and lyrical subject expresses doubts about the constitutive power of language. The discrepancy between the stativity of the sculpture and the dynamism of the inner life, however, causes a return to words. Self-referentiality in the cycle Razgovor sa ilovačom indicates the implicit autopoiesis manifested in the treatment of the relationship between life and art and the problematization of equivalence between nature and poetry: because the poet tries to fix phenomena from life in the poem, just like the sculptor, he moves away from the dynamism of life. Interpreting the way in which the motif of the loam is shaped in relation to the theme of poetry, demonstrates the development of poetic self-awareness and doubts about the possibility of writing an authentic poem.


2014 ◽  
Vol 22 (7) ◽  
pp. 790-802 ◽  
Author(s):  
Shu-Yueh Chen ◽  
Hui-Chen Hsu

Background: Good nurses show concern for patients by caring for them effectively and attentively to foster their well-being. However, nurses cannot be taught didactically to be “good” or any trait that characterizes a good nurse. Nurses’ self-awareness of their role traits warrants further study. Objectives: This study aimed (a) to develop a strategy to elicit nurses’ self-exploration of the importance of good nurse traits and (b) to explore any discrepancies between such role traits perceived by nurses as ideally and actually important. Research design: For this mixed-method study, we used good nurse trait card play to trigger nurses’ reflections based on clinical practice. Nurse participants appraised the ideal and actual importance of each trait using a Q-sort grid. The gap between the perceived ideal and actual importance of each trait was examined quantitatively, while trait-related clinical experiences were analyzed qualitatively. Participants and research context: Participants were 35 in-service nurses (mean age = 31.6 years (range = 23–49 years); 10.1 years of nursing experience (range = 1.5–20 years)) recruited from a teaching hospital in Taiwan. Ethical considerations: The study was approved by the Institutional Review Board of the study site. Findings: Good nurse trait card play with a Q-sort grid served as an icebreaker to help nurse participants talk about their experiences as embodied in good quality nursing care. Nurses’ perceived role–trait discrepancies were divided into three categories: over-performed, least discrepant, and under-performed. The top over-performed trait was “obedience.” Discussion: Patients’ most valued traits (“patient,” “responsible,” “cautious,” and “considerate”) were perceived by participants as ideally important but were under-performed, perhaps due to experienced nurses’ loss of idealism. Conclusion: Good nurse trait card play with Q-sort grid elicited nurses’ self-dialogue and revealed evidence of the incongruity between nurses’ perceived ideal and actual importance of traits. The top over-performed trait, “obedience,” deserves more study.


Religions ◽  
2019 ◽  
Vol 10 (1) ◽  
pp. 30 ◽  
Author(s):  
Limei Jiang

This essay attempts to demonstrate the logic of Zhuangzi in his different attitudes toward “debate on big and small” by bringing into discussion the two versions of translation in the English languages, which provide a new approach to analyze the difference in the controversial commentaries on Zhuangzi. This essay points out that the ideal of “free and easy wandering” is a type of positive pleasure. By means of rational thinking and imagination, one’s searching for the external values is turned into the internal pursuit for wisdom in the transformation of things. Zhuangzi’s theory of transcendence not only provides the subject with multi-perspectives, but also substitutes the self-identity with self-value. Through the interaction between self-awareness and self-reaction, the subject can be unified with the great Dao through purposive activities. However, Guo Xiang’s commentary cancels the necessity of self-cultivation and negates the purposefulness of the subject, which underestimates the value of Zhuangzi’s construction of transcendence.


Sensors ◽  
2021 ◽  
Vol 21 (14) ◽  
pp. 4803
Author(s):  
Addie Ira Borja Parico ◽  
Tofael Ahamed

This study aimed to produce a robust real-time pear fruit counter for mobile applications using only RGB data, the variants of the state-of-the-art object detection model YOLOv4, and the multiple object-tracking algorithm Deep SORT. This study also provided a systematic and pragmatic methodology for choosing the most suitable model for a desired application in agricultural sciences. In terms of accuracy, YOLOv4-CSP was observed as the optimal model, with an [email protected] of 98%. In terms of speed and computational cost, YOLOv4-tiny was found to be the ideal model, with a speed of more than 50 FPS and FLOPS of 6.8–14.5. If considering the balance in terms of accuracy, speed and computational cost, YOLOv4 was found to be most suitable and had the highest accuracy metrics while satisfying a real time speed of greater than or equal to 24 FPS. Between the two methods of counting with Deep SORT, the unique ID method was found to be more reliable, with an F1count of 87.85%. This was because YOLOv4 had a very low false negative in detecting pear fruits. The ROI line is more reliable because of its more restrictive nature, but due to flickering in detection it was not able to count some pears despite their being detected.


