scholarly journals The Mabinogi and the Shadow of Celtic Mythology

2018 ◽  
Vol 52 (1) ◽  
Author(s):  
Simon Rodway
Keyword(s):  
Author(s):  
Michael Shaw

This chapter argues that several Scottish cultural revivalists, including Patrick Geddes, John Duncan and Jessie M. King, enthusiastically embraced Edwardian historical pageantry. What pageantry offered these writers and artists was an opportunity to further disseminate the Celtic myths and ‘lines of descent’ they had built in heir writings and artworks. By focussing on two key pageants: The Scottish National Pageant of Allegory History and Myth (1908) and Patrick Geddes’s The Masque of Learning (1912), I reveal the importance of Celtic mythology to Scottish pageantry, as well as the ways that these pageants interrogated stadialist notions of historical progress. A sub-chapter is dedicated to Arthurianism in Scotland, where I highlight the ways in which the Scottish claim to King Arthur helped advance Scottish cultural revivalism. The chapter also complicates wider critical understandings of Edwardian British pageantry, and reveals a distinct tradition in Scotland.


1992 ◽  
Vol 30 (04) ◽  
pp. 30-1834-30-1834
Keyword(s):  

Author(s):  
Ivars Orehovs

Cultural-historical and literary gestalt in the Latvian short story “Saint Birgitta” (“Heliga Birgitta”) by Jānis EzeriņšThe Latvian author Jānis Ezeriņš’s (1891–1924) literary heritage includes, among other texts, the collection of short stories Fantastiska novele un citas (Fantastic short story and others, 1923). The collection contains the short story “Svētā Briģita” (“Saint Birgitta”), in which the author has used the image of a saint, which is very well known in the history of culture, literature and religion. The image can be related both to Celtic mythology and the historical Swedish personality, who had been the founder of Vadstena monastery and a literary author herself (approx. 1303–1373). The aim of the article is to explore the function of the image in the prose text by the Latvian author Ezeriņš and its connections with the cultural and historical personality of St. Birgitta. It is not typical of Ezeriņš’s writings to make such an explicit and direct association with this kind of legendary phenomena, therefore the inclusion of the text in the collection may suggest a connection between St. Birgitta’s individual destiny and enduring human values. This writer’s choice can also be seen as his own claim to international recognition.


Author(s):  
Aidan J. Thomson

Scholars of Arnold Bax have long acknowledged the influence of the Irish Literary Revival on the composer’s compositional output up to about 1920, of Sibelius from the late 1920s onwards, and of the continuity of styles between these two periods. In this article I argue that this continuity relies on what Bax draws from early Yeats, which is less Celtic mythology or folklore than a particular way of imagining nature; that Bax’s use as a compositional stimulus of what he called the ‘Celtic North’ (essentially the landscapes of western Ireland and north-western Scotland) had parallels in the literature and art of 1920s Ireland; and that the ‘Celtic North’ offers a means of critiquing inter-war English pastoralism, which has traditionally been associated with what Alun Howkins, after Hilaire Belloc, has called the ‘South Country’. Bax thus offers a musical engagement with nature that is essentially dystopian, sublime and (within the discourse of British pastoralism) non-Anglo Saxon.


1974 ◽  
Vol 34 (1) ◽  
pp. 129-137 ◽  
Author(s):  
Alf Hiltebeitel

Georges Dumézil's research on the myths, legends, rites, and social structures—in short, what he calls the “ideology”—of the Indo-Europeans has had, for the most part, considerable impact upon recent scholarly interpretation of the various Indo-European traditions. This holds not only for articles and monographs on specific matters. Better measure might be taken by noting the favorable discussion of his views and results in works whose intent is introductory or popular: Proinsias Mac Cana's Celtic Mythology (London, 1970), E. O. G. Turville-Petre's Myth and Religion of the North (New York, 1964), H. R. Ellis Davidson's Gods and Myths of Northern Europe (Penguin Books, 1964) and Scandinavian Mythology (London, 1969)—of whom none of the above are to be associated with Dumézil's “school”— and in responses pro and con by Iranicists. What one misses is a similar impact upon studies in two areas: Rome and India. And this is a remarkable and ironic fact, for it is Dumézil's work on these two pillars that, if one may say so, has fashioned the entrance to his edifice. It is not my intent to talk about Rome, but it is my impression that the situation is comparable to what one finds in the recent introductory and panoramic works on Hinduism: either no recognition of Dumézil's contribution at all (Thomas J. Hopkins, The Hindu Religious Tradition [Encino, Cal., 1971], Veronica Ions, Indian Mythology [London, 1967]), or facile dismissals (Robert C. Zaehner, Hinduism [London, 1966]).


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