Dybbøl is the brow of a hill located about 30 km north-east of the border between Denmark and Germany. This area was once the former Danish Duchy of Schleswig, which was under German rule in the period from 1864 to 1920. Dybbøl was also the site of intense fighting during the Schleswig-Holstein Revolt of 1848–50 and the Danish-German War of 1864. There are remains of both Danish and German fortifications and earthworks, along with large mass graves in which troops from Denmark, Schleswig-Holstein and Germany lie buried. After a plebiscite about the placing of the border was held in 1920, Schleswig was divided up, and the northern part – which included Dybbøl – became part of Denmark. This was followed by a comprehensive ”Danishification” of the cultural landscape, which had previously been dominated by a large Prussian victory monument and numerous German memorial stones. A Danish national park was set up at Dybbøl in 1924, with the backing of the local population and financial sup- port from a national collection appeal, and formally opened by the Danish prime minister. After this, Dybbøl became the epitome of the institutionalised cultural heritage of the state of Denmark, and would almost certainly be included in any ”cultural canon” of the most significant geographical locations that have helped shape the Danish sense of national identity. However, Dybbøl also features another – less comfortable – aspect of the Danish cultural heritage, bearing witness to Danish acts of vandalism perpetrated against the German monuments found here. Any study of the use of the history associated with Dybbøl uncovers layer upon layer of episodes that speak of conflicting interests and countless metamorphoses that led to the site being imbued with new values and a sequence of new identities. And in step with the resurgence of nationalist sentiments in Denmark since the mid-1980s, there has been a corresponding, strengthened re-annexation of the cultural heritage associated with Dybbøl. The need to cling on to and retain establis- hed, familiar positions and a fundamental sense of belonging are well-known aspects of the process of globalisation, and are seen throughout the world. In Dybbøl, this deep-felt need has resulted in the construction of a Danish fortification, and the Danish flag flying atop the many flagpoles has become more frequent sight. This process can also be interpreted as an expression of Danish foreign policy taking on a more active role in the world.
The Five Sacred Mountains: from the Territorial Symbol to the Cultural Landscape－At the Moment of Application to the World Cultural Heritage of UNESCO－