2017 ◽  
Vol 2 (2) ◽  
Author(s):  
Ummy Chalzum ◽  
Karman Karman

This study was aimed at determining the level of emotional intelligence and find out the dominant aspect of the emotional intelligence of final semester students of English Department at University of Sembilanbelas November, Kolaka. This study was a survey research. The respondents in this study were the final level students of English Department. The number of respondents in this study was 40 respondents. The instruments of this study were a questionnaire and interview guideline. The sampling technique was quota sampling technique. Based on the analysis of the result of the Mean and Standard Deviation, 37 respondents or 92.5% had a standard level of emotional intelligence and 3 respondents or 7.5% had a high level of emotional intelligence. From the result of the calculation of the data, the ideal Mean (Mi) and the ideal Standard Deviation (SDi) of each aspect of emotional intelligence, it was found that the dominant aspect in students’ emotional intelligence was self-awareness, then followed by the aspect of empathy, then followed by the aspect of motivation, and then the aspect of social skills, and the latter was aspect of self-setting. To add, the level of their emotional intelligence was categorized as very high with SD.


2020 ◽  
pp. 111-194
Author(s):  
Will D. Desmond

Hegel’s Lectures on Fine Art offer a veritable ‘world history of art’, and have led to his being called the real ‘father of art history’, but at their heart is a close identification of beauty with ‘the ideal’ and of art with ‘the classical’—and hence with (Greek) antiquity. With reference to the legacies of Winckelmann and Kantian aesthetic theory, this chapter begins by explicating the main features of Hegel’s aesthetics: the notion of ‘the ideal’ and of art’s vocation to reveal ‘the truth’ sensuously; the classification of artistic styles into Symbolic, Classical, and Romantic; and the division of basic art forms into architecture, sculpture, painting, music, and poetry. The chapter tackles each of these art forms in turn, focusing on Hegel’s sources and understanding of their role in Greek and Roman civilizations. His discussions of the Greek temple, Greek sculpture, epic, lyric, and comedy are relatively neglected, but all contribute as much as tragedy to his Winckelmannian understanding of the Greeks as ‘the people of art’ and of the ‘sculptural’ nature of the Greek mind. Here his Romans play counterpoint, as a derivative and aesthetically uncreative people—except in the genre of satire, which also fills out Hegel’s portrait of Roman ‘prose’, alienation, and increasing self-awareness. Though each of the art-forms peaks in a certain historical period, Hegel tends to associate each peak with the ‘classical’ ideal—an association that may help to illuminate his controversial statements about the ‘end of art’ in the modern, Romantic style.


Author(s):  
Magdalena Urlińska

The article is a reflection on the contemporary portrait of a woman, an expression of social expectations of her role, a reflection of the needs and aspirations of three-dimensional map of personality traits. Genotype of the successful woman contains a "gene" of commitment, creativity, self-awareness, passion, self-development, self-acceptance, curiosity about the world and people, willingness to change and a sense of satisfaction. The image of women created, to the media is a portrait of "wonderwoman", which is the result of a perfect housewife, a woman vamp, effective and creative manager, the ideal mother, wife, friend who perfectly manages herself and others in time, realizes in motherhood, in the professional and personal field. Today's portrait of a successful woman contains a "gene" commitment, creativity, self-awareness, passion, self-development, self-acceptance, curiosity about the world and people, willingness to change and a sense of satisfaction. The DNA of a successful woman is constructed on the basis of: self-awareness and her own uniqueness, belief in own potential, the balance between body and femininity, emotions, values ​​and beliefs. Wonderwoman knows who she is and what she wants.


Author(s):  
M.S. Shahrabadi ◽  
T. Yamamoto

The technique of labeling of macromolecules with ferritin conjugated antibody has been successfully used for extracellular antigen by means of staining the specimen with conjugate prior to fixation and embedding. However, the ideal method to determine the location of intracellular antigen would be to do the antigen-antibody reaction in thin sections. This technique contains inherent problems such as the destruction of antigenic determinants during fixation or embedding and the non-specific attachment of conjugate to the embedding media. Certain embedding media such as polyampholytes (2) or cross-linked bovine serum albumin (3) have been introduced to overcome some of these problems.


Author(s):  
R. A. Crowther

The reconstruction of a three-dimensional image of a specimen from a set of electron micrographs reduces, under certain assumptions about the imaging process in the microscope, to the mathematical problem of reconstructing a density distribution from a set of its plane projections.In the absence of noise we can formulate a purely geometrical criterion, which, for a general object, fixes the resolution attainable from a given finite number of views in terms of the size of the object. For simplicity we take the ideal case of projections collected by a series of m equally spaced tilts about a single axis.


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